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By DP30 david@thehotbuttonl.com

DP/30: Project X, actor Kirby Bliss Blanton

9 Responses to “DP/30: Project X, actor Kirby Bliss Blanton”

  1. sanj says:

    Kirby is keeping it real – this went pretty fast – i want 10 more minutes .

  2. Foamy Squirrel says:

    This doesn’t appear to be the same preview picture from when you first uploaded – someone contact you and ask to change?

  3. David Poland says:

    no, Foamy… YouTube only offers 3 screenshots. When I looked at the one that posted, I went in and picked another… takes time for it to be changed.

    This one’s better, no?

  4. Foamy Squirrel says:

    Much better. But being contacted by PR agents is also a better narrative. ;)

  5. sanj says:

    people sure notice the minor things – like the first 10 seconds there is something on the ceiling but nobody knows

    this could have been shot outside – you were 5 seconds away
    from that window.

  6. Josh M says:

    Great interview – she’s holding onto some serious starpower. I hope she’s given the chance.

  7. sanj says:

    she got feature in Maxim magazine – the girls of Project X
    its not that risky …

  8. MoretzRules says:

    LOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOK

    AT

    HEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEER.

    The only flaw in the magical Project X is that kid has THIS chick as his BEST FRIEND but doesn’t seem to notice for half the movie?

  9. The Pope says:

    Am I the only one having flashbacks to 1988 when I’m looking at some new actress from a movie called Dangerous Liaisons?

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DP/30

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“Almodóvar–the first name is almost unnecessary–is a genius, is a flower, is a guiding light: the last, best son of Buñuel and so much more than that. His screenplays, which he directs with passion and fine care, have taught us about the exteriors of his native land and the interiors of our own hearts. From the early, manic experimental Super-8 work to the breakthrough Women on the Verge of a Nervous Breakdown, his titles are as evocative as most people’s screenplays. Yet for all their antic energy, Almodóvar’s films are deeply spiritual: watching his disturbing, mysterious, heart-rending Talk to Her is to understand, perhaps for the first time, the full meaning of grace. An Almodóvar screenplay is a running leap off a Gaudi balcony, it flips, soars, ascends, careens, tumbles, falls – always landing, astonishingly and astonished, on its feet.”
~ Howard A. Rodman, Announcing Almodóvar’s Jean Renoir Award

“I got a feeling I am going to win in the long run, but I want to be part of the zeitgeist, too. I want to support young girls who are in their 20s now and tell them: You’re not just imagining things. It’s tough. Everything that a guy says once, you have to say five times. Girls now are also faced with different problems. I’ve been guilty of one thing: After being the only girl in bands for 10 years, I learned—the hard way—that if I was going to get my ideas through, I was going to have to pretend that they—men—had the ideas. I became really good at this and I don’t even notice it myself. I don’t really have an ego. I’m not that bothered. I just want the whole thing to be good. And I’m not saying one bad thing about the guys who were with me in the bands, because they’re all amazing and creative, and they’re doing incredible things now. But I come from a generation where that was the only way to get things done. So I have to play stupid and just do everything with five times the amount of energy, and then it will come through.”
~ Björk to Jessica Hopper at Pitchfork