Utah Film Critics Association: 2011 Awards

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Utah Film Critics Association: 2011 Awards

Best Picture
Drive 

Best Achievement in Directing
Michael Hazanavicius, The Artist 

Best Lead Performance by an Actor
Joseph Gordon-Levitt: 50/50

Best Lead Performance by an Actress
Michelle Williams, My Week With Marilyn 

Best Supporting Performance by an Actor
Albert Brooks, Drive

Best Supporting Performance by an Actress
Amy Ryan, Win Win

Best Screenplay: Original
50/50

Best Screenplay: Adapted
The Descendants

Best Animated Feature
Rango

Best Non-English Language Feature
A Separation

Best Documentary
Senna

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“The city to me is the only possible vehicle we have to measure human achievement. We’re an urban species now. If you look at Karachi or Mexico City or Hong Kong or London or New York or Yonkers or Baltimore or any of these other places, the pastoral is now a part of human history. We’re either going to figure out how to live together in these increasingly crowded, increasingly multi-cultural population centers or we’re not. We’re either going to get great at this or we’re going to fail as a species.”
~ David Simon

“I wondered how different it would be to write a novel and it’s totally different. It’s very internal. The weird thing about it is that I found that novel-writing was much more like directing than it is like screenwriting. You’re casting it, you’re lighting it, you’re doing the costumes, you’re doing the locations, you’re doing it all yourself as a director would. In screenwriting, you don’t do that stuff. You don’t describe the face of the actor or the character when you’re writing a screenplay because Tom Cruise is going to do it and he doesn’t look like that, whereas in the novel to describe what he is is what he is. The actual act of writing, just like shooting on a set, is a slow slog. It’s going to work every day.”
~ David Cronenberg On Screenplay vs. Novel