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By DP30 david@thehotbuttonl.com

DP/30: Tinker Tailor Solider Spy, actor Gary Oldman

And an earlier chat with Gary and his co-star Mark Strong.

5 Responses to “DP/30: Tinker Tailor Solider Spy, actor Gary Oldman”

  1. sanj says:

    i liked the earlier chat better …

    this is way too serious interview . would be better to do these outside where he doesn’t look so evil.

  2. Tuck Pendelton says:

    Nicely done DP. Good interview.

  3. lily says:

    Oh, sanj. Always the ray of sunshine, aren’t you?

    This is a wonderful interview with a wonderful actor. He really lets you get a feel of what it means to be a professional actor :)

  4. DiscoNap says:

    He sounds almost American all the time now, you forget how long he’s been here. His accent at this point is flatter than Aiden Gillen’s much lamented voice on The Wire.

  5. Niklas says:

    Great interview. Very open and insightful. Thanks Gary and DP/30 for interviewing a great actor.

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DP/30

Quote Unquotesee all »

DENNIS COOPER

The next thing that really changed my world and thoroughly influenced my writing were the films of Robert Bresson. When I discovered them in the late seventies, I felt I had found the final ingredient I needed to write the fiction I wanted to write.

INTERVIEWER

What was the final ingredient?

DENNIS COOPER

Recognizing that the films were entirely about emotion and, to me, ­ profoundly moving while, at the same time, stylistically inexpressive and monotonic. On the surface, they were nothing but style, and the style was extremely rigorous to boot, but they seemed almost transparent and purely content driven. Bresson’s use of untrained nonactors influenced my concentration on characters who are amateurs or noncharacters or characters who are ill equipped to handle the job of manning a story line or holding the reader’s attention in a conventional way. Altogether, I think Bresson’s films had the greatest influence on my work of any art I’ve ever encountered. In fact, the first fiction of mine that was ever published was a chapbook called “Antoine Monnier,” which was a god-awful, incompetent attempt to rewrite Bresson’s film Le diable ­probablement as a pornographic novella. So I came to writing novels through a channel that included experimental fiction, poetry, and nonliterary influences pretty much exclusively. I never read normal novels with any real interest or close attention.
~ Dennis Cooper Discovers Bresson

The whole world within reach.
~ Filmmaker Peter Hutton

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