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By Ray Pride Pride@moviecitynews.com

Michael Glawogger’s WORKING MAN’S DEATH Online

Michael Glawogger‘s epic documentary Working Man’s Death, on physical labor in the twenty-first century, is streaming in 22-minute episodes on Al-Jazeera and are embedded below. It’s stirring, stunning stuff. “In today’s technological age, is heavy manual labour disappearing or is it just becoming invisible? From the exhausted mine shafts of Ukraine to the bloody slaughterhouses of Nigeria, this series offers an unflinching portrait of physical labour in the twenty-first century, talking to the people engaged in this dreary, demanding and, often, dangerous work.” The veteran documentarian asserts, “Work is often difficult to see, and therefore difficult to depict. Physical labour is probably the only real kind of work.”

Lions“: “In a crowded Nigerian slaughterhouse blood, fire and smoke are normal working conditions. We take a glimpse inside the bloody and frenetic activity of the Port Harcourt meat market in Nigeria. As one worker there explains: “My name is Ishaq Mohammed. My work day begins between six and seven am. Usually I get up at five in order to be at work on time. Killing goats doesn’t bother me. Before I slaughter a goat, I utter God’s name. Normally we slaughter 350 goats a day. Sometimes it’s only 300. Other days it’s only 150. But there are times when goats are in short supply. And then we might have no more than 10 or 15. And sometimes we even have no goats at all.”

Heroes” (22’17″): “We follow Ukrainian miners as they go underground to dig the last pieces of coal from exhausted mine shafts.”

“Brothers”: “Pakistani men use little more than their bare hands to dismantle an abandoned oil tanker for scrap metal.”

“Ghosts”: “In this episode we visit east Java in Indonesia where men climb steep paths amid pungent vapours to bring back lumps of sulfur from the mouth of a volcano.”

One Response to “Michael Glawogger’s WORKING MAN’S DEATH Online”

  1. This was stunning when I saw it on the big screen at TIFF several years back. Although it’s great that it’s on YouTube, this is yet another doc that demands to be seen theatrically. The cinematography, especially in the section on the miners, is amazing.

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 Sunday, May 19 2013 12:52:48

“Two hours in the labyrinth of Paramount’s Avarice…. It was my first–and my last–IMAX venture. Haven’t been to a 3-D movie in years, and it’s bye-bye to THAT scathing visual transgression for the remainder of MY lifetime… It was an unceasing, unrelenting, take-no-audience-prisoners audial and visual back-alley mugging for two hours… I have been beaten up many times; I know what it feels like: this was a two-hour assault. I weep, as Jesus wept, for the generations that will grow up thinking this is what it means to “go to the movies.” I am near-on 79, and I [understand] that this is a generational opinion, but I do not think any sensible person not of a tot age where videogame… overkill is pro forma, could confuse the IMAX “experience” with a Saturday matinee outing. The term “author” as regards Summer Blockbuster movies, is not only moot, it is Urdu. Mountains heave mightily, and give birth to volcanic ant-hills.”
Harlan Ellison Takes In Star Trek: Into Darkness

“One of the things I wish I could do in my life would be to watch this film through somebody else’s eyes. I just can’t. I still see it as just a giant mess, and other people are seeing that it has a shape. That’s really exciting, because I still have a hard time seeing it clearly.”
~ Sarah Polley’s Greatest Wish About Stories We Tell