“Let me try and be as direct as I possibly can with you on this. There was no relationship to repair. I didn’t intend for Harvey to buy and release The Immigrant – I thought it was a terrible idea. And I didn’t think he would want the film, and I didn’t think he would like the film. He bought the film without me knowing! He bought it from the equity people who raised the money for me in the States. And I told them it was a terrible idea, but I had no say over the matter. So they sold it to him without my say-so, and with me thinking it was a terrible idea. I was completely correct, but I couldn’t do anything about it. It was not my preference, it was not my choice, I did not want that to happen, I have no relationship with Harvey. So, it’s not like I repaired some relationship, then he screwed me again, and I’m an idiot for trusting him twice! Like I say, you try to distance yourself as much as possible from the immediate response to a movie. With The Immigrant I had final cut. So he knew he couldn’t make me change it. But he applied all the pressure he could, including shelving the film.”
~ James Gray
By Kim Voynar Voynar@moviecitynews.com
Disney Out $200 Million on John Carter? Zing.
$184 MILLION box office and still $200 MILLION in the red. That is fucking insane, people. I liked John Carter, a lot, and completely disagree that it was hard to follow. My eight-year-old followed it just fine and he’s certainly not familiar with the source material. The marketing was ambiguous at best. The title was boring. Leaving the title as “Princess of Mars” probably would have made it seem inherently more interesting, although Disney would probably have drawn the ire of smart-ass, overly sensitive women like myself for calling it “Princess of Mars” — even if that was the original title — when it’s really about a man saving a woman. But whatever. “Princess of Mars” sounds like it has stuff happening. A princess in peril, a civilization — nay, a world! — in dire need of an unlikely hero! Whereas “John Carter” sounds like your boring, closeted gay uncle who likes to talk about his insect collection and has tufts of hair growing out his ears and fidgets with his change in his pants pockets incessantly.
But the reported $250 million budget boggles the mind, does it not? I get that it’s all relative, and so long as you make a profit and not a $200 million loss no one really cares. But man. You could make a lot of indie films, if you had that much money to put into a trust fund, and dole out a few films at a time. Yowza.