The Southeastern Film Critics: 2011 Awards

2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012 | 2013

TOP TEN FILMS
The Descendants
The Artist
Hugo
Moneyball
The Tree of Life
Drive
Midnight in Paris
Win Win
War Horse
The Help

BEST ACTOR
Winner – George Clooney (The Descendants)

BEST ACTRESS
Winner – Meryl Streep, The Iron Lady

BEST SUPPORTING ACTOR
Winner – Christopher Plummer, Beginners

BEST SUPPORTING ACTRESS
Winner – Janet McTeer, Albert Nobbs

BEST ENSEMBLE
Winner – The Help

BEST DIRECTOR
Winner – Martin Scorsese, Hugo

BEST ORIGINAL SCREENPLAY
Winner – Midnight in Paris

BEST ADAPTED SCREENPLAY
Winner – The Descendants

BEST DOCUMENTARY
Winner – Project Nim

BEST FOREIGN-LANGUAGE FILM
Winner – A Separation

BEST ANIMATED FILM
Winner – Rango

BEST CINEMATOGRAPHY
Winner – The Tree of Life

THE GENE WYATT AWARD
Winner – The Help

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“The city to me is the only possible vehicle we have to measure human achievement. We’re an urban species now. If you look at Karachi or Mexico City or Hong Kong or London or New York or Yonkers or Baltimore or any of these other places, the pastoral is now a part of human history. We’re either going to figure out how to live together in these increasingly crowded, increasingly multi-cultural population centers or we’re not. We’re either going to get great at this or we’re going to fail as a species.”
~ David Simon

“I wondered how different it would be to write a novel and it’s totally different. It’s very internal. The weird thing about it is that I found that novel-writing was much more like directing than it is like screenwriting. You’re casting it, you’re lighting it, you’re doing the costumes, you’re doing the locations, you’re doing it all yourself as a director would. In screenwriting, you don’t do that stuff. You don’t describe the face of the actor or the character when you’re writing a screenplay because Tom Cruise is going to do it and he doesn’t look like that, whereas in the novel to describe what he is is what he is. The actual act of writing, just like shooting on a set, is a slow slog. It’s going to work every day.”
~ David Cronenberg On Screenplay vs. Novel