By mcneditor editor@moviecitynews.com

Nominations by Picture

The Adventures of Tintin
• Original Score

Albert Nobbs
• Glenn Close – Actress in a Leading Role
• Janet McTeer – Actress in a Supporting Role
• Makeup

Anonymous

• Costume Design

The Artist
• Jean Dujardin – Actor in a Leading Role
• Bérénice Bejo – Actress in a Supporting Role
• Art Direction
• Cinematography
• Costume Design
• Directing
• Film Editing
• Original Score
• Best Picture
• Original Screenplay

The Barber of Birmingham: Foot Soldier of the Civil Rights Movement
• Documentary Short Subject

Beginners

• Christopher Plummer – Actor in a Supporting Role

A Better Life
• Demián Bichir – Actor in a Leading Role

Bridesmaids
• Melissa McCarthy – Actress in a Supporting Role
• Original Screenplay

Bullhead
• Foreign Language Film (Belgium)

A Cat in Paris
• Animated Feature Film

Chico & Rita

• Animated Feature Film

The Descendants
• George Clooney – Actor in a Leading Role
• Directing
• Film Editing
• Best Picture
• Adapted Screenplay

Dimanche/Sunday
• Animated Short Film

Drive
• Sound Editing

Extremely Loud & Incredibly Close
• Max von Sydow – Actor in a Supporting Role
• Best Picture

The Fantastic Flying Books of Mr. Morris Lessmore
• Animated Short Film

Footnote
• Foreign Language Film (Israel)

The Girl with the Dragon Tattoo
• Rooney Mara – Actress in a Leading Role
• Cinematography
• Film Editing
• Sound Editing
• Sound Mixing

God Is the Bigger Elvis
• Documentary Short Subject

Harry Potter and the Deathly Hallows Part 2
• Art Direction
• Makeup
• Visual Effects

Hell and Back Again

• Documentary Feature

The Help
• Viola Davis – Actress in a Leading Role
• Jessica Chastain – Actress in a Supporting Role
• Octavia Specter – Actress in a Supporting Role
• Best Picture

Hugo
• Art Direction
• Cinematography
• Costume Design
• Directing
• Film Editing
• Original Score
• Best Picture
• Sound Editing
• Sound Mixing
• Visual Effects
• Adapted Screenplay

The Ides of March
• Adapted Screenplay

If a Tree Falls: A Story of the Earth Liberation Front

• Documentary Feature

In Darkness
• Foreign Language Film (Poland)

Incident in New Baghdad
• Documentary Short Subject

The Iron Lady
• Meryl Streep – Actress in a Leading Role
• Makeup

Jane Eyre
• Costume Design

Kung Fu Panda 2

• Animated Feature Film

La Luna

• Animated Short Film

Margin Call
• Original Screenplay

Midnight in Paris
• Art Direction
• Directing
• Best Picture
• Original Screenplay

Moneyball

• Brad Pitt – Actor in a Leading Role
• Jonah Hill – Actor in a Supporting Role
• Film Editing
• Best Picture
• Sound Mixing
• Adapted Screenplay

Monsieur Lazhar
• Foreign Language Film (Canada)

A Morning Stroll

• Animated Short Film

The Muppets

• Original Song – “Man or Muppet”

My Week with Marilyn

• Kenneth Branagh – Actor in a Supporting Role
• Michelle Williams – Actress in a Leading Role

Paradise Lost 3: Purgatory
• Documentary Feature

Pentecost
• Live Action Short Film

Pina

• Documentary Feature

Puss in Boots
• Animated Feature Film

Raju
• Live Action Short Film

Rango
• Animated Feature Film

Real Steel
• Visual Effects

Rio
• Original Song – “Real in Rio”

Rise of the Planet of the Apes

• Visual Effects

Saving Face
• Documentary Short Subject

A Separation
• Foreign Language Film (Iran)
• Original Screenplay

The Shore

• Live Action Short Film

Time Freak
• Live Action Short Film

Tinker Tailor Soldier Spy
• Gary Oldman – Actor in a Leading Role
• Original Score
• Adapted Screenplay

