MCN Blogs
David Poland

By David Poland poland@moviecitynews.com

Matt Labov To Academy: You Are My Bitch.

“The Academy caught wind of our idea and pulled his tickets. They went to war with us, made threats, got embarrassed, panicked, and reversed their position only after the press backlash portrayed them as stodgy. Plain and simple, that’s how it happened.”

8 Responses to “Matt Labov To Academy: You Are My Bitch.”

  1. waterbucket says:

    Am I the only one who really don’t like Sasha Cohen after this debacle? What a stunt queen.

  2. SamLowry says:

    Well, what part of his career didn’t involve stunts? Go way back to Ali G and still all he’s doing is pretending to be a real journalist to get bizarre interviews with real newsmakers.

    Take away the stunts and he’s a nobody, please.

  3. waterbucket says:

    That’s certainly true. But the other stunts were fun in spirit. This one not so much. I guess there are only so many stunts you can pull before it gets old.

  4. Ivan says:

    I think this was the deal between Sasha Baron Cohen and the Academy from the start, and it worked for both sides. I am definitely watching red carpet arrivals this year!

  5. cadavra says:

    Never liked the guy and wish Marty had cast someone else in HUGO.

  6. Joe Straatmann says:

    Even without Cohen in the role, it still would’ve felt like his character belonged in a different movie. His character seemed like he wandered out of Amelie. I could see Amelie trying to get him together with the flower girl, having it go wrong, blah blah blah. It’s weird that he’s the antagonist and he gets a scene where he gets carried off by the train where it goes a little too far. Yeah, we’re not supposed to like him at this point, but he’s also a war veteran with a disability who’s just doing his job. Was I supposed to laugh at that? It was part of the first hour that simply seemed it was setting up the movie Scorsese REALLY wanted to make.

  7. grandcosmo says:

    “Cohen said: ‘Victory is ours! Today the Mighty Nation of Wadiya triumphed over the Zionist snakes of Hollywood.’”

    Another triumph by the power of marketing.

  8. Krillian says:

    Has anyone written a column yet this year about how the Academy Awards are too white? That would be a fantastic original column.

Leave a Reply

The Hot Blog

PcChongor on: BYOB: MIke Nichols

Sam on: BYOB: MIke Nichols

Hideki Oshiro on: DP/30: I AM, director Tom Shadyac

The Pope on: BYOB: MIke Nichols

KrazyEyes on: BYOB: MIke Nichols

movieman on: BYOB 111614

cadavra on: BYOB 111614

movieman on: BYOB: MIke Nichols

Kristopher Tapley on: BYOB: MIke Nichols

Brady on: Netflix, Nielsen, and The Elephant In The Room

Quote Unquotesee all »

 “Teaching how to make a film is like trying to teach someone how to fuck. You can’t. You have to fuck to learn how to fuck. It’s just how it is. The filmmaker has to protect the adventurous side of their self. I’m an explorer, I’m an inventor. Doc Brown is the character I relate to the most and he’s a madman. He’s a madman alone, locked up with his ideas but he does whatever he wants. He makes what he makes because he wants to make it. Yes, the DeLorean has to work in order for him to be a madman with a purpose—the DeLorean should work—but the point is I think everyone should try and find their own DeLorean. When Zemeckis was trying to get Back To The Future made, which he was for seven years, he was trying to get a film made where basically a teenager gets in a time machine, goes back to 1954 and almost —-s his mother. That pitch is extremely subversive and twisted in a way. My point is, he had a fascinating idea that no one had done before, but was clearly special to him and he stuck to it and made it what it was. When you do that you can create culture, but I think a lot of movies are just echoing culture and there’s a difference.”
~ A Girl Walks Home Alone At Night Filmmaker Ana Lily Amirpour

Six rules for filmmaking from Mike Nichols
1. The careful application of terror is an important form of communication.
2. Anything worth fighting for is worth fighting dirty for.
3. There’s absolutely no substitute for genuine lack of preparation.
4. If you think there’s good in everybody, you haven’t met everybody.
5. Friends may come and go but enemies will certainly become studio heads.
6. No one ever lost anything by asking for more money.
~ Via Larry Karaszewski and Howard A. Rodman On Facebook