MCN Blogs
David Poland

By David Poland poland@moviecitynews.com

DP/30: Extremely Loud & Incredibly Close, actor Max von Sydow

Merry Christmas from Ming The Merciless

16 Responses to “DP/30: Extremely Loud & Incredibly Close, actor Max von Sydow”

  1. Joe Leydon says:

    A troubling thought: Could Ming be the best-paying gig he’s ever had?

  2. Edward Wilson says:

    You should’ve played chess with him…

  3. MarkVH says:

    Did you really goof up the title, or are you just putting us on? No snark, just curious.

  4. sanj says:

    first 10 mintues – most generic interview – DP didn’t ask any real questions – so he didn’t answer any real questions.

    - didn’t have any cool old man cool movie stories .

    - he gave a lot of short answers – most than other dp/30′s ..

    - overall – seemed like the movie studio forced old actor dude to do this interview – he could have been in France or something … should have cut it short by 10 minutes.

    the only movie i really remember him is strange brew which is like 25 + years old ..

    here’s the trailer

    http://www.youtube.com/watch?v=ctj4SGoAGCg

  5. Joe Leydon says:

    He was pretty damn funny in Strange Brew, actually.

  6. David Poland says:

    Goofed it up, Mark… can’t keep it straight… was editing the title on YouTube and posting here this morning… a little distracted.

  7. David Poland says:

    And in spite of sanj’s take, I really enjoyed the conversation. The Bergman stories and his theater-first mindset were of real interest to me. And I just like watching the guy think. For me, it felt unusually intimate for someone I really don’t know at all.

  8. Joe Leydon says:

    Max Von Sydow is a god, and gods have that effect on people. Seriously: Remember a few years ago when Edward James Olmos was so damn happy just standing next to him on stage at the Oscars that he impulsively kissed his hand? I can relate to that. The one and only time I met Bette Davis, I had to stop myself from falling on my knees and saying, “Oh, Lord, I am not worthy!”

  9. sanj says:

    DP – the movie history seems more important to you because you watched his movies … the lack of movie details were just missing…not a fun interview for me.

    the most detailed answers from the recent dp/30 was Theron – she gave answers to questions.

  10. Danella Isaacs says:

    Anyone who only knows MvS from STRANGE BREW has no business criticizing an interview of MvS. The man is one of the greatest actors on the planet. Even if you’re too lazy or disinterested to read subtitles, you can see this in THE DIVING BELL AND THE BUTTERFLY, SNOW FALLING ON CEDARS, HANNAH AND HER SISTERS (if you look quickly), THE EXORCIST (a 44 year old flawlessly playing an elderly man; Armie Hammer and Leonardo DiCaprio should have consulted him before almost ruining the last third of J. EDGAR), etc., etc., etc. Hell, even his Ming is a delight to behold. And then there’s PELLE THE CONQUEROR, THE IMMIGRANTS, THE VIRGIN SPRING, SHAME, THE PASSION OF ANNA, THE SEVENTH SEAL, HOUR OF THE WOLF. If he dies without an Oscar, honorary or otherwise, it will be yet another blot on the Academy’s record.

  11. leahnz says:

    danella, you forgot him as the tracker in ‘what dreams may come’ and dr novotny in ‘dreamscape’! (nah, just kidding). hard to believe von sydow’s never won an oscar considering his legend status, i had to look it up (wiki) and was actually shocked to find he only has ONE oscar nomination over his entire career, for lead actor in ‘pelle’. can that be right? (if that’s correct, is there precedent for the academy giving someone so snubbed nomination-wise an honorary oscar, which would seem a bit of a no-brainer…)

  12. Danella Isaacs says:

    Maybe not in acting, leahnz, but if you look at directors, I don’t think Godard or Satyajit Ray were ever nominated, and yet they got (much-deserved) honorary Oscars. I always think it really does credit to the Academy when they do, sometimes, give people like Antonioni, Wajda, Godard, and Ray those honorary Oscars. Von Sydow really should be next, not that I have any say in the matter.

  13. leahnz says:

    interesting. perhaps a petition is in order

    (i was kidding about it in the ‘Prometheus’ thread, deadly serious here. maybe someone who reads this blog actually has some influence in this regard, if so: get off yer ass. and a star on the walk of fame for river phoenix, whoever’s in the know on that stuff, it’s a travesty. make amends)

  14. yancyskancy says:

    Edward G. Robinson got an honorary Oscar (posthumously, if I recall correctly), surely in compensation for never getting even one nomination for acting. Stan Laurel, too, I believe. I’m sure there are others. Jerry Lewis got one, but I think it was the Jean Hersholt Humanitarian award and therefore more for his charity work than his career before and behind the camera.

