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By DP30 david@thehotbuttonl.com

DP/30: Rango, director Gore Verbinski

3 Responses to “DP/30: Rango, director Gore Verbinski”

  1. EthanG says:

    Great interview….Rango is looking like it might actually remain the co-favorite favorite for the Oscar in the most wide open race since 2002 (with Tintin) since “Happy Feet Two’s” reviews (and box office tracking) looking to be off significantly from the first film, Pixar likely to miss a nomination for the first time when they’ve submitted a movie for consideration, and Dreamworks submitting two moderately well-liked but slightly under-performing candidates. Of course, the indie candidates I have no idea about, though “Chico and Rita” looks fantastic.

    Right now I’d go a five of:

    Rango (lock)
    Tintin (lock)
    Arthur Christmas
    Chico & Rita (or another indie)
    Puss, Pooh, Rio, Panda or Gnomeo in that order of likliness(Oscar has never nominated two indie animations and I won’t believe they will until it happens.)

    Any thoughts?

  2. hcat says:

    Like Verbinski more and more, finally caught up with Weather Man due to the love its gotten from others on this site and really enjoyed it.

    I also watched On Stranger Tides last night and saw just how anemic the material can be without the right director. Might have to go back and rewatch Verbinski’s trilogy just to see the correct way that anarchy should be filmed.

  3. Ella says:

    Verbinski is truly impressive. RANGO was one of my favorites of the year, let alone animated films. It’ really brilliant — great interview.

DP/30

Quote Unquotesee all »

“Well, actually, of that whole group that I call the post-60s anti-authority auteurs, a lot of them came from television. Peckinpah’s the only one whose television work represents his feature work. I mean, like the only one. Mark Rydell can direct a really good episode of ‘Gunsmoke’ and Michael Ritchie can direct a really good episode of ‘The Big Valley,’ but they don’t necessarily look like The Candidate. But Peckinpah’s stuff, even the scripts he wrote that he didn’t even direct, have a Peckinpah feel – the way I think there’s a Corbucci West – suggest a Peckinpah West. That even in his random episodes that he wrote for ‘Gunsmoke’ – it’s right there.”
~ Quentin Tarantino

“The thought is interrupted by an odd interlude. We are speaking in the side room of Casita, a swish and fairly busy Italian bistro in Aoyama – a district of Tokyo usually so replete with celebrities that they spark minimal fuss. Kojima’s fame, however, exceeds normal limits and adoring staff have worked out who their guest is. He stops mid-sentence and points up towards the speakers, delighted. The soft jazz that had been playing discreetly across the restaurant’s dark, hardwood interior has suddenly been replaced with the theme music from some of Kojima’s hit games. Harry Gregson-Williams’ music is sublime in its context but ‘Metal Gear Solid 4: Guns of the Patriots’ is not, Kojima acknowledges, terribly restauranty. He pauses, adjusting a pair of large, blue-framed glasses of his own design, and returns to the way in which games have not only influenced films, but have also changed the way in which people watch them. “There are stories being told [in cinema] that my generation may find surprising but which the gamer generation doesn’t find weird at all,” he says.
~ Hideo Kojima