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By DP30 david@thehotbuttonl.com

DP/30: Young Adult, writer Diablo Cody

5 Responses to “DP/30: Young Adult, writer Diablo Cody”

  1. Peter says:

    Good interview. Young Adult is the best script she has written. I am surprised no one talked about the script as a potential Academy Award nominee. It’s original and brave in some ways.

  2. Gus says:

    Is this one the “big get” you referred to earlier, or do you have someone else up your sleeve for the next week? Not a slight to Cody at all, I just have been wondering who that one is.

  3. film fanatic says:

    Given the fact that almost every big Oscar contender, save THE ARTIST, is an adaptation of some sort, I’d be really surprise if she weren’t nominated in the Original category. And she deserves to win, too, the script is exceptional (actually, in an ideal world, MARGARET would win, but we all know THAT ain’t gonna happen).

  4. Proman says:

    In the off-chance that the big get happens to be Spielberg – please ask him about the status of Interstellar and how he plans to make it happen/work it out.

    All will be forgiven.

  5. Mariamu says:

    Just saw this tonight. I am now officially a fan of Patton Oswalt.

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Six rules for filmmaking from Mike Nichols
1. The careful application of terror is an important form of communication.
2. Anything worth fighting for is worth fighting dirty for.
3. There’s absolutely no substitute for genuine lack of preparation.
4. If you think there’s good in everybody, you haven’t met everybody.
5. Friends may come and go but enemies will certainly become studio heads.
6. No one ever lost anything by asking for more money.
~ Via Larry Karaszewski and Howard A. Rodman On Facebook

“I expected ‘Salesman’ to take the step backward every day that Chekhov and Beckett did — but no, it was there to help all the time. The circumstances are like a brick shithouse, they are so solid. You can’t really be satisfied, but I am pretty close to it because the cast took it and ran. They get better every day. I’ve never seen anything like that before, and I don’t know if I’ll ever see it again. Is my ambition sated? I don’t know. To get something right, it can’t be sated because you can’t ever get enough of it right—and even if it is right, it won’t stay right. That’s the thing about a play. But with ‘Salesman,’ it’s different. I don’t know how, but they just keep getting better each night. I really don’t think I’ll direct another play. This is as good a time as I’ve ever had, and I don’t want to fuck it up.”
~ Mike Nichols To Stephen Galloway At The Time Of “Death Of A Salesman”