By mcneditor editor@moviecitynews.com

ACADEMY PARTNERS WITH EVERYONE COUNTS ELECTRONIC VOTING SYSTEM TO LAUNCH FOR 2013 OSCARS

January 25, 2012
FOR IMMEDIATE RELEASE

Beverly Hills, CA – The Academy of Motion Picture Arts and Sciences has entered into an agreement with Everyone Counts Inc. to exclusively develop an electronic voting system for the 85th Academy Awards®, to be held in 2013.

Everyone Counts will work with PwC, the Academy’s accounting firm of record, whose role in tabulating Academy members’ votes will remain unchanged. Over the next year, the Academy will undertake a rigorous security and user-acceptance testing process.

“This is the first of many steps that we’ll be taking toward developing a secure and convenient electronic voting system, beginning with next year’s ballot,” said Academy Chief Operating Officer Ric Robertson. “We’re excited to have found great partners in the people who do this best.”

The selection of Everyone Counts is the result of an 18-month search conducted by the Academy. The company is internationally recognized for its expertise in election administration and computer security and its voting platform is a global leader in the election industry. Built into its technology and processes are multiple layers of security that include military-grade encryption techniques. The company’s other clients include the United States Department of Defense; the United Kingdom’s Ministry of Justice; the state of New South Wales, Australia; and the states of Oregon, Florida, and Washington.

“We are honored to have earned the trust of the Academy of Motion Picture Arts and Sciences in bringing online voting to the Oscars starting next year,” said Lori Steele, Chairman and CEO of Everyone Counts Inc. “Our company was founded to set a new standard of security, accessibility, and transparency in elections. We’re proud to be working with the Academy, an organization that also represents the highest standards in its field.”

“We look forward to working with Everyone Counts for next year’s 85th Academy Awards and beyond,” said Brad Oltmanns, balloting leader, PwC. “We are excited about the new electronic voting system, which will enable us to conduct the tabulation process with the same high level of precision, trust and integrity that we have for the past 78 years.”

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ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is the world’s preeminent movie-related organization, with a membership of more than 6,000 of the most accomplished men and women working in cinema. In addition to the annual Academy Awards—in which the members vote to select the nominees and winners­—the Academy presents a diverse year-round slate of public programs, exhibitions and events; provides financial support to a wide range of other movie-related organizations and endeavors; acts as a neutral advocate in the advancement of motion picture technology; and, through its Margaret Herrick Library and Academy Film Archive, collects, preserves, restores and provides access to movies and items related to their history. Through these and other activities the Academy serves students, historians, the entertainment industry and people everywhere who love movies.

FOLLOW THE ACADEMY
www.oscars.org
www.facebook.com/TheAcademy
www.youtube.com/Oscars
www.twitter.com/TheAcademy

ABOUT EVERYONE COUNTS INC.
Everyone Counts, the world’s leading provider of state-of-the-art election administration and voting systems, uniquely combines world-class expertise in technology, computer security, usability and election administration. Through this experience and expertise, Everyone Counts has modernized best-election-practices worldwide since 1997. Unique in the industry, Everyone Counts’ continually innovates to meet customer needs. Its patent pending innovations are quickly becoming the industry standard globally and are transforming the $32 billion election industry. Everyone Counts’ SaaS-based election administration tools and voting platform are helping governments and private membership organizations to improve their existing processes, systems and services. Ease of adoption is core to the Everyone Counts voting platform. The firm’s ability to integrate its modern election systems with existing processes is unmatched worldwide.

FOLLOW EVERYONE COUNTS
www.everyonecounts.com/
www.facebook.com/everyonecountsinc
www.everyonecounts.com/googleplus
www.twitter.com/secureelections<

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“I’m in Locarno, my movie is premiering for 1,000 people, which is nuts. A huge-ass screening, second day of the festival, 7:30pm in the sidebar competition. It’s comparable to Un Certain Regard or Director’s Fortnight. Every movie I saw in that section was fun, brilliant movies from around the world. The main competition was like Aza Jacobs and Mia Hansen-Løve, people who have been around. And I was like, “This is crazy. What am I doing inside the bloodstream of this establishment? I’m 27. I don’t belong here.” Every person I talked to there couldn’t believe what the movie cost, and then couldn’t believe when I told them what other American movies cost. We were the cheapest movie there by 65%. The next cheapest movie cost I think three times as much as we did. And they were just like, “You can’t make movies for what you’re telling us your movie cost.” And I told them, “Well, I can, I’m here, I’m in the same section as you are, so you are wrong. People think I’m lying when I tell them my budget. And also everyone likes it. I’m having a great time and people are being very responsive. Maurice Pialat’s widow was like, “I heard your movie’s good, I want a copy of it.” I’m like, “Well this is f**kin’ crazy.” Pedro Costa saw it there and really liked it and I’m like, What am I doing? I had gone in two months from screening at BAM for a lot of friends to Pedro Costa? This is the exact sentence: “Pedro Costa saw your movie. He’s a huge Jerry Lewis fan. He wants to talk to you about your movie and also Jerry Lewis.” And I thought, “I’m out of my element. I cannot have that conversation because that’s ridiculous.” Because his retrospective was happening at Anthology when I worked at Kim’s, and his Criterion box set came out when I was working at Kim’s. He can’t want to talk to me. That’s not possible. That’s not allowed. There is no world where that makes any sense!”  Or like when you wrote me to say that David Gordon Green wrote you to say, “I’m watching The Color Wheel and then I’m going to see Tree of Life.” There is no world where this is allowed! Again, somebody whose DVDs I was putting on the shelf, as, like, a hero. And it’s just like, “Oh, I’ll watch this movie.” There’s just a very fuzzy area in the middle there and it happened very quickly and I don’t understand why.  I still have a voice-mail from Sean [Price Williams, cinematographer]. I wish he was here to talk about it, but the voice-mail is a long pause and he’s just like, “I don’t want to tell you this, because it’s gonna make you so insufferable. I hate having to tell you this, but Leos Carax watched your movie and he really loves it, and he wants to meet you when he comes to New York.” I can’t live in a world where Leos Carax knows who I am, watches my movie, likes it, and thinks, “I wanna meet that guy.”
~ It’s Alex Ross Perry’s World

“I don’t know. It’s been a lot harder than I thought it was going to be to make the films I really dream of making. I was in Italy a few years ago scouting for this very beautiful film I wanted to make with Richard Linklater. We worked really hard on the script for a couple of years and couldn’t get the money together. It was an expensive idea. It’s heartbreaking when that happens over and over again and then the movies that do get made are ones that have lots of women being beaten up or zombies being killed. It’s all fine, it’s all okay, but it’s hard. I remember when River Phoenix died, he was ahead of me on this curve. He kind of realized how hard it was to make serious movies. People like Sidney Lumet figured out how to walk that line, but it’s hard. And it requires patience. It’s a life’s work and I wonder if I’m up to the task.”
~ Weary, Wary Ethan Hawke

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