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By DP30 david@thehotbuttonl.com

DP/30: Rango, director Gore Verbinski

3 Responses to “DP/30: Rango, director Gore Verbinski”

  1. EthanG says:

    Great interview….Rango is looking like it might actually remain the co-favorite favorite for the Oscar in the most wide open race since 2002 (with Tintin) since “Happy Feet Two’s” reviews (and box office tracking) looking to be off significantly from the first film, Pixar likely to miss a nomination for the first time when they’ve submitted a movie for consideration, and Dreamworks submitting two moderately well-liked but slightly under-performing candidates. Of course, the indie candidates I have no idea about, though “Chico and Rita” looks fantastic.

    Right now I’d go a five of:

    Rango (lock)
    Tintin (lock)
    Arthur Christmas
    Chico & Rita (or another indie)
    Puss, Pooh, Rio, Panda or Gnomeo in that order of likliness(Oscar has never nominated two indie animations and I won’t believe they will until it happens.)

    Any thoughts?

  2. hcat says:

    Like Verbinski more and more, finally caught up with Weather Man due to the love its gotten from others on this site and really enjoyed it.

    I also watched On Stranger Tides last night and saw just how anemic the material can be without the right director. Might have to go back and rewatch Verbinski’s trilogy just to see the correct way that anarchy should be filmed.

  3. Ella says:

    Verbinski is truly impressive. RANGO was one of my favorites of the year, let alone animated films. It’ really brilliant — great interview.

DP/30

Quote Unquotesee all »

“I remember very much the iconography and the images and the statues in church were very emotional for me. Just the power of that, and even still — just seeing prayer card, what that image can evoke. I have a lot of friends that are involved in the esoteric, and I know some girls in New York that are also into the supernatural. I don’t feel that I have that gift. But I am leaning towards mysticism… Maybe men are more practical, maybe they don’t give into that as much… And then also, they don’t convene in the same way that women do. But I don’t know, I am not a man, I don’t want to speak for men. For me, I tend to gravitate towards people who are open to those kinds of things. And the idea for my film, White Echo, I guess stemmed from that — I find that the girls in New York are more credible. What is it about the way that they communicate their ideas with the supernatural that I find more credible? And that is where it began. All the characters are also based on friends of mine. I worked with Refinery29 on that film, and found that they really invest in you which is so rare in this industry.”
Chloë Sevigny

“The word I have fallen in love with lately is ‘Hellenic.’ Greek in its mythology. So while everyone is skewing towards the YouTube generation, here we are making two-and-a-half-hour movies and trying to buck the system. It’s become clear to me that we are never going to be a perfect fit with Hollywood; we will always be the renegade Texans running around trying to stir the pot. Really it’s not provocation for the sake of being provocative, but trying to make something that people fall in love with and has staying power. I think people are going to remember Dragged Across Concrete and these other movies decades from now. I do not believe that they will remember some of the stuff that big Hollywood has put out in the last couple of years. You’ve got to look at the independent space to find the movies that have been really special recently. Even though I don’t share the same world-view as some of my colleagues, I certainly respect the hell out of their movies which are way more fascinating than the stuff coming out of the studio system.”
~ Dallas Sonnier