By Ray Pride Pride@moviecitynews.com

The 69th Golden Globes Nominees

1. BEST MOTION PICTURE – DRAMA
a. THE DESCENDANTS Sofia Vergara
Ad Hominem Enterprises; Fox Searchlight Pictures
b. THE HELP
DreamWorks Pictures, Participant Media; Touchstone Pictures
c. HUGO
Paramount Pictures presents a GK Films Production; Paramount Pictures
d. THE IDES OF MARCH
Columbia Pictures, Cross Creek Pictures, Exclusive Media Group, Crystal City
Entertainment; Sony Pictures Releasing
e. MONEYBALL
Columbia Pictures; Sony Pictures Releasing International
f. WAR HORSE
DreamWorks Pictures; Touchstone Pictures

2. BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – DRAMA
a. GLENN CLOSE ALBERT NOBBS
b. VIOLA DAVIS THE HELP
c. ROONEY MARA THE GIRL WITH THE DRAGON
TATTOO
d. MERYL STREEP THE IRON LADY
e. TILDA SWINTON WE NEED TO TALK ABOUT KEVIN

3. BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – DRAMA
a. GEORGE CLOONEY THE DESCENDANTS
b. LEONARDO DICAPRIO J. EDGAR
c. MICHAEL FASSBENDER SHAME
d. RYAN GOSLING THE IDES OF MARCH
e. BRAD PITT MONEYBALL

4. BEST MOTION PICTURE – COMEDY OR MUSICAL
a. 50/50
Summit Entertainment and Mandate Pictures; Summit Entertainment
b. THE ARTIST
a La Petite Reine – Studio 37 – La Classe Americaine – JD Prod- France3 Cinema -
Jouror Production-uFilms coproduction; The Weinstein Company
c. BRIDESMAIDS
Universal Pictures, Relativity Media, Apatow Productions; Universal Pictures
d. MIDNIGHT IN PARIS
A Mediapro, Versatil Cinema & Gravier Production; Sony Pictures Classics
e. MY WEEK WITH MARILYN
The Weinstein Company; The Weinstein Company

5. BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – COMEDY OR
MUSICAL
a. JODIE FOSTER CARNAGE
b. CHARLIZE THERON YOUNG ADULT
c. KRISTEN WIIG BRIDESMAIDS
d. MICHELLE WILLIAMS MY WEEK WITH MARILYN
e. KATE WINSLET CARNAGE

6. BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – COMEDY
OR MUSICAL
a. JEAN DUJARDIN THE ARTIST
b. BRENDAN GLEESON THE GUARD
c. JOSEPH GORDON-LEVITT 50/50
d. RYAN GOSLING CRAZY, STUPID, LOVE.
e. OWEN WILSON MIDNIGHT IN PARIS

7. BEST ANIMATED FEATURE FILM
a. THE ADVENTURES OF TINTIN
Paramount Pictures/Columbia Pictures/ Hemisphere Capital/Amblin
Entertainment/Wingnut Films Production/ Kennedy/Marshall Production A Steven
Spielberg Film; Paramount Pictures and Columbia Pictures
b. ARTHUR CHRISTMAS
Columbia Pictures & Sony Pictures Animation; Sony Pictures Releasing
International
c. CARS 2
Walt Disney Pictures, Pixar Animation Studios; Walt Disney Pictures
d. PUSS IN BOOTS
DreamWorks Animation; Paramount Pictures
e. RANGO
Paramount Pictures and Nickelodeon Movies present A Blind Wink / GK Films
Production; Paramount Pictures

8. BEST FOREIGN LANGUAGE FILM
a. THE FLOWERS OF WAR (CHINA)
(Jing Ling Shi San Chai)
New Pictures Film Company; New Pictures Film Company
b. IN THE LAND OF BLOOD AND HONEY (USA)
GK Films; FilmDistrict
c. THE KID WITH A BIKE (BELGIUM)
(Le Gamin au Velo)
Les Films du Fleuve; Sundance Selects
d. A SEPARATION (IRAN)
(Jodaeiye Nader az Simin)
Asghar Farhadi; Sony Pictures Classics
e. THE SKIN I LIVE IN (SPAIN)
(La piel que habito)
El Deseo D.A., S.L.U.; Sony Pictures Classics

9. BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A
MOTION PICTURE
a. BERENICE BEJO THE ARTIST
b. JESSICA CHASTAIN THE HELP
c. JANET MCTEER ALBERT NOBBS
d. OCTAVIA SPENCER THE HELP
e. SHAILENE WOODLEY THE DESCENDANTS

10. BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A
MOTION PICTURE
a. KENNETH BRANAGH MY WEEK WITH MARILYN
b. ALBERT BROOKS DRIVE
c. JONAH HILL MONEYBALL
d. VIGGO MORTENSEN A DANGEROUS METHOD
e. CHRISTOPHER PLUMMER BEGINNERS

11. BEST DIRECTOR – MOTION PICTURE
a. WOODY ALLEN MIDNIGHT IN PARIS
b. GEORGE CLOONEY THE IDES OF MARCH
c. MICHEL HAZANAVICIUS THE ARTIST
d. ALEXANDER PAYNE THE DESCENDANTS
e. MARTIN SCORSESE HUGO

12. BEST SCREENPLAY – MOTION PICTURE
a. WOODY ALLEN MIDNIGHT IN PARIS
b. GEORGE CLOONEY, GRANT THE IDES OF MARCH
HESLOV, BEAU WILLIMON
c. MICHEL HAZANAVICIUS THE ARTIST
d. ALEXANDER PAYNE, THE DESCENDANTS
NAT FAXON, JIM RASH
e. STEVEN ZAILLIAN, MONEYBALL
AARON SORKIN

13. BEST ORIGINAL SCORE – MOTION PICTURE
a. LUDOVIC BOURCE THE ARTIST
b. ABEL KORZENIOWSKI W.E.
c. TRENT REZNOR, THE GIRL WITH THE DRAGON
ATTICUS ROSS TATTOO
d. HOWARD SHORE HUGO
e. JOHN WILLIAMS WAR HORSE

14. BEST ORIGINAL SONG – MOTION PICTURE
a. “HELLO HELLO” — GNOMEO & JULIET
Music by: Elton John
Lyrics by: Bernie Taupin
b. “THE KEEPER” — MACHINE GUN PREACHER
Music & Lyrics by: Chris Cornell
c. “LAY YOUR HEAD DOWN” — ALBERT NOBBS
Music by: Brian Byrne
Lyrics by: Glenn Close
d. “THE LIVING PROOF” — THE HELP
Music by: Mary J. Blige, Thomas Newman, Harvey Mason, Jr.
Lyrics by: Mary J. Blige, Harvey Mason, Jr., Damon Thomas
e. “MASTERPIECE” — W.E.
Music & Lyrics by: Madonna, Julie Frost, Jimmy Harry

15. BEST TELEVISION SERIES – DRAMA
a. AMERICAN HORROR STORY FX
Twentieth Century Fox Television
b. BOARDWALK EMPIRE HBO
Leverage, Closest to the Hole Productions, Sikelia Productions and Cold Front
Productions in association with HBO Entertainment
c. BOSS STARZ
Lionsgate Television in association with Grammnet NH Productions, Roya
Productions and Old Friends Productions
d. GAME OF THRONES HBO
Bighead, Littlehead, 360 Television, Grok and Generator Productions in
association with HBO Entertainment
e. HOMELAND SHOWTIME
SHOWTIME Presents, Teakwood Lane Productions, Cherry Pie Productions,
Keshet, Fox 21

16. BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES –
DRAMA
a. CLAIRE DANES HOMELAND
b. MIREILLE ENOS THE KILLING
c. JULIANNA MARGULIES THE GOOD WIFE
d. MADELEINE STOWE REVENGE
e. CALLIE THORNE NECESSARY ROUGHNESS

17. BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – DRAMA
a. STEVE BUSCEMI BOARDWALK EMPIRE
b. BRYAN CRANSTON BREAKING BAD
c. KELSEY GRAMMER BOSS
d. JEREMY IRONS THE BORGIAS
e. DAMIAN LEWIS HOMELAND

18. BEST TELEVISION SERIES – COMEDY OR MUSICAL
a. ENLIGHTENED HBO
Ripcord Productions in association with HBO Entertainment
b. EPISODES SHOWTIME
SHOWTIME Presents, Hat Trick Productions, Crane Klarik Productions
c. GLEE FOX
Ryan Murphy Television in association with Twentieth Century Fox Television
d. MODERN FAMILY ABC
Levitan-Lloyd Productions in association with Twentieth Century Fox Television
e. NEW GIRL FOX
Chernin Entertainment in association with Twentieth Century Fox Television

19. BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES –
COMEDY OR MUSICAL
a. LAURA DERN ENLIGHTENED
b. ZOOEY DESCHANEL NEW GIRL
c. TINA FEY 30 ROCK
d. LAURA LINNEY THE BIG C
e. AMY POEHLER PARKS AND RECREATION

20. BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES –
COMEDY OR MUSICAL
a. ALEC BALDWIN 30 ROCK
b. DAVID DUCHOVNY CALIFORNICATION
c. JOHNNY GALECKI THE BIG BANG THEORY
d. THOMAS JANE HUNG
e. MATT LEBLANC EPISODES

21. BEST MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
a. CINEMA VERITE HBO
A Pariah Production in association with HBO Films
b. DOWNTON ABBEY (MASTERPIECE) PBS
A Carnival/Masterpiece Co-production
c. THE HOUR BBC AMERICA
Kudos Film and Television/BBC America co-production.
d. MILDRED PIERCE HBO
A Killer Films/John Wells Production in association with Metro-Goldwyn-Mayer
and HBO Miniseries
e. TOO BIG TO FAIL HBO
A Spring Creek and A Deuce Three Production in association with HBO Films

22. BEST PERFORMANCE BY AN ACTRESS IN A MINI-SERIES OR MOTION
PICTURE MADE FOR TELEVISION
a. ROMOLA GARAI THE HOUR
b. DIANE LANE CINEMA VERITE
c. ELIZABETH MCGOVERN DOWNTON ABBEY (MASTERPIECE)
d. EMILY WATSON APPROPRIATE ADULT
e. KATE WINSLET MILDRED PIERCE

23. BEST PERFORMANCE BY AN ACTOR IN A MINI-SERIES OR MOTION
PICTURE MADE FOR TELEVISION
a. HUGH BONNEVILLE DOWNTON ABBEY (MASTERPIECE)
b. IDRIS ELBA LUTHER
c. WILLIAM HURT TOO BIG TO FAIL
d. BILL NIGHY PAGE EIGHT (MASTERPIECE)
e. DOMINIC WEST THE HOUR

24. BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A
SERIES, MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
a. JESSICA LANGE AMERICAN HORROR STORY
b. KELLY MACDONALD BOARDWALK EMPIRE
c. MAGGIE SMITH DOWNTON ABBEY (MASTERPIECE)
d. SOFIA VERGARA MODERN FAMILY
e. EVAN RACHEL WOOD MILDRED PIERCE

25. BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A SERIES,
MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
a. PETER DINKLAGE GAME OF THRONES
b. PAUL GIAMATTI TOO BIG TO FAIL
c. GUY PEARCE MILDRED PIERCE
d. TIM ROBBINS CINEMA VERITE
e. ERIC STONESTREET MODERN FAMILY

NOMINATIONS BY MOTION PICTURE
DISTRIBUTOR AND TELEVISION NETWORK
MOTION PICTURE DISTRIBUTOR
The Weinstein Company 12
Sony Pictures Classics 10
Touchstone Pictures 8
Paramount Pictures 7
Sony Pictures Releasing International 7
Fox Searchlight Pictures 6
Sony Pictures Releasing 4
Liddell Entertainment 3
Roadside Attractions 3
FilmDistrict 2
Summit Entertainment 2
Universal Pictures 2
Warner Bros. Pictures 2
Columbia Pictures 1
Focus Features 1
New Pictures Film Company 1
Oscilloscope Laboratories 1
Relativity Media, LLC 1
Sundance Selects 1
Walt Disney Pictures 1

TELEVISION NETWORK
HBO 18
SHOWTIME 8
PBS 5
ABC 4
BBC AMERICA 4
FOX 3
NBC 3
AMC 2
CBS 2
FX 2
STARZ 2
SUNDANCE CHANNEL 1
USA NETWORK 1

