By Laura Rooney laura@moviecitynews.com

Women Film Critics Circle Awards 2011

BEST MOVIE BY A WOMAN: TIE*
   The Iron Lady
   We Need To Talk About Kevin

BEST MOVIE ABOUT WOMEN:
   The Help

BEST STORYTELLER:
   The Iron Lady: Abi Morgan

BEST ACTRESS:
   Viola Davis: The Help
 

BEST ACTOR:
   George Clooney: The Descendants

BEST COMEDIC ACTRESS:
   Melissa McCarthy: Bridesmaids

BEST YOUNG ACTRESS:
   Shailene Woodley: The Descendants

BEST FOREIGN FILM:
   The Hedgehog

BEST FEMALE IMAGES:
   The Whistleblower

WORST FEMALE IMAGES:
   Melancholia

BEST MALE IMAGES:
   The Descendants

WORST MALE IMAGES:
   Hangover 2   

BEST DOCUMENTARY BY OR ABOUT WOMEN:
   Semper Fi: Always Faithful

BEST FAMILY FILM:
   Hugo

BEST ANIMATED FEMALES

   Puss ‘N Boots 3D

BEST EQUALITY OF THE SEXES:
   The Debt

COURAGE IN ACTING:
   Glenn Close: Albert Nobbs

THE INVISIBLE WOMAN AWARD: Tie*
   Hiam Abbass: Miral
   Michelle Williams: Meek’s Cutoff

BEST UNRELEASED MOVIE:
   Miss Representation

WOMEN’S WORK: BEST FEMALE ENSEMBLE:
   The Help

BEST SCREEN COUPLE:
   The Artist: Berenice Bejo and Jean Dujardin

LIFETIME ACHIEVEMENT AWARD: Tie*
   Kathy Bates
   Cicely Tyson

ACTING AND ACTIVISM AWARD:

   Elizabeth Taylor

ADRIENNE SHELLY AWARD
   The Whistleblower

JOSEPHINE BAKER AWARD
   The Help

KAREN MORLEY AWARD
   Albert Nobbs

MOMMIE DEAREST WORST SCREEN MOM OF THE YEAR AWARD
   Judi Dench: J. Edgar
     

*ADRIENNE SHELLY AWARD: For a film that most passionately opposes violence against women

*JOSEPHINE BAKER AWARD: For best expressing the woman of color experience in America

*KAREN MORLEY AWARD: For best exemplifying a woman’s place in history or society, and a courageous search for identity

*COURAGE IN ACTING [Taking on unconventional roles that radically redefine the images of women on screen]

*THE INVISIBLE WOMAN AWARD [Performance by a woman whose exceptional impact on the film dramatically, socially or historically, has been ignored]

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“The city to me is the only possible vehicle we have to measure human achievement. We’re an urban species now. If you look at Karachi or Mexico City or Hong Kong or London or New York or Yonkers or Baltimore or any of these other places, the pastoral is now a part of human history. We’re either going to figure out how to live together in these increasingly crowded, increasingly multi-cultural population centers or we’re not. We’re either going to get great at this or we’re going to fail as a species.”
~ David Simon

“I wondered how different it would be to write a novel and it’s totally different. It’s very internal. The weird thing about it is that I found that novel-writing was much more like directing than it is like screenwriting. You’re casting it, you’re lighting it, you’re doing the costumes, you’re doing the locations, you’re doing it all yourself as a director would. In screenwriting, you don’t do that stuff. You don’t describe the face of the actor or the character when you’re writing a screenplay because Tom Cruise is going to do it and he doesn’t look like that, whereas in the novel to describe what he is is what he is. The actual act of writing, just like shooting on a set, is a slow slog. It’s going to work every day.”
~ David Cronenberg On Screenplay vs. Novel