Transformers: Dark of the Moon
• Sound Editing
• Sound Mixing
• Visual Effects

The Tree of Life
• Cinematography
• Directing
• Best Picture

The Tsunami and the Cherry Blossom
• Documentary Short Subject

Tuba Atlantic

• Live Action Short Film

Undefeated
• Documentary Feature

W.E.
• Costume Design

War Horse
• Art Direction
• Cinematography
• Original Score
• Best Picture
• Sound Editing
• Sound Mixing

Warrior
• Nick Nolte – Actor in a Supporting Role

Wild Life
• Animated Short Film

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“I’m in Locarno, my movie is premiering for 1,000 people, which is nuts. A huge-ass screening, second day of the festival, 7:30pm in the sidebar competition. It’s comparable to Un Certain Regard or Director’s Fortnight. Every movie I saw in that section was fun, brilliant movies from around the world. The main competition was like Aza Jacobs and Mia Hansen-Løve, people who have been around. And I was like, “This is crazy. What am I doing inside the bloodstream of this establishment? I’m 27. I don’t belong here.” Every person I talked to there couldn’t believe what the movie cost, and then couldn’t believe when I told them what other American movies cost. We were the cheapest movie there by 65%. The next cheapest movie cost I think three times as much as we did. And they were just like, “You can’t make movies for what you’re telling us your movie cost.” And I told them, “Well, I can, I’m here, I’m in the same section as you are, so you are wrong. People think I’m lying when I tell them my budget. And also everyone likes it. I’m having a great time and people are being very responsive. Maurice Pialat’s widow was like, “I heard your movie’s good, I want a copy of it.” I’m like, “Well this is f**kin’ crazy.” Pedro Costa saw it there and really liked it and I’m like, What am I doing? I had gone in two months from screening at BAM for a lot of friends to Pedro Costa? This is the exact sentence: “Pedro Costa saw your movie. He’s a huge Jerry Lewis fan. He wants to talk to you about your movie and also Jerry Lewis.” And I thought, “I’m out of my element. I cannot have that conversation because that’s ridiculous.” Because his retrospective was happening at Anthology when I worked at Kim’s, and his Criterion box set came out when I was working at Kim’s. He can’t want to talk to me. That’s not possible. That’s not allowed. There is no world where that makes any sense!”  Or like when you wrote me to say that David Gordon Green wrote you to say, “I’m watching The Color Wheel and then I’m going to see Tree of Life.” There is no world where this is allowed! Again, somebody whose DVDs I was putting on the shelf, as, like, a hero. And it’s just like, “Oh, I’ll watch this movie.” There’s just a very fuzzy area in the middle there and it happened very quickly and I don’t understand why.  I still have a voice-mail from Sean [Price Williams, cinematographer]. I wish he was here to talk about it, but the voice-mail is a long pause and he’s just like, “I don’t want to tell you this, because it’s gonna make you so insufferable. I hate having to tell you this, but Leos Carax watched your movie and he really loves it, and he wants to meet you when he comes to New York.” I can’t live in a world where Leos Carax knows who I am, watches my movie, likes it, and thinks, “I wanna meet that guy.”
~ It’s Alex Ross Perry’s World

“I don’t know. It’s been a lot harder than I thought it was going to be to make the films I really dream of making. I was in Italy a few years ago scouting for this very beautiful film I wanted to make with Richard Linklater. We worked really hard on the script for a couple of years and couldn’t get the money together. It was an expensive idea. It’s heartbreaking when that happens over and over again and then the movies that do get made are ones that have lots of women being beaten up or zombies being killed. It’s all fine, it’s all okay, but it’s hard. I remember when River Phoenix died, he was ahead of me on this curve. He kind of realized how hard it was to make serious movies. People like Sidney Lumet figured out how to walk that line, but it’s hard. And it requires patience. It’s a life’s work and I wonder if I’m up to the task.”
~ Weary, Wary Ethan Hawke

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