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David Poland

By David Poland poland@moviecitynews.com

DP/30: Like Crazy, actor Anton Yelchin

11 Responses to “DP/30: Like Crazy, actor Anton Yelchin”

  1. LexG says:

    Can someone give me a Rage-O-Meter warning of what level I’m gonna reach if I watch this? One being usual Internet smirking, 5 being “drink heavily,” 11 being apocalyptic self-hated noose-constructing fury?

    Thanks in advance.

  2. sanj says:

    LexG – standard dp/30 interview – lots of talk about his acting … but funny joke at 28:00 to 32:00 .

  3. David Poland says:

    Should I be putting you in moderate now?

    Anton is a good guy… self-deprecating… interesting perspective… talks about working his way up the ladder over a lot of time…

    Not sure what will piss you off.

  4. LexG says:

    List of Anton Yelchin leading ladies. Anton. Yelchin. As in women he has been paired with on screen:

    Kat Dennings, Amanda Seyfried, Felicity Jones, Jennifer Lawrence (twice), *KRISTEN STEWART*, WILLA HOLLAND, and Imogen Poots. How does he do it? How do they cast him in movies with THOSE WOMEN? Do you ask him about that? HOW HOW HOW? And what is one’s life even LIKE knowing they’ve been in movies with those women, which is better than even having a relationship in real life with them, because as long as the movie lasts, people will be seeing you ON SCREEN paired with ALMOST ALL of the hottest chicks in Hollywood.

    Do you ask him about that? Like how do you ACT IN A MOVIE with ANY of those chicks, ANY of them, and not think you’re the luckiest fucker in the history of the UNIVERSE?

    And he’s ANTON YELCHIN! Sure he’s a nice kid, decent actor, but… it’s not like he’s Joel Edgerton or something where you could see why he’d always be paired with hot chicks.

  5. sanj says:

    LexG – he did talk about Brit Marling for like 1 minute – they seem to be friends .

    however. DP missed out on a lot of basic movie questions like reviews of her movie and reviews of movies he likes. he knows a lot of movies.

    DP – cut the Kim K joke and put that up and let it go viral.

  6. DiscoNap says:

    Lex how could you not go with your “Billy Crystal in Soap” line again, one of your most devastatingly accurate ever?

  7. Paul MD (Stella's Boy) says:

    I like Yelchin. Talented young actor. Did not enjoy Like Crazy at all, and totally mystified by the glowing reviews. Didn’t buy the central couple as deeply, madly in love and didn’t care if they ended up together. Found them both rather irritating most of the time.

  8. Rob says:

    He’s really modest and appealing in this interview. If you’re looking for an actor in his early twenties and don’t want a Zac Efron/Chace Crawford tiger beat type, who else do you cast?

  9. Anghus says:

    Good actor. Looking forward to seeing where he goes in his career.

    I think he could use help with picking projects. Fright Night was pretty bad. And his filmography outside of Star Trek and an awful Terminator movie reads like a list of well intentioned misfires that have been generally ignored by everyone.

    I liked him in Charlie Bartlett. In every other film ive seen him in he seems totally replacable.

  10. berg says:

    good int ….. in his bio Frank Capra says he’d tape record the sounds of the preview audiences, then listen afterwards and use that to cut jokes that weren’t working

  11. Lofin says:

    Great interview. Anton is not only intelligent and talented he is my favourite young actor working today. I’d have liked you´ll make him any question about his next projects like Odd Thomas, the indie movie call Pete & Goat and the rumor about that movie Very good girls.

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DP/30

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“I’m in Locarno, my movie is premiering for 1,000 people, which is nuts. A huge-ass screening, second day of the festival, 7:30pm in the sidebar competition. It’s comparable to Un Certain Regard or Director’s Fortnight. Every movie I saw in that section was fun, brilliant movies from around the world. The main competition was like Aza Jacobs and Mia Hansen-Løve, people who have been around. And I was like, “This is crazy. What am I doing inside the bloodstream of this establishment? I’m 27. I don’t belong here.” Every person I talked to there couldn’t believe what the movie cost, and then couldn’t believe when I told them what other American movies cost. We were the cheapest movie there by 65%. The next cheapest movie cost I think three times as much as we did. And they were just like, “You can’t make movies for what you’re telling us your movie cost.” And I told them, “Well, I can, I’m here, I’m in the same section as you are, so you are wrong. People think I’m lying when I tell them my budget. And also everyone likes it. I’m having a great time and people are being very responsive. Maurice Pialat’s widow was like, “I heard your movie’s good, I want a copy of it.” I’m like, “Well this is f**kin’ crazy.” Pedro Costa saw it there and really liked it and I’m like, What am I doing? I had gone in two months from screening at BAM for a lot of friends to Pedro Costa? This is the exact sentence: “Pedro Costa saw your movie. He’s a huge Jerry Lewis fan. He wants to talk to you about your movie and also Jerry Lewis.” And I thought, “I’m out of my element. I cannot have that conversation because that’s ridiculous.” Because his retrospective was happening at Anthology when I worked at Kim’s, and his Criterion box set came out when I was working at Kim’s. He can’t want to talk to me. That’s not possible. That’s not allowed. There is no world where that makes any sense!”  Or like when you wrote me to say that David Gordon Green wrote you to say, “I’m watching The Color Wheel and then I’m going to see Tree of Life.” There is no world where this is allowed! Again, somebody whose DVDs I was putting on the shelf, as, like, a hero. And it’s just like, “Oh, I’ll watch this movie.” There’s just a very fuzzy area in the middle there and it happened very quickly and I don’t understand why.  I still have a voice-mail from Sean [Price Williams, cinematographer]. I wish he was here to talk about it, but the voice-mail is a long pause and he’s just like, “I don’t want to tell you this, because it’s gonna make you so insufferable. I hate having to tell you this, but Leos Carax watched your movie and he really loves it, and he wants to meet you when he comes to New York.” I can’t live in a world where Leos Carax knows who I am, watches my movie, likes it, and thinks, “I wanna meet that guy.”
~ It’s Alex Ross Perry’s World

“I don’t know. It’s been a lot harder than I thought it was going to be to make the films I really dream of making. I was in Italy a few years ago scouting for this very beautiful film I wanted to make with Richard Linklater. We worked really hard on the script for a couple of years and couldn’t get the money together. It was an expensive idea. It’s heartbreaking when that happens over and over again and then the movies that do get made are ones that have lots of women being beaten up or zombies being killed. It’s all fine, it’s all okay, but it’s hard. I remember when River Phoenix died, he was ahead of me on this curve. He kind of realized how hard it was to make serious movies. People like Sidney Lumet figured out how to walk that line, but it’s hard. And it requires patience. It’s a life’s work and I wonder if I’m up to the task.”
~ Weary, Wary Ethan Hawke

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