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By DP30 david@thehotbuttonl.com

DP/30: Like Crazy, actor Anton Yelchin

11 Responses to “DP/30: Like Crazy, actor Anton Yelchin”

  1. LexG says:

    Can someone give me a Rage-O-Meter warning of what level I’m gonna reach if I watch this? One being usual Internet smirking, 5 being “drink heavily,” 11 being apocalyptic self-hated noose-constructing fury?

    Thanks in advance.

  2. sanj says:

    LexG – standard dp/30 interview – lots of talk about his acting … but funny joke at 28:00 to 32:00 .

  3. David Poland says:

    Should I be putting you in moderate now?

    Anton is a good guy… self-deprecating… interesting perspective… talks about working his way up the ladder over a lot of time…

    Not sure what will piss you off.

  4. LexG says:

    List of Anton Yelchin leading ladies. Anton. Yelchin. As in women he has been paired with on screen:

    Kat Dennings, Amanda Seyfried, Felicity Jones, Jennifer Lawrence (twice), *KRISTEN STEWART*, WILLA HOLLAND, and Imogen Poots. How does he do it? How do they cast him in movies with THOSE WOMEN? Do you ask him about that? HOW HOW HOW? And what is one’s life even LIKE knowing they’ve been in movies with those women, which is better than even having a relationship in real life with them, because as long as the movie lasts, people will be seeing you ON SCREEN paired with ALMOST ALL of the hottest chicks in Hollywood.

    Do you ask him about that? Like how do you ACT IN A MOVIE with ANY of those chicks, ANY of them, and not think you’re the luckiest fucker in the history of the UNIVERSE?

    And he’s ANTON YELCHIN! Sure he’s a nice kid, decent actor, but… it’s not like he’s Joel Edgerton or something where you could see why he’d always be paired with hot chicks.

  5. sanj says:

    LexG – he did talk about Brit Marling for like 1 minute – they seem to be friends .

    however. DP missed out on a lot of basic movie questions like reviews of her movie and reviews of movies he likes. he knows a lot of movies.

    DP – cut the Kim K joke and put that up and let it go viral.

  6. DiscoNap says:

    Lex how could you not go with your “Billy Crystal in Soap” line again, one of your most devastatingly accurate ever?

  7. Paul MD (Stella's Boy) says:

    I like Yelchin. Talented young actor. Did not enjoy Like Crazy at all, and totally mystified by the glowing reviews. Didn’t buy the central couple as deeply, madly in love and didn’t care if they ended up together. Found them both rather irritating most of the time.

  8. Rob says:

    He’s really modest and appealing in this interview. If you’re looking for an actor in his early twenties and don’t want a Zac Efron/Chace Crawford tiger beat type, who else do you cast?

  9. Anghus says:

    Good actor. Looking forward to seeing where he goes in his career.

    I think he could use help with picking projects. Fright Night was pretty bad. And his filmography outside of Star Trek and an awful Terminator movie reads like a list of well intentioned misfires that have been generally ignored by everyone.

    I liked him in Charlie Bartlett. In every other film ive seen him in he seems totally replacable.

  10. berg says:

    good int ….. in his bio Frank Capra says he’d tape record the sounds of the preview audiences, then listen afterwards and use that to cut jokes that weren’t working

  11. Lofin says:

    Great interview. Anton is not only intelligent and talented he is my favourite young actor working today. I’d have liked you´ll make him any question about his next projects like Odd Thomas, the indie movie call Pete & Goat and the rumor about that movie Very good girls.

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DP/30

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“Chad Harbach spent ten years writing his novel. It was his avocation, for which he was paid nothing, with no guarantee he’d ever be paid anything, while he supported himself doing freelance work, for which I don’t think he ever made $30,000 a year. I sold his book for an advance that equated to $65,000 a year—before taxes and commission—for each of the years of work he’d put in. The law schools in this country churn out first-year associates at white-shoe firms that pay them $250,000 a year, when they’re twenty-five years of age, to sit at a desk doing meaningless bullshit to grease the wheels of the corporatocracy, and people get upset about an excellent author getting $65,000 a year? Give me a fucking break.”
~ Book Agent Chris Parris-Lamb On The State Of The Publishing Industry

INTERVIEWER
Do you think this anxiety of yours has something to do with being a woman? Do you have to work harder than a male writer, just to create work that isn’t dismissed as being “for women”? Is there a difference between male and female writing?

FERRANTE
I’ll answer with my own story. As a girl—twelve, thirteen years old—I was absolutely certain that a good book had to have a man as its hero, and that depressed me. That phase ended after a couple of years. At fifteen I began to write stories about brave girls who were in serious trouble. But the idea remained—indeed, it grew stronger—that the greatest narrators were men and that one had to learn to narrate like them. I devoured books at that age, and there’s no getting around it, my models were masculine. So even when I wrote stories about girls, I wanted to give the heroine a wealth of experiences, a freedom, a determination that I tried to imitate from the great novels written by men. I didn’t want to write like Madame de La Fayette or Jane Austen or the Brontës—at the time I knew very little about contemporary literature—but like Defoe or Fielding or Flaubert or Tolstoy or Dostoyevsky or even Hugo. While the models offered by women novelists were few and seemed to me for the most part thin, those of male novelists were numerous and almost always dazzling. That phase lasted a long time, until I was in my early twenties, and it left profound effects.
~ Elena Ferrante, Paris Review Art Of Fiction No. 228

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