NOMINATIONS BY MOTION PICTURE
AND TELEVISION SERIES OR PROGRAM
MOTION PICTURE
THE ARTIST 6
THE DESCENDANTS 5
THE HELP 5
THE IDES OF MARCH 4
MIDNIGHT IN PARIS 4
MONEYBALL 4
ALBERT NOBBS 3
HUGO 3
MY WEEK WITH MARILYN 3
50/50 2
BRIDESMAIDS 2
CARNAGE 2
THE GIRL WITH THE DRAGON TATTOO 2
W.E. 2
WAR HORSE 2
THE ADVENTURES OF TINTIN 1
ARTHUR CHRISTMAS 1
BEGINNERS 1
CARS 2 1
CRAZY, STUPID, LOVE. 1
A DANGEROUS METHOD 1
DRIVE 1
THE FLOWERS OF WAR 1
GNOMEO & JULIET 1
THE GUARD 1
IN THE LAND OF BLOOD AND HONEY 1
THE IRON LADY 1
J. EDGAR 1
THE KID WITH A BIKE 1
MACHINE GUN PREACHER 1
PUSS IN BOOTS 1
RANGO 1
A SEPARATION 1
SHAME 1

NOMINATIONS BY MOTION PICTURE
AND TELEVISION SERIES OR PROGRAM
TELEVISION SERIES OR PROGRAM
DOWNTON ABBEY (MASTERPIECE) 4
MILDRED PIERCE 4
BOARDWALK EMPIRE 3
CINEMA VERITE 3
HOMELAND 3
THE HOUR 3
MODERN FAMILY 3
TOO BIG TO FAIL 3
30 ROCK 2
AMERICAN HORROR STORY 2
BOSS 2
ENLIGHTENED 2
EPISODES 2
GAME OF THRONES 2
NEW GIRL 2
APPROPRIATE ADULT 1
THE BIG BANG THEORY 1
THE BIG C 1
THE BORGIAS 1
BREAKING BAD 1
CALIFORNICATION 1
GLEE 1
THE GOOD WIFE 1
HUNG 1
THE KILLING 1
LUTHER 1
NECESSARY ROUGHNESS 1
PAGE EIGHT (MASTERPIECE) 1
PARKS AND RECREATION 1
REVENGE 1

One Response to “The 69th Golden Globes Nominees”

  1. Keil Shults says:

    Of note:

    - Breaking Bad was obviously eligible, given Cranston’s nomination, and yet it was beaten out by American Horror Story for a Best Drama nod. Ridiculous.

    - Homeland is phenomenal, and I hope it wins Best Drama and Actress (at least).

    - Tree of Life didn’t score a single nomination.

    - Was Tinker, Tailor eligible? If so, it was also shutout.

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DEADLINE: How does a visualist feel about people watching your films on a phone or VOD?
REFN: It depends on what kind of movie you make. We had great success with Only God Forgives on multiple platforms in the U.S. Young people will decide how they see it, when they want to see it. Don’t try to fight it. Embrace it. That’s a wonderful opportunity. We’re at the most exciting time since the invention of the wheel, in terms of creativity because distribution and accessibility have changed everything. A camera is still a camera whether it’s digital or not; there’s still sound; an actor is an actor. Ninety-nine percent of what you do is going to be seen on a smart phone – I know this is the greatest thing ever made because it allows people to choose, watching what you do on this format or go into a theater and see it on a screen. That means more people than ever will see what I do, which is personally satisfying in terms of vanity. But you have to be able to adapt, to accept things in different order and length than we’re used to. We are in a very, very exciting time.
~ Nic Refn to Jen Yamato

DEADLINE: You mention Tarantino, who with Christopher Nolan and a few other giants, saved film stock from extinction. To him, showing a digital film in a theater is the equivalent of watching TV in public. Make an argument for why digital is a good film making canvas.
REFN: Costwise, it’s a very effective way for young people to start making movies. You can make your movie on an iPhone. It’s wonderful seeing how my own children use technology to enhance creativity. For me it’s a wonderful canvas. Sure, I love grain in film. I love celluloid. But I also like creativity. I like crayons, I like pencils, I like paint. It’s all relative. Technology is more inclusive. A hundred years ago when film was invented, it was an elitist club. Very few people got to make it, very few people controlled it and very few people owned it. A hundred years later, storytelling through images is everyone’s domain. It’s ultimate capitalism. There are no rules, and no barriers and no Hays Code. Where does this go in another hundred years? I don’t know but I would love to see it.
~ Nic Refn To Jen Yamato