

ora on: DP/30: I AM, director Tom Shadyac
Niklas on: DP/30: Tinker Tailor Solider Spy, actor Gary Oldman
The Pope on: DP/30 @ SXSW: Short Term 12, actor Brie Larson
Don R. Lewis on: DP/30 @ SXSW: Short Term 12, actor Brie Larson
SamLowry on: DP/30 @ SXSW: Short Term 12, actor Brie Larson
Lex on: DP/30 @ SXSW: Short Term 12, actor Brie Larson
Rodney Sharpp on: DP/30: Skyfall, sound re-recording mixer (& 16-time Oscar nominee) Greg Russell
70srichard on: DP/30: Skyfall, sound re-recording mixer (& 16-time Oscar nominee) Greg Russell
Amber Colton Gardner on: DP/30 @ Sundance '13: Manhunt, documentarian Greg Barker and 3 CIA agent/subjects
dust on: Exit Through The Gift Shop, producer Jaimie D' Cruz, editor Chris King
DP/30 @ SXSW: Short Term 12, actor Brie Larson
DP/30 @ Sundance ’13: Prince Avalanche, writer/director David Gordon Green, actor Emile Hirsch
DP/30 @ Sundance ’13: Manhunt, documentarian Greg Barker and 3 CIA agent/subjects
DP/30 @ Sundance ’13: James Franco & directors, Kink.com/Interior. Leather Bar
DP/30: Skyfall, sound re-recording mixer (& 16-time Oscar nominee) Greg Russell
DP/30: Twenty Feet From Stardom, director Morgan Neville
DP/30: The Hypnotist, director Lasse Hallstrom
see all »
RT @TheAcademy: A lot of what acting is, is paying attention. -- Robert Redford
RT @danielradosh: World's most boring Philip K. Dick novel RT @conor64 I wonder how America would be different if Carter won in 1980, Reaga…
RT @CharlieDaniels: How can any sane person possibly believe that all this garbage happened and nobody at the whitehouse knew anything at a…
DP: New Boy Scout manual to teach both tying knots and carefully choosing what pocket to put them in.
DP: @poritsky @erickohn Why would Joseph Levitt Gordon do that to Eric?
“The true punk film of the festival.”
~ Romain Blondeau On Claire Denis’ Les Saluds in Les Inrocks
“It’s also defined commercially by the difference between a colorful, Hawaii-set comedy starring George Clooney and a black-and-white, prairie-based old-age odyssey featuring a straggly and unkempt Bruce Dern. All the same, Paramount Vantage should be able to ride accolades for this very fine Cannes competition entry to respectable specialized returns in fall release.”
~ McCarthy On Nebraska

Good interview. Young Adult is the best script she has written. I am surprised no one talked about the script as a potential Academy Award nominee. It’s original and brave in some ways.
Is this one the “big get” you referred to earlier, or do you have someone else up your sleeve for the next week? Not a slight to Cody at all, I just have been wondering who that one is.
Given the fact that almost every big Oscar contender, save THE ARTIST, is an adaptation of some sort, I’d be really surprise if she weren’t nominated in the Original category. And she deserves to win, too, the script is exceptional (actually, in an ideal world, MARGARET would win, but we all know THAT ain’t gonna happen).
In the off-chance that the big get happens to be Spielberg – please ask him about the status of Interstellar and how he plans to make it happen/work it out.
All will be forgiven.
Just saw this tonight. I am now officially a fan of Patton Oswalt.