The Hobbit: Battle of the Five Armies

By MCN Editor editor@moviecitynews.com

Radius-TWC Acquires BACHELORETTE

New York, NY, February 7, 2012 – The Weinstein Company (TWC) announced today that its new label, Radius-TWC, has acquired from Strategic Motion Ventures the North American distribution rights to the comedy BACHELORETTE, the debut feature from writer-director Leslye Headland. Adapted by Headland from her acclaimed stage play of the same name, BACHELORETTE had its world premiere in the 2012 Sundance Film Festival Premieres section. The film is the first to be acquired in the open marketplace by Radius-TWC, which was created in fall 2011 to bring new films and other specialty entertainment to audiences simultaneously across multiple platforms. The announcement was made by Radius-TWC Co-Presidents Tom Quinn and Jason Janego.

A raucous comedy about a group of friends who bring decidedly mixed feelings to the task of planning a wedding, BACHELORETTE stars Kirsten Dunst (MELANCHOLIA), Isla Fisher (CONFESSIONS OF A SHOPAHOLIC), Lizzy Caplan (“New Girl”), James Marsden (ENCHANTED), Kyle Bornheimer (SHE’S OUT OF MY LEAGUE), Rebel Wilson (BRIDESMAIDS) and Adam Scott (OUR IDIOT BROTHER). The producers are Adam McKay, Will Ferrell, Jessica Elbaum for Gary Sanchez Productions; and Brice Dal Farra, Claude Dal Farra and Lauren Munsch for BCDF Pictures. The executive producers are Gary Sanchez Productions’ Chris Henchy and BCDF Pictures’ Paul Prokop. The announcement was made by Radius-TWC Co-Presidents Tom Quinn and Jason Janego.

Commented Quinn and Janego, “Leslye has crafted a raging, stiletto-sharp comedy populated with an indelible cast of real characters. BACHELORETTE boldly goes to places BRIDESMAIDS and HANGOVER dare not. This is destined to be one of the most talked-about films of the year and we can’t think of a more fitting film for our new label.”

In a joint statement, BCDF & Gary Sanchez Productions, stated “We are excited to have the passion of Harvey and the Radius/TWC team of Tom Quinn & Jason Janego behind the fresh talent of Leslye Headland & her ground breaking film Bachelorette. They are the perfect team to partner with on this picture and we are thrilled to be in collaboration. Their vision & expertise will broadly carry this picture to American audiences.”

The deal was negotiated for Radius-TWC by Quinn and Janego and by CAA on behalf of the filmmakers.

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The Hobbit: Battle of the Five Armies

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“Any time a movie causes a country to threaten nuclear retaliation, the higher-ups wanna get in a room with you… In terms of getting the word out about the movie, it’s not bad. If they actually make good on it, it would be bad for the world—but luckily that doesn’t seem like their style… We’ll make a movie that maybe for two seconds will make some 18-year-old think about North Korea in a way he never would have otherwise. Or who knows? We were told one of the reasons they’re so against the movie is that they’re afraid it’ll actually get into North Korea. They do have bootlegs and stuff. Maybe the tapes will make their way to North Korea and cause a fucking revolution. At best, it will cause a country to be free, and at worst, it will cause a nuclear war. Big margin with this movie.”
~ Seth Rogen In Rolling Stone 1224

“Yes, good movies sprout up, inevitably, in the cracks and seams between the tectonic plates on which all of these franchises stay balanced, and we are reassured of their hardiness. But we don’t see what we don’t see; we don’t see the effort, or the cost of the effort, or the movies of which we’re deprived because of the cost of the effort. Paul Thomas Anderson’s Inherent Vice may have come from a studio, but it still required a substantial chunk of outside financing, and at $35 million, it’s not even that expensive. No studio could find the $8.5 million it cost Dan Gilroy to make Nightcrawler. Birdman cost a mere $18 million and still had to scrape that together at the last minute. Imagine American movie culture for the last few years without Her or Foxcatcher or American Hustle or The Master or Zero Dark Thirty and it suddenly looks markedly more frail—and those movies exist only because of the fairy godmothership of independent producer Megan Ellison. The grace of billionaires is not a great business model on which to hang the hopes of an art form.”
~ Mark Harris On The State Of The Movies