By MCN Editor editor@moviecitynews.com

Nominees for Alliance of Women Film Journalists 2011 AWFJ EDA Awards

AWFJ BEST OF AWARDS

Best Film:

  • The Artist
  • The Descendants
  • Hugo
  • Melancholia
  • Midnight in Paris

Best Director:

  • Woody Allen – Midnight In Paris
  • Michel Hazanavicius – The Artist
  • Terrence Malick – Tree of Life
  • Alexander Payne – The Descendants
  • Martin Scorsese – Hugo

Best Screenplay, Original

  • The Artist – Michel Hazanavicius
  • Beginners – Mike Mills
  • Bridesmaids – Kristin Wiig and Annie Mumolo
  • Midnight in Paris – Woody Allen
  • Win Win – Thomas McCarthy

Best Screenplay, Adapted

  • The Descendants – Alexander Payne and Nat Faxon
  • Hugo – John Logan
  • Moneyball – Steven Zallian and Aaron Sorkin
  • Tinker, Tailor, Soldier, Spy – Bridget O’Connor and Peter Straughan
  • We Need To Talk About Kevin – Lynne Ramsey and Rory Kinnear

Best Documentary

  • Bill Cunningham New York
  • Buck
  • Cave of Forgotten Dreams
  • The Interrupters
  • Pina
  • Project Nim

Best Animated Film

  • Arthur Christmas
  • Kung Fu Panda
  • Puss in Boots
  • Rango
  • Tintin

Best Actress

  • Viola Davis – Abileen Clark in The Help
  • Kirsten Dunst – Justine in Melancholia
  • Meryl Streep – Margaret Thatcher in The Iron Lady
  • Tilda Swinton – Eva Khatchadourian in We Need To Talk About Kevin
  • Michelle Williams – Marilyn Monroe in My Week With Marilyn

Best Actress in a Supporting Role

  • Bernice Bejo – Peppy Miller in The Artist
  • Jessica Chastain – Celia Foote in The Help
  • Janet McTeer – Hubert Page in Albert Nobbs
  • Carey Mulligan – Sissy Sullivan in Shame
  • Octavia Spencer – Minny Jackson in The Help

Best Actor

  • George Clooney – Matt King in The Descendants
  • Jean Dujardin – George Valentin in The Artist
  • Michael Fassbinder – Brandon Sullivan in Shame
  • Brad Pitt – Billy Beane in Moneyball
  • Michael Shannon – Curtis in Take Shelter

Best Actor in a Supporting Role

  • Kenneth Brannagh – Sir Laurence Olivier in My Week With Marilyn
  • Albert Brooks – Bernie Rose in Drive
  • Christopher Plummer – Hal Fields in Beginnings
  • Alan Rickman – Professor Severus Snape in Harry Potter and the Deathly Hallows: Part II
  • Andy Serkis – in Planet of the Apes

Best Ensemble Cast

  • Bridesmaids
  • The Descendants
  • The Help
  • Margin call
  • Midnight In Paris

Best Editing:

  • The Artist – Anne-Sophie Bion and Michel Hazanavicius
  • Girl With The Dragon Tattoo – Kirk Baxter and Angus Wall
  • Hugo – Thelma Schoonmaker
  • Tree of Life – Hank Corwin, Jay Rabinowitz, Daniel Rezende, Billy Weber, Mark Yoshikawa
  • Warhorse – Michael Kahn

Best Cinematography:

  • The Artist – Guillaume Schiffman
  • Hugo – Robert Richardson
  • Melancholia – Manuel Alberto Claro
  • Tree of life – Emmanuel Lubezki
  • Warhorse – Janusz Kaminski

Best Film Music Or Score :

  • The Artist – Ludovic Bource, Original Score
  • Girl With The Dragon Tattoo – Trent Reznor and Atticus Ross, Original Score
  • Hannah – The Chemical Brothers, Original Score

Best Non-English-Language Film:

  • Le Havre – Aki Kaurismaki, Finland/France
  • Pina – Wim Wenders, Germany
  • A Separation – Ashgar FarhadI, Iran
  • The Skin I Live In – Pedro Almodovar, Spain
  • Trollhunter – André Øvredal, Norway

