By MCN Editor editor@moviecitynews.com

39 ORIGINAL SONGS VIE FOR OSCAR’S 2011 PLAYLIST

December 19, 2011
FOR IMMEDIATE RELEASE

Beverly Hills, CA – Thirty-nine songs from eligible feature-length motion pictures are in contention for nominations in the Original Song category for the 84th Academy Awards®, the Academy of Motion Picture Arts and Sciences announced today.

The original songs, along with the motion picture in which each song is featured, are listed below in alphabetical order by film and song title:

  • “The World I Knew” from “African Cats”
  • “Lay Your Head Down” from “Albert Nobbs”
  • “Star Spangled Man” from “Captain America: The First Avenger”
  • “Collision of Worlds” from “Cars 2″
  • “Dakkanaga Dugu Dugu” from “DAM999″
  • “DAM999 Theme Song” from “DAM999″
  • “Mujhe Chod Ke” from “DAM999″
  • “Rainbird” from “Dirty Girl”
  • “Keep On Walking” from “The First Grader”
  • “Where the River Goes” from “Footloose”
  • “Hello Hello” from “Gnomeo & Juliet”
  • “Love Builds a Garden” from “Gnomeo & Juliet”
  • “Bridge of Light” from “Happy Feet Two”
  • “The Mighty Sven” from “Happy Feet Two”
  • “Never Be Daunted” from “happythankyoumoreplease”
  • “Hell and Back” from “Hell and Back Again”
  • “The Living Proof” from “The Help”
  • “Coeur Volant” from “Hugo”
  • “It’s How We Play” from “I Don’t Know How She Does It”
  • “When the Heart Dies” from “In the Land of Blood and Honey”
  • “Ja Nao Estar” from “José and Pilar”
  • “The Keeper” from “Machine Gun Preacher”
  • “Life’s a Happy Song” from “The Muppets”
  • “Man or Muppet” from “The Muppets”
  • “Pictures in My Head” from “The Muppets”
  • “Summer Song” from “The Music Never Stopped”
  • “Imaginary Friends” from “Olive”
  • “Sparkling Day” from “One Day”
  • “Taking You with Me” from “Our Idiot Brother”
  • “The Greatest Song I Ever Heard” from “POM Wonderful Presents The Greatest Movie Ever Sold”
  • “Hot Wings” from “Rio”
  • “Let Me Take You to Rio” from “Rio”
  • “Real in Rio” from “Rio”
  • “Shelter” from “Take Shelter”
  • “Gathering Stories” from “We Bought a Zoo”
  • “Pop” from “White Irish Drinkers”
  • “Think You Can Wait” from “Win Win”
  • “The Backson Song” from “Winnie the Pooh”
  • “So Long” from “Winnie the Pooh”

On Thursday, January 5, the Academy will screen clips featuring each song, in random order, for voting members of the Music Branch in Los Angeles.  Following the screenings, members will determine the nominees by an averaged point system of voting.  If no song receives an average score of 8.25 or more, there will be no nominees in the category.  If only one song achieves that score, it and the song receiving the next highest score shall be the two nominees.  If two or more songs (up to five) achieve that score, they shall be the nominees.  A DVD copy of the song clips will be made available to those branch members who are unable to attend the screening and who request it for home viewing.  A mail-in ballot will be provided.

Under Academy rules, a maximum of two songs may be nominated from any one film.  If more than two songs from a film achieve a score of 8.25 or more, the two songs with the highest scores will be the nominees.

To be eligible, a song must consist of words and music, both of which are original and written specifically for the film.  A clearly audible, intelligible, substantive rendition of both lyric and melody must be used in the body of the film or as the first music cue in the end credits.

The 84th Academy Awards nominations will be announced live on Tuesday, January 24, 2012, at 5:30 a.m. PT in the Academy’s Samuel Goldwyn Theater.

Academy Awards for outstanding film achievements of 2011 will be presented on Sunday, February 26, 2012, at the Kodak Theatre at Hollywood & Highland Center®, and televised live by the ABC Television Network.  The Oscar® presentation also will be televised live in more than 225 countries worldwide.

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One Response to “39 ORIGINAL SONGS VIE FOR OSCAR’S 2011 PLAYLIST”

  1. Fred S says:

    Check out the Shillaly Brothers’ “Pop” from White Irish Drinkers. Powerful song that fits beautifully with a moving film and ending. http://www.youtube.com/watch?v=bXewKDa8I5c&feature=related

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“One of my favorite things in watching any performance on film is when there isn’t a lot of cutting going on and when you get a chance to become really absorbed in the artist in hand. The same way we do, hopefully, at a concert, when we get a chance to really trip in to something that’s happening on stage. Whether the singer’s singing, or one of the other musicians is playing, we sort of stay there instead of cutting round with our eyes a lot.”
~ Jonathan Demme

“We’ve talked about this before in the past, my obsession with the Shakespearean histories having the ideal combination of the sweet and the sour. In ‘Henry IV, Part II’ which we’ve discussed before, in the end of that story it’s very complex and haunting because Prince Hal becomes Henry the King, and he has transcended his hoodlum days and at the ceremony is Falstaff, his good friend with whom he has really fucked around and been a loser with, and Falstaff comes up to him and says, ‘Now that you’re king we can really party,’ and the king famously says, ‘I know thee not, old man.’ It becomes Henry IV’s anointment and Falstaff’s catastrophe. That’s life. I have experienced very little unfettered triumph. There are moments, such as when my children are born, but even that comes with new fears and anxieties. In a sense the better you can communicate that life is both at once, the more powerful over time something becomes. One strives for something where the threads are there because it lasts in way that is very palpable. The idea of a tragedy is powerful in literature and theater, but in cinema it doesn’t work, certainly not commercially, and less so critically. Why is that? I think it has to do with how movies are so close to us.”
~ James Gray