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By MCN Editor editor@moviecitynews.com

J. Edgar: Enter for a chance to win!

 
 

The Rules Contest Rules: Drawing December 20, 2011 from entries received no
later 5:00 p.m. on December 18, 2011. You may enter once per day. One prize
per person.

26 Responses to “J. Edgar: Enter for a chance to win!”

  1. Shelly Rinehart says:

    I’m a Fan !

  2. Bob Edland says:

    Can’t wait to see this movie.

  3. Bob Mennell says:

    So?

  4. Shelly Rinehart says:

    really a cool prize

  5. Judy G says:

    THis will be such a great movie.

  6. Donna L says:

    Love to win this. Great Prize!

  7. Shelly Rinehart says:

    Cant wait to see it !

  8. Shelly Rinehart says:

    Cant wait to see the movie!

  9. Shelly Rinehart says:

    Would lov to win this !

  10. Shelly Rinehart says:

    Great Prize, thanks for the contest

  11. Shelly Rinehart says:

    Cant wait to see the movie

  12. Donna L says:

    Love to win. Thanks for the chance!

  13. Donna L says:

    This movie sound good. I’m looking froward to seeing it.

  14. Sheila K. says:

    Great giveaway—thanks for the opportunity to win!

  15. Sheila K. says:

    I can’t wait to see this movie!!

  16. Donna L says:

    Thanks for the chance to win this prize.

  17. Shelly Rinehart says:

    great prize !

  18. Sheila K. says:

    I’m really looking forward to seeing this movie!

  19. Shelly Rinehart says:

    Great Prizes !

  20. Shelly Rinehart says:

    Great Prize, thanks for the contest!

  21. Shelly Rinehart says:

    Great Prize : )

  22. Shelly Rinehart says:

    can’t wait to see the movie

  23. Shelly Rinehart says:

    really great !

  24. Shelly Rinehart says:

    Can’t wait to see it !

  25. Shelly Rinehart says:

    Lov to win this, great prize !

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“The evening’s curious vanity and irrelevance stay with me, if only because those qualities characterize so many of Hollywood’s best intentions. Social problems present themselves to many of these people in terms of a scenario, in which, once certain key scenes are licked (the confrontation on the courthouse steps, the revelation that the opposition leader has an anti-Semitic past, the presentation of the bill of participants to the President, a Henry Fonda cameo), the plot will proceed inexorably to an upbeat fade. Marlon Brando does not, in a well-plotted motion picture, picket San Quentin in vain: what we are talking about here is faith in a dramatic convention. Things “happen” in motion pictures. There is always a resolution, always a strong cause-effect dramatic line, and to perceive the world in those terms is to assume an ending for every social scenario… If the poor people march on Washington and camp out, there to receive bundles of clothes gathered on the Fox lot by Barbra Streisand, then some good must come of it (the script here has a great many dramatic staples, not the least of them in a sentimental notion of Washington as an open forum, cf. Mr. Deeds Goes to Washington), and doubts have no place in the story.”
~ Joan Didion On Hw’d In 1970

CAMPION: We were driving around the countryside the other day, and we happened to chance upon a lone bull and cow going through some sex rituals. I was so surprised to see how lengthy the whole process was for this bull. He started licking the cow’s shin and worked his way quite laboriously up toward her ass. And every now and again, you thought, “Maybe she’s ready now—he’ll try a quick move.”
TAYLOR-JOHNSON: She wasn’t ready.
CAMPION: She made it clear that that wasn’t the case. We couldn’t even wait; it was like 15 minutes, but it was really adorable. Even when we came back, they were still at it. The foreplay was phenomenal.
TAYLOR-JOHNSON: You don’t think of animal love in that way.
~ Jane Campion And Sam Taylor-Johnson in Interview

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