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Kim Voynar

By Kim Voynar Voynar@moviecitynews.com

Disney Out $200 Million on John Carter? Zing.

Here’s the story over on Reuters.

$184 MILLION box office and still $200 MILLION in the red. That is fucking insane, people. I liked John Carter, a lot, and completely disagree that it was hard to follow. My eight-year-old followed it just fine and he’s certainly not familiar with the source material. The marketing was ambiguous at best. The title was boring. Leaving the title as “Princess of Mars” probably would have made it seem inherently more interesting, although Disney would probably have drawn the ire of smart-ass, overly sensitive women like myself for calling it “Princess of Mars” — even if that was the original title — when it’s really about a man saving a woman. But whatever. “Princess of Mars” sounds like it has stuff happening. A princess in peril, a civilization — nay, a world! — in dire need of an unlikely hero! Whereas “John Carter” sounds like your boring, closeted gay uncle who likes to talk about his insect collection and has tufts of hair growing out his ears and fidgets with his change in his pants pockets incessantly.

But the reported $250 million budget boggles the mind, does it not? I get that it’s all relative, and so long as you make a profit and not a $200 million loss no one really cares. But man. You could make a lot of indie films, if you had that much money to put into a trust fund, and dole out a few films at a time. Yowza.

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“It was always a crisis, but we had a great time,” James Schamus said, grinning. “Now I know how much fun directing is. I didn’t know. No one told me.”

“Athina Rachel Tsangari looks at men as if they are creatures from one of the wildlife documentaries she referred to in her poignant debut Attenberg. She is part of a undeclared new school of cinema, which might be called ‘The Behaviouralists’. So far there is only one other member of this school, Yorgos Lanthimos, whom she has previously collaborated with. He recently made The Lobster which sees Colin Farrell play a man who chooses a lobster as the animal he must turn into if he loses a bizarre relationship game in a hotel-cum-sanitorium. Games, systems and rules are essential for the Behaviouralists yet always in flux.”
~ Bert Rebhandl in Frieze

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