By MCN Editor editor@moviecitynews.com

12 Feature Film Projects Selected For Sundance Institute January Screenwriters Lab

For Immediate Release

December 16, 2011

Los Angeles, CA — Sundance Institute has selected 12 projects for its annual January Screenwriters Lab, an immersive, five-day (January 13-18) writers’ workshop at the Sundance Resort in Utah. Participating independent screenwriters – drawn from around the world, including the United States, China, South Africa, and Europe – will have the opportunity to work intensely on their feature film scripts with the support of established writers in an environment that encourages innovation and creative risk-taking.

Michelle Satter, Director of the Sundance Institute Feature Film Program, said, “We are very excited to support these filmmakers who are giving voice to a world in transition with a diverse range of stories, genres and contemporary themes. Fueled by their creativity and a deeply personal stake in these stories, the filmmakers are infusing their scripts with rich characters, authentic worlds and uniquely singular visions.”

The Fellows will work with a distinguished group of creative advisors, including Lab Artistic Director Scott Frank, Lisa Cholodenko, Geoffrey Fletcher, Naomi Foner, John Gatins, Susannah Grant, John Lee Hancock, Nicole Holofcener, Malia Scotch Marmo, Walter Mosley, Jessie Nelson, Martin Rejtman, Howard Rodman, Susan Shilliday, Zach Sklar, Dana Stevens, and Joachim Trier.

“Our Feature Film Program continues to build its legacy of identifying and supporting innovative artists, and each of these projects holds potential for contributing to that legacy in new and different ways,” said Keri Putnam, Executive Director of Sundance Institute. “The January Screenwriters Lab is the first step in a year-round program of creative and strategic support that has recently expanded to include a robust plan to help filmmakers connect to ever-increasing audiences.”

2012 January Screenwriters Lab Fellows and Projects:

Jonas Carpignano (writer/director) / A Chjàna (Italy/U.S.A.): After leaving his native Burkina Faso in search of a better life, Ayiva makes the perilous journey to Italy; though he finds compatriots along the way, they are unprepared for the intolerance facing immigrants in their newly-claimed home.

Jonas Carpignano is an Italian-American filmmaker currently based in New York City and Rome. While raised and educated in New York, he has spent periods of time in Italy where he began his career working as an assistant director. Since enrolling at NYU’s Tisch School of the Arts, Carpignano has made several short films that have screened in numerous prestigious festivals throughout the world. Recently, he was awarded the Martin Scorsese Young Filmmaker Award, and his latest short film A Chjàna won the Controcampo Award for Best Short Film at the 68th Venice Film Festival.

Ioana Uricaru (writer/director) / After the Wedding (U.S.A./Romania): Mara, a Romanian immigrant with a young son, soon discovers her recent marriage to an American is not enough to secure their place in the country. As she learns more about the system, an unfamiliar culture, and her husband, she must decide how far she will go to preserve her new family.

Ioana Uricaru was born and raised in Romania, relocating to Los Angeles in 2001. She co-directed the Romanian omnibus Tales From the Golden Age (Official Selection, 2009 Cannes Film Festival) and her short film Stopover premiered at the 2011 Sundance Film Festival. In addition to After the Wedding, Uricaru is currently developing the feature Paperclip, which was a recipient of the 2011 Sundance/Sloan Commissioning Grant.

David Lowery (writer/director) / Ain’t Them Bodies Saints (U.S.A.): Embracing the atmosphere and tone of a modern-day Western, Ain’t Them Bodies Saints tells the story of an outlaw who escapes from prison and sets out across the Texas countryside to reunite with his wife and the daughter he never met.

David Lowery is a filmmaker from Texas. His work, including the award-winning short film Pioneer, has screened and won awards at film festivals around the world, including Sundance, SXSW, Festival Internacional de Cortos FIB (Spain), and Ashland Independent Film Festival. Filmmaker Magazine named him one of the 25 New Faces of Independent Film in 2011.

