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By DP30 david@thehotbuttonl.com

DP/30: Tinker Tailor Solider Spy, actor Gary Oldman

And an earlier chat with Gary and his co-star Mark Strong.

5 Responses to “DP/30: Tinker Tailor Solider Spy, actor Gary Oldman”

  1. sanj says:

    i liked the earlier chat better …

    this is way too serious interview . would be better to do these outside where he doesn’t look so evil.

  2. Tuck Pendelton says:

    Nicely done DP. Good interview.

  3. lily says:

    Oh, sanj. Always the ray of sunshine, aren’t you?

    This is a wonderful interview with a wonderful actor. He really lets you get a feel of what it means to be a professional actor :)

  4. DiscoNap says:

    He sounds almost American all the time now, you forget how long he’s been here. His accent at this point is flatter than Aiden Gillen’s much lamented voice on The Wire.

  5. Niklas says:

    Great interview. Very open and insightful. Thanks Gary and DP/30 for interviewing a great actor.

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DP/30

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“There are critics who see their job as to be on the side of the artist, or in a state of imaginative sympathy or alliance with the artist. I think it’s important for a critic to be populist in the sense that we’re on the side of the public. I think one of the reasons is, frankly, capitalism. Whether you’re talking about restaurants or you’re talking about movies, you’re talking about large-scale commercial enterprises that are trying to sell themselves and market themselves and publicize themselves. A critic is, in a way, offering consumer advice. I think it’s very, very important in a time where everything is commercialized, commodified, and branded, where advertising is constantly bleeding into other forms of discourse, for there to be an independent voice kind of speaking to—and to some extent on behalf of—the public.”
~ A. O. Scott On One Role Of The Critic

“Every night, we’d sit and talk for a long, long time and talk about the process and I knew he was very, very intrigued about what could be happening. Then of course, one of the fascinating things he told me about was how he had readers who were reading for him that never knew it was Stanley Kubrick. So if he heard of a novel, he would send it out to people. I think he did it through newspaper ads at the time. And he would send it out to people and ask for a kind of synopsis or a critique of the novel. And he would read those. And it was done anonymously. But he said there were housewives and there were barristers and all sorts of people doing that. And I thought, yeah, that’s a really good way to open up the possibilities. Because otherwise, you’re randomly looking, walking through a bookstore or an airport. I said, “How many people are doing this?” It was about 30 people.”
~ George Miller’s Conversations With Kubrick