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David Poland

By David Poland poland@moviecitynews.com

DP/30: Hugo, actor Chloe Grace Moretz

8 Responses to “DP/30: Hugo, actor Chloe Grace Moretz”

  1. lazarus says:

    This may be the one that finally sends Lex over the edge.

  2. lazarus says:

    Also, I loved, loved, loved her in Hugo. Cute without being cloying, she helped sell the adventure/mystery aspect of the story but is also the emotional hook to carry the viewer until Mélies is revealed.

    Very nice work.

  3. film fanatic says:

    You know that Dennis Quaid flick FREQUENCY? It’s important to remember that any “LOOK AT HER” comments this thread might receive today are actually being tweeted FROM THE FUTURE, where Ms. Moretz is already 18.

  4. David Poland says:

    This thread will not being receiving any Lex love today. Must be his karma, but he got himself put on ban again very early this morning with a series of mental vomit comments.

  5. SamLowry says:

    Ever since Kick-Ass? Maybe it’s a good thing that nobody’s associating Darcy with Hit-Girl (though it’d be nice to see her put Tigger in his place REAL fast).

  6. The Pope says:

    Listen to her. Just listen. Listen. To. Her.

  7. sanj says:

    Trevor (brother) and Chloe Moretz Youtube Channel

    most videos are video blogs about movies Chloe is
    doing – usually 10 minutes or less

    http://www.youtube.com/user/theTduke

  8. LexG says:

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    LOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOK

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    MOST PERFECT WOMAN

    EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEVER

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“The thought is interrupted by an odd interlude. We are speaking in the side room of Casita, a swish and fairly busy Italian bistro in Aoyama – a district of Tokyo usually so replete with celebrities that they spark minimal fuss. Kojima’s fame, however, exceeds normal limits and adoring staff have worked out who their guest is. He stops mid-sentence and points up towards the speakers, delighted. The soft jazz that had been playing discreetly across the restaurant’s dark, hardwood interior has suddenly been replaced with the theme music from some of Kojima’s hit games. Harry Gregson-Williams’ music is sublime in its context but ‘Metal Gear Solid 4: Guns of the Patriots’ is not, Kojima acknowledges, terribly restauranty. He pauses, adjusting a pair of large, blue-framed glasses of his own design, and returns to the way in which games have not only influenced films, but have also changed the way in which people watch them. “There are stories being told [in cinema] that my generation may find surprising but which the gamer generation doesn’t find weird at all,” he says.
~ Hideo Kojima

“They’re still talking about the ‘cathedral of cinema,’ the ‘communal experience,’ blah blah. The experiences I’ve had recently in the theatre have not been good. There’s commercials, noise, cellphones. I was watching Colette at the Varsity, and halfway through red flashes came up at the bottom of the frame. A woman came out and said, ‘We’re going to have to reboot, so take fifteen minutes and come back.’ Then they rebooted it from the beginning, and she had to ask the audience to tell her how far to go. You tell me, is that a great experience? I generally don’t watch movies in a cinema at all. Netflix is the future. It’s the present. But the whole paradigm of a series, binge-watching, it’s quite different. My first reaction is that it’s more novelistic, because if you have an eight-hour season, you can get into complex, intricate things. You can let it breathe and the audience expectations are such that they will let you, where before they wouldn’t have the patience. I think only the surface has been touched with experimenting with that.”
~ David Cronenberg