Toronto Film Critics Association Awards

2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012 | 2013

BEST PICTURE
“The Tree of Life” (eOne Films)
Runners-up:  “The Artist” (Alliance Films)
“The Descendants” (Fox Searchlight Pictures)

BEST ACTOR
Michael Shannon, “Take Shelter”
Runners-up: George Clooney, “The Descendants”
Michael Fassbender, “Shame”

BEST ACTRESS
Michelle Williams, “My Week With Marilyn”
Runners-up: Elizabeth Olsen, “Martha Marcy May Marlene”
Meryl Streep, “The Iron Lady”

BEST SUPPORTING ACTOR
Christopher Plummer, “Beginners”
Runners-up: Albert Brooks, “Drive”
Patton Oswalt, “Young Adult”

BEST SUPPORTING ACTRESS
Jessica Chastain, “Take Shelter”
Runners-up: Jessica Chastain, “The Tree of Life”
Shailene Woodley, “The Descendants”

BEST DIRECTOR
Terrence Malick, “The Tree of Life”
Runners-up: Michel Hazanavicius, “The Artist”
Nicolas Winding Refn, “Drive”

BEST SCREENPLAY
“Moneyball”, written by Steven Zaillian and Aaron Sorkin,
story by Stan Chervin, based on the book by Michael Lewis
Runners-up: “The Descendants”, written by Alexander Payne, Nat Faxon
& Jim Rash, based on the novel by Kaui Hart Hemmings
“The Tree of Life”, written by Terrence Malick

BEST FIRST FEATURE
“Attack the Block”, directed by Joe Cornish
Runners-up: “Margin Call”, directed by J.C. Chandor
“Martha Marcy May Marlene”, directed by Sean Durkin

BEST ANIMATED FEATURE
“The Adventures of Tintin” (DreamWorks Animation)
Runners-up: “Puss in Boots” (DreamWorks Animation)
“Rango” (Paramount Pictures)

BEST FOREIGN-LANGUAGE FILM
“Mysteries of Lisbon” (Alfama Films)
Runners-up: “Attenberg” (filmswelike)
“Le Havre” (filmswelike)
“A Separation” (Mongrel Media)

ALLAN KING DOCUMENTARY AWARD
“Nostalgia for the Light” (Icarus Films)
Runners-up: “Into the Abyss” (Mongrel Media)
“Project Nim” (Mongrel Media)

ROGERS CANADIAN FILM AWARD FINALISTS
“Café de Flore,” directed by Jean-Marc Vallée
“A Dangerous Method”, directed by David Cronenberg
“Monsieur Lazhar”, directed by Philippe Falardeau

Comments are closed.

Quote Unquotesee all »

“Why put it in a box? This is the number one problem I have—by the way it’s a fair question, I’m not saying that—with this kind of festival situation is that there’s always this temptation to classify the movie immediately and if you look at it—and I’ve tried to warn my fellow jurors of this—directors and movie critics are the worst people to judge movies! Directors are always thinking, “I could do that.” Critics are always saying, “This part of the movie is like the 1947 version and this part…” And it’s like, “Fuck! Just watch the movie and try and absorb it and not compare it to some other fucking movie and put it in a box!” So I think the answer’s both and maybe neither, I don’t know. That’s for you to see and criticize me for or not.”
~ James Gray

“I have long defined filmmaking and directing in particular as just a sort of long-term act of letting go,” she said. “It’s honestly just gratifying that people are sort of reapproaching or reassessing the film. I like to just remind everyone that the movie is still the same — it’s the same movie, it’s the movie we always made, and it was the movie we always wanted to make. And maybe it just came several years too early.”
~ Karyn Kusama