By MCN Editor editor@moviecitynews.com

J. Edgar: Enter for a chance to win!

 
 

The Rules Contest Rules: Drawing December 20, 2011 from entries received no
later 5:00 p.m. on December 18, 2011. You may enter once per day. One prize
per person.

26 Responses to “J. Edgar: Enter for a chance to win!”

  1. Shelly Rinehart says:

    I’m a Fan !

  2. Bob Edland says:

    Can’t wait to see this movie.

  3. Bob Mennell says:

    So?

  4. Shelly Rinehart says:

    really a cool prize

  5. Judy G says:

    THis will be such a great movie.

  6. Donna L says:

    Love to win this. Great Prize!

  7. Shelly Rinehart says:

    Cant wait to see it !

  8. Shelly Rinehart says:

    Cant wait to see the movie!

  9. Shelly Rinehart says:

    Would lov to win this !

  10. Shelly Rinehart says:

    Great Prize, thanks for the contest

  11. Shelly Rinehart says:

    Cant wait to see the movie

  12. Donna L says:

    Love to win. Thanks for the chance!

  13. Donna L says:

    This movie sound good. I’m looking froward to seeing it.

  14. Sheila K. says:

    Great giveaway—thanks for the opportunity to win!

  15. Sheila K. says:

    I can’t wait to see this movie!!

  16. Donna L says:

    Thanks for the chance to win this prize.

  17. Shelly Rinehart says:

    great prize !

  18. Sheila K. says:

    I’m really looking forward to seeing this movie!

  19. Shelly Rinehart says:

    Great Prizes !

  20. Shelly Rinehart says:

    Great Prize, thanks for the contest!

  21. Shelly Rinehart says:

    Great Prize : )

  22. Shelly Rinehart says:

    can’t wait to see the movie

  23. Shelly Rinehart says:

    really great !

  24. Shelly Rinehart says:

    Can’t wait to see it !

  25. Shelly Rinehart says:

    Lov to win this, great prize !

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“I’ve been pleasantly surprised by how many recappers, while clearly over their heads, are baseline sympathetic to finding themselves routinely unmoored, even if that means repeating over and over that this is closer to “avant-garde art” than  normal TV to meet the word count. My feed was busy connecting the dots to Peter Tscherkassky (gas station), Tony Conrad (the giant staring at feedback of what we’ve just seen), Pat O’Neill (bombs away) et al., and this is all apposite — visual and conceptual thinking along possibly inadvertent parallel lines. If recappers can’t find those exact reference points to latch onto, that speaks less to willful ignorance than to how unfortunately severed experimental film is from nearly all mainstream discussions of film because it’s generally hard to see outside of privileged contexts (fests, academia, the secret knowledge of a self-preserving circle working with a very finite set of resources and publicity access to the larger world); resources/capital/access/etc. So I won’t assign demerits for willful incuriosity, even if some recappers are reduced, in some unpleasantly condescending/bluffing cases, to dismissing this as a “student film” — because presumably experimentation is something the seasoned artist gets out of their system in maturity, following the George Lucas Model of graduating from Bruce Conner visuals to Lawrence Kasdan’s screenwriting.”
~ Vadim Rizov Goes For It, A Bit

“On the first ‘Twin Peaks,’ doing TV was like going from a mansion to a hut. But the arthouses are gone now, so cable television is a godsend — they’re the new art houses. You’ve got tons of freedom to do the work you want to do on TV, but there is a restriction in terms of picture and sound. The range of television is restricted. It’s hard for the power and the glory to come through. In other words, you can have things in a theater much louder and also much quieter. With TV, the quieter things have to be louder and the louder things have to be quieter, so you have less dynamics. The picture quality — it’s fine if you have a giant television with a good speaker system, but a lot of people will watch this on their laptops or whatever, so the picture and the sound are going to suffer big time. Optimally, people should be watching TV in a dark room with no disturbances and with as big and good a picture as possible and with as great sound as possible.”
~ David Lynch