Marielle Heller (writer/director) / Diary of a Teenage Girl (U.S.A.): In the haze of 1970’s San Francisco, a teenage artist with a brutally honest perspective tries to navigate her way through an affair with her mother’s boyfriend. Adapted from the graphic novel by Phoebe Gloeckner.

Marielle Heller is a New York based screenwriter, actor and playwright. Her theatrical production of The Diary of a Teenage Girl premiered in New York City in 2010 at 3LD in association with New Georges. Along with writing partner Caitlin Goldberg-Meehan, Heller has written a pilot for ABC titled The Big Apple, and is developing a movie for the Disney Channel. As an actor, she has performed in theatre all over the world, including at Berkeley Rep, The Barbican in London, Birmingham Rep, Soho Rep, San Diego Rep, and Magic Theater.

Ryan Coogler (writer/director) / Fruitvale (U.S.A.): Fruitvale is the true story of Oscar, a 22-year-old Bay Area resident, who crosses paths with friends, enemies, family, and strangers on the last day of 2008.

A filmmaker from the Bay Area, Ryan Coogler spent most of his life dodging tackles on the football field before discovering a love for making movies in college. After earning a degree in Finance from Sacramento State, he headed south to attend USC’s MFA program, where he made several award-winning short films including Locks (Tribeca Film Festival, Dana and Albert Broccoli Award for Filmmaking Excellence), Gap (Jack Nicholson Award for Achievement in Directing), and Fig (HBO Short Filmmaking Award, DGA Student Filmmaker Award). After graduating, he returned home to Richmond, California, where he works as a guidance counselor for juvenile delinquents.

Chloé Zhao (writer/director) / Lee (U.S.A): As his two best friends plan to leave for college, a Lakota teen wonders if his future on the reservation is pre-ordained when a tragedy forces him to take dangerous action to protect his family.

Chloé Zhao is an MFA thesis candidate at NYU’s Graduate Film Program. Her short film Daughters premiered at the Clermont-Ferrand International Short Film Festival and won Best Student Live Action Short at the Palm Springs International ShortFest. Zhao was raised in China and England and currently lives in Brooklyn.

Susanna Fogel (co-writer/director) and Joni Lefkowitz (co-writer) / Life Partners (U.S.A.): A straight girl drunkenly promises her lesbian best friend she won’t get married until gay marriage is legal – a promise that becomes awkward when her boyfriend proposes and her friend remains a slacker who’s years away from even thinking about marriage.

Susanna Fogel and Joni Lefkowitz have co-written several scripts for film and television, most notably The Washingtonienne for HBO, What Was I Thinking? for New Line and Lynda Obst Productions, and an original web series for Warner Brothers entitled Joni and Susanna, which Lefkowitz produced and Fogel directed. They are currently developing an independent comedy It Is What It Is, which is set to star Evan Rachel Wood, Olivia Thirlby and Sigourney Weaver.

Daniel Mulloy (writer/director) / Mitrovica (Great Britan/Kosova): In post-war Kosova, an Albanian woman scavenges with her young son; when she is approached by a Serbian stranger, she doesn’t realize his offer of help will ultimately tear her life apart.

Daniel Mulloy’s short films, including Baby, Dad, and Antonio’s Breakfast, have premiered at the Sundance Film Festival and between them won over ninety international awards, including several BAFTAs, a BIFA and a European Academy Award nomination. In addition to Mitrovica, Mulloy is currently developing the feature film A Cold Day with Focus Features; both films will star Arta Dobroshi.

Logan Kibens (co-writer/director) and Sharon Greene (co-writer) / Operator (U.S.A.): In this existential comedy, when a programmer is hired to create the ideal personality for an automated call center, his attempts to quantify what it means to be human throws his life into chaos.