EDA FEMALE FOCUS AWARDS

Best Woman Director

  • Lynne Ramsey – We Need To Talk About Kevin
  • Dee Rees – Pariah
  • Vera Farmiga – Higher Ground
  • Kelly Reichardt – Meek’s Cutoff
  • Jennifer Yuh – Kung Fu Panda

Best Woman Screenwriter

  • Diablo Cody – Young Adult
  • Abi Morgan – The Iron Lady
  • Lynne Ramsey and Rory Kinnear – We Need To Talk About Kevin
  • Dee Rees – Pariah
  • Kristin Wiig and Annie Mumolo – Bridesmaids

Kick Ass Award For Best Female Action Star

  • Rooney Mara — Lisbeth Salander in Girl With The Dragon Tattoo
  • Helen Mirren – Rachel Singer in The Debt
  • Paula Patton – Jane in Mission: Impossible – Ghost Protocol
  • Saoirse Ronan – Hanna in Hanna
  • Zoe Saldana – Cataleya in Colombiana

Best Animated Female

  • Emily Blunt as Juliet in Gnomeo and Juliet
  • Isla Fisher as Beans in Rango
  • Anne Hathaway as Jewel in Rio
  • Salma Hayak as Kitty Softpaws in Puss in Boots
  • Angelina Jolie – Tigress in Kung Fu Panda

Best Breakthrough Performance

  • Jessica Chastain as Mrs. O’Brien in Tree of Life
  • Elizabeth Olsen as Martha, Marcy May and Marlene in Martha Marcy May Marlene
  • Adepero Oduye as Alike in Pariah
  • Rooney Mara as Lisbeth Salander in The Girl With The Dragon Tattoo
  • Shailene Woodley as Alexandra King in The Descendants

Female Icon Award

  • Glenn Close as Albert Nobbs in Albert Nobbs
  • Viola Davis as Abileen Clark in The Help
  • Meryl Streep as Margaret Thatcher in The Iron Lady

Actress Defying Age and Ageism

  • Glenn Close as Albert Nobbs in Albert Nobbs
  • Judi Dench as Anna Marie Hoover in J. Edgar Hoover
  • Helen Mirren as Rachel Singer in The Debt
  • Vanessa Redgrave as Volumnia in Coriolanus
  • Meryl Streep as Margaret Thatcher in The Iron Lady

This Year’s Outstanding Achievement By A Woman In The Film Industry:

  • Jessica Chastain for performances in four highly acclaimed films
  • Thelma Schoonmaker for editing Hugo
  • Stacey Snider for helming Dreamworks
  • Kristin Wiig for Bridesmaids

AWFJ Award Humanitarian Activism

  • Sandra Bullock for tsunami relief
  • Elaine Hendrix for Animal Rescue Corps and In Defense of Animals
  • Angelina Jolie for UN work and making In The Land of Milk and Blood to raise awareness about genocide.
  • Elizabeth Taylor for her work with AIDS
  • Olivia Wilde for relief work in Haiti

EDA SPECIAL MENTION AWARDS

AWFJ Hall Of Shame Award

  • The Hollywood Reporter for failing to invite any women to join the Directors Roundtable
  • I Melt With You, production and cast
  • Jack and Jill, production and cast
  • Something Borrowed, production and cast
  • Sucker Punch, production and cast

Actress Most in Need Of A New Agent

  • Jennifer Aniston
  • Kate Hudson
  • Sarah Jessica Parker
  • Amanda Seyfried
  • All actresses in New Year’s Eve

Movie You Wanted To Love But Just Couldn’t:

  • Drive
  • The Future
  • Sucker Punch
  • Tinker, Tailor, Soldier, Spy
  • Young Adult

Unforgettable Moment Award:

  • The Artist – The sound of glass clinking on the table
  • Drive – The elevator scene
  • Girl With The Dragon Tattoo – Lisbeth’s revenge
  • The Help – The pie scene
  • Shame – Carey Mulligan singing New York, New York