    I may have mentioned it before, but back when Rex Reed and Dixie Whatley were doing that awful Siskel and Ebert knock-off, Reed was outraged that “some foreign guy” got a Best Actor nod for a movie nobody ever heard of — PELLE THE CONQUEROR. My jaw hit the floor.

    As Daniella said, Von Sydow is one of the greatest screen actors ever. Anyone avoiding his classic work because it’s B&W or subtitled or “old” — well, it’s their loss. Sanj, you might want to think about watching 10 percent fewer interviews per week so you can squeeze in a look at one of Von Sydow’s better films. :)

  15. sanj says:

    i’ll check more interviews on this guy on youtube .

    i’m still surprised i remembered him in strange brew .

    still doesn’t change my mind about the interview – not the best from DP.

    DP did a dp/30 with old dude Frederick Wiseman – haven’t seen his documentaries but that interview was better.

    actors / directors who are 70 + years old always seem
    to get cranky … at least DP is the only one interviewing them.

  16. leahnz says:

    rex reed shoulda got slapped upside the head for that

Leave a Reply

The Hot Blog

Z

Quote Unquotesee all »

“I’m in Locarno, my movie is premiering for 1,000 people, which is nuts. A huge-ass screening, second day of the festival, 7:30pm in the sidebar competition. It’s comparable to Un Certain Regard or Director’s Fortnight. Every movie I saw in that section was fun, brilliant movies from around the world. The main competition was like Aza Jacobs and Mia Hansen-Løve, people who have been around. And I was like, “This is crazy. What am I doing inside the bloodstream of this establishment? I’m 27. I don’t belong here.” Every person I talked to there couldn’t believe what the movie cost, and then couldn’t believe when I told them what other American movies cost. We were the cheapest movie there by 65%. The next cheapest movie cost I think three times as much as we did. And they were just like, “You can’t make movies for what you’re telling us your movie cost.” And I told them, “Well, I can, I’m here, I’m in the same section as you are, so you are wrong. People think I’m lying when I tell them my budget. And also everyone likes it. I’m having a great time and people are being very responsive. Maurice Pialat’s widow was like, “I heard your movie’s good, I want a copy of it.” I’m like, “Well this is f**kin’ crazy.” Pedro Costa saw it there and really liked it and I’m like, What am I doing? I had gone in two months from screening at BAM for a lot of friends to Pedro Costa? This is the exact sentence: “Pedro Costa saw your movie. He’s a huge Jerry Lewis fan. He wants to talk to you about your movie and also Jerry Lewis.” And I thought, “I’m out of my element. I cannot have that conversation because that’s ridiculous.” Because his retrospective was happening at Anthology when I worked at Kim’s, and his Criterion box set came out when I was working at Kim’s. He can’t want to talk to me. That’s not possible. That’s not allowed. There is no world where that makes any sense!”  Or like when you wrote me to say that David Gordon Green wrote you to say, “I’m watching The Color Wheel and then I’m going to see Tree of Life.” There is no world where this is allowed! Again, somebody whose DVDs I was putting on the shelf, as, like, a hero. And it’s just like, “Oh, I’ll watch this movie.” There’s just a very fuzzy area in the middle there and it happened very quickly and I don’t understand why.  I still have a voice-mail from Sean [Price Williams, cinematographer]. I wish he was here to talk about it, but the voice-mail is a long pause and he’s just like, “I don’t want to tell you this, because it’s gonna make you so insufferable. I hate having to tell you this, but Leos Carax watched your movie and he really loves it, and he wants to meet you when he comes to New York.” I can’t live in a world where Leos Carax knows who I am, watches my movie, likes it, and thinks, “I wanna meet that guy.”
~ It’s Alex Ross Perry’s World

“I don’t know. It’s been a lot harder than I thought it was going to be to make the films I really dream of making. I was in Italy a few years ago scouting for this very beautiful film I wanted to make with Richard Linklater. We worked really hard on the script for a couple of years and couldn’t get the money together. It was an expensive idea. It’s heartbreaking when that happens over and over again and then the movies that do get made are ones that have lots of women being beaten up or zombies being killed. It’s all fine, it’s all okay, but it’s hard. I remember when River Phoenix died, he was ahead of me on this curve. He kind of realized how hard it was to make serious movies. People like Sidney Lumet figured out how to walk that line, but it’s hard. And it requires patience. It’s a life’s work and I wonder if I’m up to the task.”
~ Weary, Wary Ethan Hawke

Z Z