Logan Kibens has written and directed over 50 short films. She was awarded the 2011 HBO/DGA Directing Fellowship and was selected as one of Film Independent’s 2011 Project:Involve fellows after completing her CalArts thesis film, Recessive. The short has screened nationally and internationally at film festivals including Outfest, Frameline, Reeling, and Zinegoak, among others. Kibens worked as a commercial editor for eight years, and is an award-winning projections designer for theatre and dance.

Sharon Greene is a Chicago playwright turned screenwriter. Her play, Fake Lake, was on the

Best Plays of 2008 list of both Time Out Chicago and The Chicago Tribune, and was supported by a grant from the NEA. A recent graduate of USC’s Writing for Screen and Television program, her original television pilot Cherryland was nominated for the Student Humanitas Prize for Drama.

Pengfei Song (writer/director) / Underground Fragrances (China): As Beijing races to keep up with China’s growth, and its poor are pushed underground to live in crude tunnels, a young migrant worker finds community and compassion, putting a human face on China’s rapid development.

Pengfei Song was born into a family of Peking Opera performers in Beijing. After graduating from high school, he went to Paris to study film directing at L’Institute International Image et du Son. Upon his return, he discovered a new China, which inspired him to develop Underground Fragrances to reflect the changing lives of the people of Beijing. The project, which will be his first feature, was selected for Cinemart and the TorinoFilmLab in 2011.

Etienne Kallos (writer/director) / Vrystaat (Free State) (South Africa): Set during the annual corn harvest in the Free State, Vrystaat explores the rites of passage into manhood for a new generation as they navigate identity and sexuality within the fractured realm of post-Colonial Africa.

Etienne Kallos is a Greek/South African filmmaker with an MFA in film directing from NYU. His work has screened at festivals worldwide, including Sundance, Cannes, Berlin, and Telluride. His film Eersgeborene was the first Afrikaans-language film to be awarded a Lion for Best Short Film at the 2009 Venice Film Festival. He recently developed Vrystaat at the Cannes Cinefondation Residence program in Paris.

Adam Mansbach (writer) / We’re Entertainment (U.S.A.): On the Gulf Coast of Florida, a failed actress working as a children’s party entertainer shows the new guy the ropes; together they share a day that changes them both in unexpected ways.

Adam Mansbach’s most recent book, Go the Fuck to Sleep, was a #1 New York Times bestseller. His novels include The End of the Jews, winner of the California Book Award, and Angry Black White Boy, which is taught at more than a hundred universities. His work has appeared in the New York Times Book Review, GQ, Esquire, The Believer, and on National Public Radio’s All Things Considered. He has a graphic novel and two other novels forthcoming, as well as a sitcom in development at CBS.

Sundance Institute Feature Film Program

Since 1981, the Sundance Institute Feature Film Program (FFP) has supported more than 600 independent filmmakers whose distinctive, singular work has engaged audiences worldwide. The program’s approach to the discovery and development of independent artists has become a model for creative development programs internationally. Program staff fully embrace the unique vision of each filmmaker, encouraging a rigorous creative process with a focus on original and deeply personal storytelling. Each year, up to 30 emerging filmmakers from the U.S. and around the world participate in a year-round continuum of support which can include the Screenwriters and Directors Labs, Composers Lab, Creative Producing Fellowship and Lab, Creative Producing Summit, a Work-in-Progress Screening Initiative, a Screenplay Reading Series, the Feature Film Program Fund, offering direct financial support through named grants, awards, and artist fellowships, the Artist Services program, a new initiative providing strategic resources for crowdfunding and digital distribution, and ongoing creative and strategic advice. In 2011, the FFP created the New Frontier Story Lab, supporting innovative artists developing projects across multiple platforms, emphasizing the convergence of storytelling and technology.

