By MCN Editor editor@moviecitynews.com

Screen Media Films Acquires Award-Winning Festival Favorite “SHUFFLE”

FOR IMMEDIATE RELEASE

New York, March 29, 2012 – Suzanne Blech, president of Screen Media Films, has announced the acquisition of North American distribution rights to Kurt Kuenne’s thriller SHUFFLE with an eye towards a release in 3Q of 2012.  The film stars TJ Thyne as a man who wakes up at a different age in his life each morning and is seemingly helpless to stop it until he starts to see a pattern that could lead him out of the madness.

“SHUFFLE is a wonderfully imaginative thriller with twists that will challenge audiences and we are excited to introduce the film into the marketplace,” says Blech.  “Kurt Kuenne is a talent to take notice of right now.”

Filmmaker Kurt Kuenne says about the acquisition: “I’m thrilled to be working with Screen Media in bringing this film to the widest possible audience.  Suzanne Blech and her colleagues recognized and embraced this film prior to its recent shower of accolades, and that kind of belief and enthusiasm is something I respect tremendously.”

SHUFFLE is the tale of a man who begins experiencing his life out of order; every day he wakes up at a different age, on a different day of his life, never knowing where or when he’s going to be once he falls asleep.  He’s terrified and wants it to stop – until he notices a pattern in his experience, and works to uncover why this is happening to him – and what or who is behind it.

The film has received numerous awards on the festival circuit – including the Audience Award at Sedona International FF, the Director’s Spotlight Award at the Cleveland International FF, and the New Visions Award at Cinequest – in addition to playing at the following film festivals: Santa Barbara, Hollywood, Heartland (closing night film), St. Louis, Garden State (opening night film), and Atlanta. SHUFFLE will screen this weekend at the Phoenix FF and at the Vail FF, and will have its international premiere at the Brussels International Festival of Fantastic Film on April 6.

Part Twilight Zone-style mystery, part Frank Capra fantasy, SHUFFLE stars TJ Thyne, co-star of the hit TV show “Bones.”  The film’s voluminous prosthetic old age make-up was done by Barney Burman, winner of the 2010 Academy Award® for Best Make-up for “Star Trek.”  SHUFFLE was written, directed and scored by Kurt Kuenne, filmmaker of the acclaimed documentary “Dear Zachary” and the hit short film “Validation” (also starring TJ Thyne).  For more information about the film, please go to http://www.shufflethemovie.com/.

The deal was negotiated by Suzanne Blech and Seth Needle from Screen Media, and Josh Braun from Submarine on behalf of the filmmakers.

ABOUT SCREEN MEDIA

Screen Media acquires the rights to high quality, independent feature films for the US and Canada.  Screen Media’s theatrical releases include “La Mission,” starring Benjamin Bratt; “The City of Your Final Destination,” starring Anthony Hopkins and Laura Linney; “Lymelife,” starring Alec Baldwin, Emma Roberts and Cynthia Nixon and “The Private Lives of Pippa Lee” starring Robin Wright and Keanu Reeves. Since 2001, Screen Media Films has released more than 250 titles including “Noel,” starring Penelope Cruz and Susan Sarandon; “Sherrybaby,” starring Maggie Gyllenhaal; Kevin Bacon’s directorial debut, “Loverboy;” and Emmy nominated “Dog Whisperer” with Cesar Milan.

Screen Media Films is a division of Screen Media Ventures, LLC.  With a library of over 1,500 motion pictures, Screen Media Ventures is one of the largest independent suppliers of high quality motion pictures to U.S. and international broadcast markets, cable networks, home video outlets and new media venues. For more information, visit www.screenmediafilms.net.

# # #

Leave a Reply

Quote Unquotesee all »

“A shot is a story. A shot on its own should be a piece of a story. Which is why I talk a lot about watching films, even the films we’re working on, with the sound off. Just to analyze how the film works, because a film should work for an audience without any sound. The biggest problem I see is that someone may have a superficial understanding of what a shot is propositionally, but they don’t have an understanding of how all of these shots are part of a family that needs to connect, and so you’ll get something that’s like a sentence arranged poorly with six nouns in a row. That surprises me, because I think that’s something that can be learned. Some things can’t be, but that can. It’s a grammar. In a classroom I could walk somebody through the difference between a sequence in which the filmmaker has a deep understanding of how images connect, and someone who doesn’t. It’s not really an intellectual process. Some people are just born with it and are just sort of savants at that deep mathematical understanding of shot construction.  I’m better than I used to be, but there are some people I’m just never going to catch. Spielberg. His staging ability. I’m never going to catch him. But when you’re trying to figure out how to get better—I’m not competitive in the sense of looking around at other filmmakers and comparing myself to them. What I do have to think about in trying to navigate myself through a career is: what can I get better at, and what do I have that I can enhance that somebody else doesn’t have?”
~ Steven Soderbergh

“It’s not going to be huge. He and I had been corresponding for a while. When I finally met him, he said, ‘We should collaborate.’ When John Ashbery says that to you, you don’t say when, you just say yes. It has not been easy to conjure this out of nothing. Sean Price Williams and I spent time with him, and it will appear on FilmStruck before the year is out…. I have figured out how to streamline things. I still have dreams of making movies with bigger budgets, and they might be considered to have more of a voice in pop culture. I don’t want to let go of that. I also realize that you grow up a lot of your life with wishful thinking and waiting. I have figured out ways to avoid doing that. I am working on a bigger movie about Nikola Tesla, set in the past, so it is not an easy film to make. I am also working on an adaptation of Don DeLillo’s ‘White Noise.’ That seems more likely to catch fire.”
Michael Almereyda Steps It Up