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David Poland

By David Poland poland@moviecitynews.com

Matt Labov To Academy: You Are My Bitch.

“The Academy caught wind of our idea and pulled his tickets. They went to war with us, made threats, got embarrassed, panicked, and reversed their position only after the press backlash portrayed them as stodgy. Plain and simple, that’s how it happened.”

8 Responses to “Matt Labov To Academy: You Are My Bitch.”

  1. waterbucket says:

    Am I the only one who really don’t like Sasha Cohen after this debacle? What a stunt queen.

  2. SamLowry says:

    Well, what part of his career didn’t involve stunts? Go way back to Ali G and still all he’s doing is pretending to be a real journalist to get bizarre interviews with real newsmakers.

    Take away the stunts and he’s a nobody, please.

  3. waterbucket says:

    That’s certainly true. But the other stunts were fun in spirit. This one not so much. I guess there are only so many stunts you can pull before it gets old.

  4. Ivan says:

    I think this was the deal between Sasha Baron Cohen and the Academy from the start, and it worked for both sides. I am definitely watching red carpet arrivals this year!

  5. cadavra says:

    Never liked the guy and wish Marty had cast someone else in HUGO.

  6. Joe Straatmann says:

    Even without Cohen in the role, it still would’ve felt like his character belonged in a different movie. His character seemed like he wandered out of Amelie. I could see Amelie trying to get him together with the flower girl, having it go wrong, blah blah blah. It’s weird that he’s the antagonist and he gets a scene where he gets carried off by the train where it goes a little too far. Yeah, we’re not supposed to like him at this point, but he’s also a war veteran with a disability who’s just doing his job. Was I supposed to laugh at that? It was part of the first hour that simply seemed it was setting up the movie Scorsese REALLY wanted to make.

  7. grandcosmo says:

    “Cohen said: ‘Victory is ours! Today the Mighty Nation of Wadiya triumphed over the Zionist snakes of Hollywood.'”

    Another triumph by the power of marketing.

  8. Krillian says:

    Has anyone written a column yet this year about how the Academy Awards are too white? That would be a fantastic original column.

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“I’m a governor in the Academy, so I cannot talk freely. We have meetings that are sometimes filled with disputes, but everything stays in the room. But I can tell you that this is a full industry issue. The Oscar nominations are for achievements at the top of someone’s career. It’s less an Academy issue than an employer issue. Employers have to hire with diversity for people to do content that can become choices for Academy members to nominate. I dispute the notion Academy members vote by race or gender. The choices presented to Academy voters are the choices presented by the industry, which elected which movies to make and which people to hire. The real change has to occur at the base. It’s a huge issue.”
~ Michael Mann On Diversity

“Jonas Mekas spoke a lot about ‘necessity’ last night at the Film Society. “Why do anything if it’s not needed,” he asked at one point. Mekas said that he created a publication, wrote for the Village Voice, founded an archive, because it was necessary.

“Somebody had to do it,” the 93 year old Mekas said, standing during the entire hourlong Q&A. He also spoke to the notion of curation: “If I see something I like, I don’t really enjoy it unless I can share it with others.”
~ Jonas Mekas, via Eugene Hernandez