Over its 30 year history, the Sundance Institute Feature Film Program has supported an extensive list of award-winning and groundbreaking independent films. Notable films supported over the program’s history include Sean Durkin’s Martha Marcy May Marlene, Dee Rees’ Pariah, Maryam Keshavarz’s Circumstance, Alejandro Landes’ Porfirio, Eric Mendelsohn’s 3 Backyards, Cherien Dabis’ Amreeka, Cary Fukunaga’s Sin Nombre, Alex Rivera’s Sleep Dealer, Fernando Eimbcke’s Lake Tahoe, Ryan Fleck and Anna Boden’s Half Nelson, Andrea Arnold’s Red Road, Miranda July’s Me and You and Everyone We Know, Hany Abu-Assad’s Paradise Now, Debra Granik’s Down to the Bone, Josh Marston’s Maria Full of Grace, Lisa Cholodenko’s Laurel Canyon, Peter Sollett’s Raising Victor Vargas, John Cameron Mitchell’s Hedwig and the Angry Inch, Darren Aronofsky’s Requiem for a Dream, Kimberly Peirce’s Boys Don’t Cry, Lucrecia Martel’s La Cienaga, Walter Salles’ Central Station, Chris Eyre and Sherman Alexie’s Smoke Signals, Nicole Holofcener’s Walking and Talking, Allison Anders’ Mi Vida Loca, Paul Thomas Anderson’s Hard Eight, Tamara Jenkins’ Slums of Beverly Hills, and Quentin Tarantino’s Reservoir Dogs. www.sundance.org/featurefilm

Sundance Institute

Sundance Institute is a global nonprofit organization founded by Robert Redford in 1981. Through its artistic development programs for directors, screenwriters, producers, composers and playwrights, the Institute seeks to discover and support independent film and theatre artists from the United States and around the world, and to introduce audiences to their new work. The Institute promotes independent storytelling to inform, inspire, and unite diverse populations around the globe. Internationally recognized for its annual Sundance Film Festival, Sundance Institute has nurtured such projects as Born into Brothels, Trouble the Water, Son of Babylon, Amreeka, An Inconvenient Truth, Spring Awakening, I Am My Own Wife, Light in the Piazza and Angels in America. Join Sundance Institute on Facebook, Twitter and YouTube.

# # #

Leave a Reply

Quote Unquotesee all »

“By the time the sounds of the Von Trapp children warbling ‘Silent Night’ drift through The Giver, you may find yourself wondering what fresh movie hell this is. In truth, the enervating hash of dystopian dread, vague religiosity and commercial advertising-style uplift is nothing if not stale. Adapted from Lois Lowry’s book for young readers, the story involves an isolated society that, with its cubistic dwellings, mindless smiles, monochromatic environs and nebulous communitarianism, seem modeled on a Scandinavian country or an old Mentos commercial.”
~ Manohla Dargis’ Deadly Lede For Review Of The Giver

“It’s possible that in the coming days or, God forbid, weeks, the president could have something more specific to say about the freighted decades-long history of political imbalance at work, in this case between a mostly black working-class town and its majority white government and police force. But this is a black man who must choose his words about race, governance, and law enforcement even more carefully than a white politician would. And this is the third summer in which, as president, he would have to do so…

“Until this point in the turmoil, the absence of the crucial second face in the incident seemed to heighten the distance between police and the people they serve. It grants them both an anonymity and autonomy that matches the bizarre transformation, in Ferguson and elsewhere, of police into troops. The riot gear turns 2014 into a dot on a Jim Crow–era timeline. Since the officer’s name wasn’t made public more immediately, it should have seemed urgent for the police to lose the riot attire and take steps to minimize distrust, to dispel the contagious assumption that silence equates racism…

“What is so affecting isn’t just that 18-year-old Michael Brown was killed when he was barely a man. It’s other things as well. One was how many reports of the incident that first day mentioned that he was about to start college. That’s a rite that’s universally emotional. But for a black male from a poor family, the first day of college is a freighted day that usually requires the sacrifice of more than one person. Black people know the odds of getting to and graduating from college, and that they’re low. That Brown seemed to be on the right path compounded the parental, local, and national outrage over his being wiped from it.”

~ Wesley Morris On Let’s Be Cops, The Shooting In Ferguson, Obama…