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David Poland

By David Poland poland@moviecitynews.com

Matt Labov To Academy: You Are My Bitch.

“The Academy caught wind of our idea and pulled his tickets. They went to war with us, made threats, got embarrassed, panicked, and reversed their position only after the press backlash portrayed them as stodgy. Plain and simple, that’s how it happened.”

8 Responses to “Matt Labov To Academy: You Are My Bitch.”

  1. waterbucket says:

    Am I the only one who really don’t like Sasha Cohen after this debacle? What a stunt queen.

  2. SamLowry says:

    Well, what part of his career didn’t involve stunts? Go way back to Ali G and still all he’s doing is pretending to be a real journalist to get bizarre interviews with real newsmakers.

    Take away the stunts and he’s a nobody, please.

  3. waterbucket says:

    That’s certainly true. But the other stunts were fun in spirit. This one not so much. I guess there are only so many stunts you can pull before it gets old.

  4. Ivan says:

    I think this was the deal between Sasha Baron Cohen and the Academy from the start, and it worked for both sides. I am definitely watching red carpet arrivals this year!

  5. cadavra says:

    Never liked the guy and wish Marty had cast someone else in HUGO.

  6. Joe Straatmann says:

    Even without Cohen in the role, it still would’ve felt like his character belonged in a different movie. His character seemed like he wandered out of Amelie. I could see Amelie trying to get him together with the flower girl, having it go wrong, blah blah blah. It’s weird that he’s the antagonist and he gets a scene where he gets carried off by the train where it goes a little too far. Yeah, we’re not supposed to like him at this point, but he’s also a war veteran with a disability who’s just doing his job. Was I supposed to laugh at that? It was part of the first hour that simply seemed it was setting up the movie Scorsese REALLY wanted to make.

  7. grandcosmo says:

    “Cohen said: ‘Victory is ours! Today the Mighty Nation of Wadiya triumphed over the Zionist snakes of Hollywood.'”

    Another triumph by the power of marketing.

  8. Krillian says:

    Has anyone written a column yet this year about how the Academy Awards are too white? That would be a fantastic original column.

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“Last night’s Oscar bizarreness was not just bizarre but bizarre in a way that is typical of this entirely bizarre time. The rhythm of the yes-they-won-oh-my-God-no-they-didn’t event, with La La Land replaced by Moonlight as Best Picture, was weirdly like that of… Election Night. First, a more or less expected, if “safe,” result was on its way—though Hillary Clinton never got all the way to the stage, so to speak, the result did seem safely in hand at 7pm., according to the polling—and the expected and safe people were ready to deliver their touching but obviously polished pieces. Then the sudden confusion and visible near-panic of people running around in the backgroun, with the same slightly horrified spirit that one felt on Election Night as shocking results began emerging from exurban counties in Florida. Then, yes—can this be happening?—the revised and unexpected result.

“In this case, obviously, the result was positive to all but the poor La La Land producers, with their earnest and spouse-approved speeches already delivered. Moonlight was no Donald Trump of cinema, and obviously a popular favorite. But the rhythm of the night was disconcertingly the same, and the sheer improbability of the happenstance scarily alike. Nothing like this has remotely happened before. This wasn’t just a minor kerfuffle. This was a major malfunction. Trump cannot be President. People don’t say “Grab ’em by the pussy” and get elected President. Can’t happen. In the same way, while there have been Oscar controversies before—tie votes and rejected trophies—never before has there been an occasion when the entirely wrong movie was given the award, the speeches delivered, and then another movie put in its place. That doesn’t happen. Ever.

“And so both of these bizarre events put one in mind of a simple but arresting thesis: that we are living in the Matrix, and something has gone wrong with the controllers. This idea was, I’m told, put forward first and most forcibly by the NYU philosopher David Chalmers: what is happening lately, he says, is proof that we are living in a computer simulation and that something has recently gone haywire within it. The people or machines or aliens who are supposed to be running our lives are having some kind of breakdown. There’s a glitch, and we are in it. There may be not merely a glitch in the Matrix. There may be a Loki, a prankster, suddenly running it.”
~ Adam Gopnik

“I think they were focused so hard on politics that they didn’t get the act together at the end,” President Trump said. “It was a little sad. It took away from the glamour of the Oscars. It didn’t feel like a very glamorous evening. I’ve been to the Oscars. There was something very special missing, and then to end that way was sad.”
~ Trump Offers Breitbart Exclusive On His Thinking About Oscar