“Robert Altman’s first film, according to IMDB. Transferred from a 16mm print discovered at a Kansas City swap & shop. Altman himself can be glimpsed at 2:37, in a cameo as a sports announcer.” [Via OpenCulture.]
Gonzalo Jimenez on: Borzage's MOONRISE (1948) opening (4'58')
Ben on: Dave Brubeck "Take Five," Live, 1966 (5'22")
Ricky on: RIP Taylor Mead
Fabian Villarreal on: A Rose For Roger
Exam Informer on: Noam Chomsky On How To Talk To Women (1'28")
Møller on: World's oldest cinema reopens in Beijing
Linda Murray on: RIP Jonathan Winters (6'02")
EM on: DVD Interview: Benh Zeitlin on Water
Ray Pride on: Siskel & Ebert On TAXI DRIVER (8'34")
spassky on: Siskel & Ebert On TAXI DRIVER (8'34")
Trailering AIN’T THEM BODIES SAINTS (2’29″)
GREAT GATSBY Party Preem In Sydney (4’43″)
Borzage’s MOONRISE (1948) opening (4’58′)
College Humor Collates All Of JJ Abrams’ Lens Flares In STAR TREK (8’30″)
Stream THE SOURCE FAMILY’s Psychedelic Soundtrack
Class Photo For NYMPH()MANIAC, Opening Christmas Day
Newt Gingrich’s Compelling New Andy Rooney Impersonation
Teasing “Cinéma, de notre temps: James Benning and Richard Linklater” (1’58″)
Trailering FRUITVALE STATION (2’19″)
RIP Taylor Mead: “Champagne” from COFFEE & CIGARETTES (6’02″)
see all »
RT @Sirenstorm: New Jarmusch: rock'n'roll vampires, ghost city Detroit, Kaurismäki-style humor, salute to analog devices. Liked Wasikowska …
RT @Pinboard: Once Yahoo controls all four railroads and utilities, it will become unstoppable
RT @lenadunham: 3. Because it grosses me out.
DP: @Dealfatigue Can’t do research right now, but last I did, grossed were in line w/ history of most genres in US. Costs of prod/mktg exploded
DP: @Dealfatigue 1. What measurement? 2. Domestic or international?
“The true punk film of the festival.”
~ Romain Blondeau On Claire Denis’ Les Saluds in Les Inrocks
“It’s also defined commercially by the difference between a colorful, Hawaii-set comedy starring George Clooney and a black-and-white, prairie-based old-age odyssey featuring a straggly and unkempt Bruce Dern. All the same, Paramount Vantage should be able to ride accolades for this very fine Cannes competition entry to respectable specialized returns in fall release.”
~ McCarthy On Nebraska
