DP/30: Moneyball, cinematographer, editor, sound editor, director
Wally Pfister, Christopher Tellefsen, Deb Adair, and Bennett Miller talk about making the film with David Poland. Shot at Sony Picture Studios, Culver City, CA in Dec 2011.
May 24, 2013
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Cannes ’13: What Is This Thing Called Love?
DP/30 @ Sundance ’13: We Steal Secrets: The Story Of Wikileaks, documentarian Alex Gibney
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Weekend Estimates by Cap’n Klady
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RT @lenadunham: 3. Because it grosses me out.
RT @lenadunham: 2. Because a big reason I engage in (simulated) onscreen sex is to counteract a skewed idea of that act created by the prol…
RT @lenadunham: 1. Because Girls is, at its core, a feminist action while Hustler is a company that markets and monetizes a male's idea of …
DP: Noting: I only saw 80 minutes of The Immigrant, as I had a prior obligation
DP: @Dealfatigue Can’t fairly blame exhibition for wild spending by studios. The audience is clearly there and still expanding internationally
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“The true punk film of the festival.”
~ Romain Blondeau On Claire Denis’ Les Saluds in Les Inrocks
“It’s also defined commercially by the difference between a colorful, Hawaii-set comedy starring George Clooney and a black-and-white, prairie-based old-age odyssey featuring a straggly and unkempt Bruce Dern. All the same, Paramount Vantage should be able to ride accolades for this very fine Cannes competition entry to respectable specialized returns in fall release.”
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