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By DP30 david@thehotbuttonl.com

DP/30: Project X, actor Kirby Bliss Blanton

9 Responses to “DP/30: Project X, actor Kirby Bliss Blanton”

  1. sanj says:

    Kirby is keeping it real – this went pretty fast – i want 10 more minutes .

  2. Foamy Squirrel says:

    This doesn’t appear to be the same preview picture from when you first uploaded – someone contact you and ask to change?

  3. David Poland says:

    no, Foamy… YouTube only offers 3 screenshots. When I looked at the one that posted, I went in and picked another… takes time for it to be changed.

    This one’s better, no?

  4. Foamy Squirrel says:

    Much better. But being contacted by PR agents is also a better narrative. 😉

  5. sanj says:

    people sure notice the minor things – like the first 10 seconds there is something on the ceiling but nobody knows

    this could have been shot outside – you were 5 seconds away
    from that window.

  6. Josh M says:

    Great interview – she’s holding onto some serious starpower. I hope she’s given the chance.

  7. sanj says:

    she got feature in Maxim magazine – the girls of Project X
    its not that risky …

  8. MoretzRules says:

    LOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOK

    AT

    HEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEER.

    The only flaw in the magical Project X is that kid has THIS chick as his BEST FRIEND but doesn’t seem to notice for half the movie?

  9. The Pope says:

    Am I the only one having flashbacks to 1988 when I’m looking at some new actress from a movie called Dangerous Liaisons?

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DP/30

Quote Unquotesee all »

INTERVIEWER
Do you outline plays before you start to write them?

PINTER
Not at all. I don’t know what kind of characters my plays will have until they…well, until they are. Until they indicate to me what they are. I don’t conceptualize in any way. Once I’ve got the clues I follow them—that’s my job, really, to follow the clues.

INTERVIEWER
What do you mean by clues? Can you remember how one of your plays developed in your mind—or was it a line-by-line progression?

PINTER
Of course I can’t remember exactly how a given play developed in my mind. I think what happens is that I write in a very high state of excitement and frustration. I follow what I see on the paper in front of me—one sentence after another. That doesn’t mean I don’t have a dim, possible overall idea—the image that starts off doesn’t just engender what happens immediately, it engenders the possibility of an overall happening, which carries me through. I’ve got an idea of what might happen—sometimes I’m absolutely right, but on many occasions I’ve been proved wrong by what does actually happen. Sometimes I’m going along and I find myself writing “C. comes in” when I didn’t know that he was going to come in; he had to come in at that point, that’s all.
~ Harold Pinter

“I love Los Angeles. Have I said that? I love it all. The earnestness. The artifice. The blowsy, sunny beauty. The bland, bland, pleasant weather.  The drama of traffic. I love that people don’t know how to make conversation and can’t recognize a joke at a hundred paces. I love that people care about silly things and embrace ridiculousness wholeheartedly. I had a serious conversation with a good friend about his fascination with channeling, for example. Channeling. “I don’t think you’re patient enough for it,” he said and all I could think about was Shirley MacLaine with ectoplasm coming out of her head. Of course I’m fucking patient I thought. I’m fucking spiritual. Shove that up your namaste. Ha ha ha. I love that I’ve become desperately un-English, in the immortal words of my friend Giles, and yet not quite American.”
~ Bumble Ward In The Present Los Angeles Moment

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