“Let me try and be as direct as I possibly can with you on this. There was no relationship to repair. I didn’t intend for Harvey to buy and release The Immigrant – I thought it was a terrible idea. And I didn’t think he would want the film, and I didn’t think he would like the film. He bought the film without me knowing! He bought it from the equity people who raised the money for me in the States. And I told them it was a terrible idea, but I had no say over the matter. So they sold it to him without my say-so, and with me thinking it was a terrible idea. I was completely correct, but I couldn’t do anything about it. It was not my preference, it was not my choice, I did not want that to happen, I have no relationship with Harvey. So, it’s not like I repaired some relationship, then he screwed me again, and I’m an idiot for trusting him twice! Like I say, you try to distance yourself as much as possible from the immediate response to a movie. With The Immigrant I had final cut. So he knew he couldn’t make me change it. But he applied all the pressure he could, including shelving the film.”
~ James Gray
By MCN Editor email@example.com
AMERICAN SYMPHONY ORCHESTRA PREMIERES NEW CELLO CONCERTO BY HOWARD SHORE APRIL 27 & 28
For Immediate Release
March 28, 2012
MYTHIC GARDENS COMPOSED FOR CELLIST SOPHIE SHAO, COMMISSIONED BY ASO
On April 27 and 28 the American Symphony Orchestra and Music Director and Conductor Leon Botstein present the world premiere performances of Howard Shore’s Mythic Gardens at the Richard B. Fisher Center for the Arts at Bard College. Commissioned by the Orchestra thanks to a generous gift from Stuart and Linda Nelson, Shore composed the concerto for cellist Sophie Shao, who will premiere the work.
Award-winning composer (including the score of The Lord of the Rings trilogy), Shore first worked with Shao when she performed solo cello pieces on his score for the Oscar nominated 2008 documentary The Betrayal (Nerakhoon). Shore says that “the concerto was conceived for the masterful playing of Sophie Shao and for the depth and beauty of the 1860 Honore Derazey cello in her hands. The work was inspired by the architecture of three classic Italian Gardens: Cimbrone, Medici and Visconti Borremeo Litta.” Mythic Gardens is a companion piece to Shore’s 2010 piano concerto Ruin and Memory which he composed for Lang Lang.
“I am so excited to premiere this complex piece, full of such beautiful and dramatic moments,” says Shao. “Just to have the opportunity to perform a Howard Shore work in front of a live audience is a thrill.”
The work will be presented as part of a program that also includes works by Lutosławski, Brubeck and Bartók. See below for full details.
American Symphony Orchestra
Friday & Saturday, April 27 & 28, 2012
Richard B. Fisher Center for the Arts at Bard College
7:00 p.m. Preconcert Talk with Peter Laki
8:00 p.m. Concert
Tickets: $25, 35, 40
Concerto for Orchestra
Prague Concerto for Bass Trombone and Orchestra
Tamas Markovics, bass trombone
Mythic Gardens, Concerto for Cello and Orchestra
Sophie Shao, cello
Concerto for Orchestra
Tickets can be purchased through fishercenter.bard.edu, in person at the Fisher Center Office, or by calling (845) 758-7900.
About the American Symphony Orchestra
Founded in 1962 by legendary conductor Leopold Stokowski, the American Symphony Orchestra continues its mission to demystify orchestral music, and make it accessible and affordable to everyone. Under music director Leon Botstein, the ASO has pioneered what the Wall Street Journal called “a new concept in orchestras,” presenting concerts curated around various themes drawn from the visual arts, literature, politics and history, and unearthing rarely-performed masterworks for well-deserved revival. These concerts are performed in the Vanguard Series at Carnegie Hall.
The orchestra also performs in the celebrated concert series Classics Declassified at Peter Norton Symphony Space, and is the resident orchestra of the Richard B. Fisher Center for the Performing Arts at Bard College, where it appears in a winter subscription series as well as Bard’s annual SummerScape Festival and the Bard Music Festival. In 2010, the American Symphony became the resident orchestra of The Collegiate Chorale, performing regularly in the Chorale’s New York concert series. The orchestra has made several tours of Asia and Europe, and has performed in countless benefits for organizations including the Jerusalem Foundation and PBS.
ASO’s award-winning music education program, Music Notes, integrates symphonic music into core humanities classes in high schools across the tri-state area.
In addition to albums released on the Telarc, New World, Bridge, Koch and Vanguard labels, many live performances by the American Symphony Orchestra are now available for digital download. In many cases, these are the only existing recordings of some of the rare works that have been rediscovered in ASO performances.
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