By MCN Editor editor@moviecitynews.com

THE MUSIC BOX THEATRE TO “OUTGUESS EBERT”

FOR IMMEDIATE RELEASE:

Chicago, IL, 2/20/12 — Last Friday the Music Box Theatre, via its social networks, threw down the gauntlet and challenged Roger Ebert, one of the greatest living film critics, to a battle of Oscar guesses.  After a period of what we can only assume was deep and thoughtful consideration, Mr. Ebert publicly accepted our‘foolish’ challenge.

On February 8th, as part of his annual “Outguess Ebert” contest, Mr. Ebert announced his predictions for the 2012 Academy Awards, which take place this Sunday.  The Music Box (and its fans) believe we know better.

From Mr. Ebert’s website: “In self-defense, I will point out that the deadline for my predictions was Feb. 7, with the Oscars more than two weeks away, on Feb. 26. Predicting so far in advance is a handicap, and as a result, you have an excellent chance of outguessing me. Still, this annual contest is fun and provides me with an opportunity to show how badly I can do.”

The Music Box Theatre will solicit the opinions of their over 13,000 Facebook fans and nearly 8,000 Twitter Followers in six categories to help make predictions to outguess Ebert.

So, while the winners of Mr. Ebert’s challenge could win an all-expense paid free trip to L.A. for a film premiere, the gentleman’s bet between the Music Box Staff and Ebert is simple… if the Music Box Theatre wins, Mr. Ebert will offer up signed copies of his books to give away to Music Box patrons… but if we lose, and dark prevails, Mr. Ebert will get to pick a film of his choosing to screen publicly at the Music Box Theatre.

That’s right, if Roger wins, he gets the Music Box for a night.

Here’s how it will work: From Monday, February 20th through Friday, February 24th the Music Box will post a Facebook poll each day, asking the assistance of their fans in making a decision in five categories:  Foreign Language Film, Best Director, Best Actress, Best Actor, & Best Picture—at the end of the workday, the Music Box staff will make a prediction and award prizes to those who participated!

On Sunday night either the Music Box or Mr. Ebert will emerge victorious.  Tune in to the Music Box Theatre Facebook and Twitter feeds for all the fun!

https://www.facebook.com/musicboxchicago
http://twitter.com/musicboxtheatre

People are encouraged to sign up for the official “Outguess Ebert” contest here:

http://suntimes.upickem.net/upickem/contest/questions.asp?contestid=50026

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Julian Schnabel: Years ago, I was down there with my cousin’s wife Corky. She was wild — she wore makeup on her legs, and she had a streak in her hair like Yvonne De Carlo in “The Munsters.” She liked to paint. I had overalls on with just a T-shirt and looked like whatever. We were trying to buy a bunch of supplies with my cousin Jesse’s credit card. They looked at the credit card, and then they looked at us and thought maybe we stole the card, so they called Jesse up. He was a doctor who became the head of trauma at St. Vincent’s. They said, “There’s somebody here with this credit card and we want to know if it belongs to you.”

He said, “Well, does the woman have dyed blonde hair and fake eyelashes and look like she stepped out of the backstage of some kind of silent movie, and is she with some guy who has wild hair and is kind of dressed like a bum?”

“Yeah, that’s them.”

“Yeah, that’s my cousin and my wife. It’s okay, they can charge it on my card.”
~ Julian Schnabel Remembers NYC’s Now-Shuttered Pearl Paint

MB Cool. I was really interested in the aerial photography from Enter the Void and how one could understand that conceptually as a POV, while in fact it’s more of an objective view of the city where the story takes place. So it’s an objective and subjective camera at the same time. I know that you’re interested in Kubrick. We’ve talked about that in the past because it’s something that you and I have in common—

GN You’re obsessed with Kubrick, too.

MB Does he still occupy your mind or was he more of an early influence?

GN He was more of an early influence. Kubrick has been my idol my whole life, my own “god.” I was six or seven years old when I saw 2001: A Space Odyssey, and I never felt such cinematic ecstasy. Maybe that’s what brought me to direct movies, to try to compete with that “wizard of Oz” behind the film. So then, years later, I tried to do something in that direction, like many other directors tried to do their own, you know, homage or remake or parody or whatever of 2001. I don’t know if you ever had that movie in mind for your own projects. But in my case, I don’t think about 2001 anymore now. That film was my first “trip” ever. And then I tried my best to reproduce on screen what some drug trips are like. But it’s very hard. For sure, moving images are a better medium than words, but it’s still very far from the real experience. I read that Kubrick said about Lynch’s Eraserhead, that he wished he had made that movie because it was the film he had seen that came closest to the language of nightmares.

Matthew Barney and Gaspar Noé