Best Depiction Of Nudity, Sexuality, or Seduction:

  • A Dangerous Method – Carl Jung spanks Sabina Speilrein
  • Girl With the Dragon Tattoo — Lisbeth mounts Mikael
  • Melancholia – Justine in the moonlight
  • Shame – Opening sequence on the subway train
  • Shame – Brendan with co-worker

Sequel or Remake That Shouldn’t Have Been Made Award:

  • Arthur
  • Cars 2
  • Hangover Part II
  • Hoodwinked 2
  • Transformers: Dark Side of the Moon

Most Egregious Age Difference:

  • Albert Nobbs – Glenn Close (64) and Mia Wasikowska (22)
  • Girl With The Dragon Tattoo – Daniel Craig (43) and Rooney Mara (26)
  • Midnight in Paris – Owen Wilson (43) and Léa Seydoux (26)
  • Sleeping Beauty – Emily Browning (23) and Man 1 (Peter Carroll, 1968), Man 2 (Chris Haywood, 63) and Man 3 (Hugh Keays-Byrne, 64)
  • Twilight: Breaking Dawn Part 1 – Bella (18) and Edward (over 100)

# # #

Leave a Reply

Quote Unquotesee all »

“I suddenly couldn’t say anything about some of the movies. They were just so terrible, and I’d already written about so many terrible movies. I love writing about movies when I can discover something in them – when I can get something out of them that I can share with people. The week I quit, I hadn’t planned on it. But I wrote up a couple of movies, and I read what I’d written, and it was just incredibly depressing. I thought, I’ve got nothing to share from this. One of them was of that movie with Woody Allen and Bette Midler, Scenes From a Mall. I couldn’t write another bad review of Bette Midler. I thought she was so brilliant, and when I saw her in that terrible production of ‘Gypsy’ on television, my heart sank. And I’d already panned her in Beaches. How can you go on panning people in picture after picture when you know they were great just a few years before? You have so much emotional investment in praising people that when you have to pan the same people a few years later, it tears your spirits apart.”
~ Pauline Kael On Quitting

“My father was a Jerome. My daughter’s middle name is Jerome. But my most vexing and vexed relationship with a Jerome was with Jerome Levitch, the subject of my first book under his stage and screen name, Jerry Lewis.

I have a lot of strong and complex feelings about the man, who passed away today in Las Vegas at age 91. Suffice to say he was a brilliant talent, an immense humanitarian, a difficult boss/interview, and a quixotic sort of genius, as often inspired as insipid, as often tender as caustic.

I wrote all about it in my 1996 book, “King of Comedy,” which is available on Kindle. With all due humility, it’s kinda definitive — the good and the bad — even though it’s two decades old. My favorite review, and one I begged St. Martin’s (unsuccessfully) to put on the paperback jacket, came from “Screw” magazine, which called it “A remarkably fair portrait of a great American asshole.”

Jerry and I met twice while I was working on the book and spoke/wrote to each other perhaps a dozen times. Like many of his relationships with the press and his partners/subordinates, it ended badly, with Jerry hollering profanities at me in the cabin of his yacht in San Diego. I wrote about it in the epilogue to my book, and over the years I’ve had the scene quoted back to me by Steve Martin, Harry Shearer, Paul Provenza and Penn Jillette. Tom Hanks once told me that he had a dinner with Paul Reiser and Martin Short at which Short spent the night imitating Jerry throwing me off the boat.

Jerry was a lot of things: father, husband, chum, businessman, philanthropist, artist, innovator, clown, tyrant. He was at various times in his life the highest-ever-paid performer on TV, in movies, and on Broadway. He raised BILLIONS for charity, invented filmmaking techniques, made perhaps a dozen classic comedies, turned in a terrific dramatic performance in Martin Scorsese’s “The King of Comedy,” and left the world altered and even enhanced with his time and his work in it.

That’s an estimable achievement and one worth pausing to commemorate.

#RIP to Le Roi du Crazy

~ Biographer Shawn Levy on Jerry Lewis on Facebook