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By MCN Editor editor@moviecitynews.com

Screen Media Films Acquires Award-Winning Festival Favorite “SHUFFLE”

FOR IMMEDIATE RELEASE

New York, March 29, 2012 – Suzanne Blech, president of Screen Media Films, has announced the acquisition of North American distribution rights to Kurt Kuenne’s thriller SHUFFLE with an eye towards a release in 3Q of 2012.  The film stars TJ Thyne as a man who wakes up at a different age in his life each morning and is seemingly helpless to stop it until he starts to see a pattern that could lead him out of the madness.

“SHUFFLE is a wonderfully imaginative thriller with twists that will challenge audiences and we are excited to introduce the film into the marketplace,” says Blech.  “Kurt Kuenne is a talent to take notice of right now.”

Filmmaker Kurt Kuenne says about the acquisition: “I’m thrilled to be working with Screen Media in bringing this film to the widest possible audience.  Suzanne Blech and her colleagues recognized and embraced this film prior to its recent shower of accolades, and that kind of belief and enthusiasm is something I respect tremendously.”

SHUFFLE is the tale of a man who begins experiencing his life out of order; every day he wakes up at a different age, on a different day of his life, never knowing where or when he’s going to be once he falls asleep.  He’s terrified and wants it to stop – until he notices a pattern in his experience, and works to uncover why this is happening to him – and what or who is behind it.

The film has received numerous awards on the festival circuit – including the Audience Award at Sedona International FF, the Director’s Spotlight Award at the Cleveland International FF, and the New Visions Award at Cinequest – in addition to playing at the following film festivals: Santa Barbara, Hollywood, Heartland (closing night film), St. Louis, Garden State (opening night film), and Atlanta. SHUFFLE will screen this weekend at the Phoenix FF and at the Vail FF, and will have its international premiere at the Brussels International Festival of Fantastic Film on April 6.

Part Twilight Zone-style mystery, part Frank Capra fantasy, SHUFFLE stars TJ Thyne, co-star of the hit TV show “Bones.”  The film’s voluminous prosthetic old age make-up was done by Barney Burman, winner of the 2010 Academy Award® for Best Make-up for “Star Trek.”  SHUFFLE was written, directed and scored by Kurt Kuenne, filmmaker of the acclaimed documentary “Dear Zachary” and the hit short film “Validation” (also starring TJ Thyne).  For more information about the film, please go to http://www.shufflethemovie.com/.

The deal was negotiated by Suzanne Blech and Seth Needle from Screen Media, and Josh Braun from Submarine on behalf of the filmmakers.

ABOUT SCREEN MEDIA

Screen Media acquires the rights to high quality, independent feature films for the US and Canada.  Screen Media’s theatrical releases include “La Mission,” starring Benjamin Bratt; “The City of Your Final Destination,” starring Anthony Hopkins and Laura Linney; “Lymelife,” starring Alec Baldwin, Emma Roberts and Cynthia Nixon and “The Private Lives of Pippa Lee” starring Robin Wright and Keanu Reeves. Since 2001, Screen Media Films has released more than 250 titles including “Noel,” starring Penelope Cruz and Susan Sarandon; “Sherrybaby,” starring Maggie Gyllenhaal; Kevin Bacon’s directorial debut, “Loverboy;” and Emmy nominated “Dog Whisperer” with Cesar Milan.

Screen Media Films is a division of Screen Media Ventures, LLC.  With a library of over 1,500 motion pictures, Screen Media Ventures is one of the largest independent suppliers of high quality motion pictures to U.S. and international broadcast markets, cable networks, home video outlets and new media venues. For more information, visit www.screenmediafilms.net.

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“Chad Harbach spent ten years writing his novel. It was his avocation, for which he was paid nothing, with no guarantee he’d ever be paid anything, while he supported himself doing freelance work, for which I don’t think he ever made $30,000 a year. I sold his book for an advance that equated to $65,000 a year—before taxes and commission—for each of the years of work he’d put in. The law schools in this country churn out first-year associates at white-shoe firms that pay them $250,000 a year, when they’re twenty-five years of age, to sit at a desk doing meaningless bullshit to grease the wheels of the corporatocracy, and people get upset about an excellent author getting $65,000 a year? Give me a fucking break.”
~ Book Agent Chris Parris-Lamb On The State Of The Publishing Industry

INTERVIEWER
Do you think this anxiety of yours has something to do with being a woman? Do you have to work harder than a male writer, just to create work that isn’t dismissed as being “for women”? Is there a difference between male and female writing?

FERRANTE
I’ll answer with my own story. As a girl—twelve, thirteen years old—I was absolutely certain that a good book had to have a man as its hero, and that depressed me. That phase ended after a couple of years. At fifteen I began to write stories about brave girls who were in serious trouble. But the idea remained—indeed, it grew stronger—that the greatest narrators were men and that one had to learn to narrate like them. I devoured books at that age, and there’s no getting around it, my models were masculine. So even when I wrote stories about girls, I wanted to give the heroine a wealth of experiences, a freedom, a determination that I tried to imitate from the great novels written by men. I didn’t want to write like Madame de La Fayette or Jane Austen or the Brontës—at the time I knew very little about contemporary literature—but like Defoe or Fielding or Flaubert or Tolstoy or Dostoyevsky or even Hugo. While the models offered by women novelists were few and seemed to me for the most part thin, those of male novelists were numerous and almost always dazzling. That phase lasted a long time, until I was in my early twenties, and it left profound effects.
~ Elena Ferrante, Paris Review Art Of Fiction No. 228

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