Z

By MCN Editor editor@moviecitynews.com

DVD, Blu-ray, and Television Launches of Award-Winning Chicago Documentary The Interrupters

Star Ameena Matthews to appear on The Colbert Report

Kartemquin Films has produced independent documentary films in Chicago since 1966. We’re pleased to announce the February 14th DVD, Blu-ray and US television premieres of our film The Interrupters, the Chicago Film Critics Association’s “Best Documentary of 2011.”

PBS will release the DVD and Blu-ray editions of The Interrupters on Feb. 14. That same evening, PBS FRONLTINE will air the television premiere of The Interrupters at 9p.m. EST / 8p.m. CST.

Chicago’s WTTW will host a roundtable discussion immediately following the Feb. 14 broadcast, featuring violence interrupters Ameena Mathews, Cobe Williams Eddie Bocanegra and Director for CeaseFire Illinois Tio Hardiman.

Ameena Matthews, one of the stars of the film – awarded “Chicagoan of the Year in Film” by the Chicago Tribune and ranked as one of TIME’s “Top 10 film performances of the year” – will be featured on The Colbert Report Wednesday, February 1, at 11:30p.m. EST / 10:30pm CST on Comedy Central.

Colbert’s on-air persona is known to put his guests in the hot seat, but Matthews is no stranger to pressure. “I’m so excited,” she says. “I just hope I won’t need to kick his ass!”

In celebration of Kartemquin’s first-ever Blu-ray release, pre-orders for The Interrupters are available at a 20% discount through the Kartemquin’s store. Randomly selected pre-order purchasers will also receive posters signed by cast members and producers.

The Interrupters was released in 2011 to far-reaching acclaim both within the city and around the world, and cited as one of the best films of the year by Village Voice, IndieWIRE, Chicago Sun-Times, Boston Globe, Slate, and The New Yorker.

The Interrupters’ director Steve James will attend the Director’s Guild of America awards this Saturday as a nominee for Best Documentary. Most recently, the film won Best Film and Best Director at the Cinema Eye Honors for Nonfiction Filmmaking. When it screened at the Gene Siskel Film Center in August, The Interrupters became the biggest box office success in the venue’s 40-year history.

In 2008, Chicago received national coverage for its increasing levels of violence. The Interrupters follows three “violence interrupters,” who attempt to stop disease of violence at its core. Ameena Matthews, Cobe Williams, and Eddie Bocanegra work with troubled Chicagoans whose stories capture the traumas of violence, poverty, families, and race relations in a city fraught with tension. The Chicago Tribune called the film “Chicago to the bone yet universal in its implications.”

The Music Box Theatre presents a special screening of The Interrupters on Sunday, February 19, along with Barbara Kopple’s 1976 documentary Harlan County USA, which depicts a lengthy coal miners’ strike in rural Kentucky. The Interrupters producer-director Steve James will appear for a post-film discussion with author Robert Elder, for the third installment of “The Film That Changed My Life” series. 

Kartemquin Films is a home for independent media makers who seek to create social change through film. This Chicago-based documentary powerhouse has won every major critical and journalistic prize, including an Emmy, a Peabody and an Oscar nomination. With seven new films in progress, Kartemquin is building on more than 45 years of history as Chicago’s documentary powerhouse. www.kartemquin.com

@Kartemquin

@TheInterrupters

@FrontlinePBS

www.facebook.com/Kartemquin

www.facebook.com/interrupters

# # #

Leave a Reply

Z

Quote Unquotesee all »

“We don’t defy the laws of physics: There are no flying men or cars in this movie. So it made sense to do it old-school: real vehicles and real human beings in the desert. We shot the movie more or less in continuity, because the cars and the characters get really banged up along the way. The biggest benefit of digital technology for me was that the cameras were smaller and much more agile, so you could put them anywhere. We also spent a huge amount of time on spatial awareness—making sure the viewer could follow the action and understand what was happening. There has to be a strong causal connection from one shot to the next, just the same way that in music, there has to be a connection from one note to the next. Otherwise it’s just noise. Too often, if you just cram a lot of stuff into the frame, you get the illusion of a fast pace. But there’s no coherence. It doesn’t flow. It comes off as headbanging music, and it can be exhausting. We storyboarded the movie before we had a script: We had 3,500 boards, which helps the cast and crew understand how everything is going to fit together. Movies are getting faster and faster. The Road Warrior had 1,200 cuts. This one has 2,700 cuts. You have to treat it like a symphony.”
~ George Miller

“I was having issues with my script for It’s All About Love, so I called Ingmar Bergman and we ended up talking about everything but the script. He said, “Well, Festen is a masterpiece, so what are you going to do now?” At that point, I had not decided if I was going to make It’s All About Love, so I answered, “Hmmm, I don’t know. Maybe this, maybe that.” There was just a long pause, and then he said, “You’re fucked.” I said, “Well, how can you know?” “Well, Thomas, you always have to decide your next movie before the movie you’re doing presently opens.” And I said, “Why is that?” “Well, two things can happen. One thing is that you fail, and then you’ll feel scared and humiliated. It’ll get into your head. Second, and even worse, you have success, and then you’ll want more of it, or you’ll want to maintain it. But if you decide on your next film while you’re in the middle of editing, it becomes a very nonchalant choice. And then it’s shorter from the heart to the hand.”
~ Thomas Vinterberg

Z Z