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MT @JasonCritic: Seem to have awoken with hangover, the last thing one needs when soon interviewing Michael Haneke. In French. #cannes2012
RT @theBDR: Jon Voight's accent in Anaconda is one of the greatest things ever captured on celluloid.
MT @JonathanRomney: Last night's dinner: largely comprised of bafflement over Kiarostami (and griping about damp socks). #cannes2012
DP: What's more stupid than Lindsay Lohan as Liz Taylor. NYT scraping bottom of barrel to cover it.
DP: Thinking over the day, I must say... Haneke's "Amour" is mesmerizing & unforgettable, like a great sad song you can't get out of your head
“I’m in Locarno, my movie is premiering for 1,000 people, which is nuts. A huge-ass screening, second day of the festival, 7:30pm in the sidebar competition. It’s comparable to Un Certain Regard or Director’s Fortnight. Every movie I saw in that section was fun, brilliant movies from around the world. The main competition was like Aza Jacobs and Mia Hansen-Løve, people who have been around. And I was like, “This is crazy. What am I doing inside the bloodstream of this establishment? I’m 27. I don’t belong here.” Every person I talked to there couldn’t believe what the movie cost, and then couldn’t believe when I told them what other American movies cost. We were the cheapest movie there by 65%. The next cheapest movie cost I think three times as much as we did. And they were just like, “You can’t make movies for what you’re telling us your movie cost.” And I told them, “Well, I can, I’m here, I’m in the same section as you are, so you are wrong. People think I’m lying when I tell them my budget. And also everyone likes it. I’m having a great time and people are being very responsive. Maurice Pialat’s widow was like, “I heard your movie’s good, I want a copy of it.” I’m like, “Well this is f**kin’ crazy.” Pedro Costa saw it there and really liked it and I’m like, What am I doing? I had gone in two months from screening at BAM for a lot of friends to Pedro Costa? This is the exact sentence: “Pedro Costa saw your movie. He’s a huge Jerry Lewis fan. He wants to talk to you about your movie and also Jerry Lewis.” And I thought, “I’m out of my element. I cannot have that conversation because that’s ridiculous.” Because his retrospective was happening at Anthology when I worked at Kim’s, and his Criterion box set came out when I was working at Kim’s. He can’t want to talk to me. That’s not possible. That’s not allowed. There is no world where that makes any sense!” Or like when you wrote me to say that David Gordon Green wrote you to say, “I’m watching The Color Wheel and then I’m going to see Tree of Life.” There is no world where this is allowed! Again, somebody whose DVDs I was putting on the shelf, as, like, a hero. And it’s just like, “Oh, I’ll watch this movie.” There’s just a very fuzzy area in the middle there and it happened very quickly and I don’t understand why. I still have a voice-mail from Sean [Price Williams, cinematographer]. I wish he was here to talk about it, but the voice-mail is a long pause and he’s just like, “I don’t want to tell you this, because it’s gonna make you so insufferable. I hate having to tell you this, but Leos Carax watched your movie and he really loves it, and he wants to meet you when he comes to New York.” I can’t live in a world where Leos Carax knows who I am, watches my movie, likes it, and thinks, “I wanna meet that guy.”
~ It’s Alex Ross Perry’s World
“I don’t know. It’s been a lot harder than I thought it was going to be to make the films I really dream of making. I was in Italy a few years ago scouting for this very beautiful film I wanted to make with Richard Linklater. We worked really hard on the script for a couple of years and couldn’t get the money together. It was an expensive idea. It’s heartbreaking when that happens over and over again and then the movies that do get made are ones that have lots of women being beaten up or zombies being killed. It’s all fine, it’s all okay, but it’s hard. I remember when River Phoenix died, he was ahead of me on this curve. He kind of realized how hard it was to make serious movies. People like Sidney Lumet figured out how to walk that line, but it’s hard. And it requires patience. It’s a life’s work and I wonder if I’m up to the task.”
~ Weary, Wary Ethan Hawke

Good interview Dave. As this came to a close I picked up my Time magazine and randomly thumbed thru it. There was a article on Young Adult. Glad to see Patton coming across as a interesting multi-talented actor/comic. Look’s like I will be picking up on some of his work. Does anyone have suggestions to start with?
He got great reviews for his performance in Big Fan. There was actually some oscar talk.
Mariamu: If you want to hear any of his standup, I strongly recommend “Werewolves and Lollipops” as a starting point.
Thanks for the tips. Think I might check out Big Fan first.
Theres a bit he does about the song Christmas Shoes which may be the funniest thing I ever heard
I saw Big Fan and it’s an ok film. Not great. Patton is playing a very unlikable character, with unclear motives for most of it, and it doesn’t quite gel in the end. I think it would have been a tough role to pull off by ANY actor so this is to not slight him, but the movie just doesn’t work.
Can’t wait to see this one.
“I will be picking up on some of his work. Does anyone have suggestions to start with?”
A good place to start would be by just reading every post and reference I’ve ever made on the internet, EVER, and then just imagine this guy getting paid for it when I sit at home like a douche.
Tuck-
As a sports fan, I loved BIG FAN. Maybe it resonates more when you listen to sports talk radio and the “regulars” that call in. I thought it worked great and is an awesome movie.
mariamu: ‘ratatouille’ if you haven’t already seen it, remy’s voice characterisation is kind of divisive from what i gather but good if you’re keen on oswalt
Lex: I like you, but I cannot abide your continued slagging of Patton Oswalt while you regale a guy who’s like the Nickelback of comedians.
Nick – I’m going to presume you’re unaware of Lex’s musical taste. “Nickelback” most likely is not the insult you think it is.
LYT: Noted.
Patton Oswalt – 1 hour audio podcast – he talks about his comedy stand up ..
he’s a lot more relaxed and funnier here ..he does talk about movies + comics getting paid big money for what
they do..
http://www.nerdist.com/2011/05/20431/
Feelin Kinda Patton and Werewolves and Lollipops – I’ve committed both of those albums to memory. Hilarous, his latest, Finest Hour, is good, but not exceptional, but those first two are musts.
It would be an interesting thing if Patton continues to get notices for his work and be able to join what seems to be a long line of actors formely in supporting tv roles who usurp their lead actors, i.e Harrelson/Danson, Goodman/Barr, Betty White/Mary Tyler Moore, and many others.
Even though Kevin James has a pretty good career for himself right now and has seemed to have made a very successful leap from the small screen to the big screen