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By DP30 david@thehotbuttonl.com

DP/30: Happy Feet 2, director/co-writer/producer George Miller

3 Responses to “DP/30: Happy Feet 2, director/co-writer/producer George Miller”

  1. EthanG says:

    Thank goodness he’s going back to live-action film-making(ditto Bob Zemeckis). I loved “Babe” and “Happy Feet” was good…I just can’t imagine why those movies needed sequels, and why a talented director like Miller spent six years of his career making them. Maybe after the Mad Max reboot, he will finally get around to doing “The Odyssey…” and maybe SOMEDAY a Justice League movie.

  2. zachary says:

    will you be able to make a third happy feet? also if you do please keep mumble and gloria in it. if you can take the baby feathers off mumble or something please.

  3. zachary says:

    Also george it would meen a whole lot to me for you to make happy feet3 so please can you make it please.

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DP/30

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“At one point in the comedy dead zone known as Seth MacFarlane’s Ted 2, the title character—a stuffed toy bear voiced by Mr. MacFarlane—and his dimwitted best friend, John (Mark Wahlberg), visit a comedy club to engage in a favorite pastime: throwing bleak improv ideas at the comics onstage. So, seated in the back of the auditorium while cloaked in darkness, the friends start shouting out suggestions like 9/11, Robin Williams and Charlie Hebdo to the unnerved comics. The topics don’t mean anything to Ted and John, who, like Mr. MacFarlane, take great pleasure in making others squirm. They could have just as easily yelled gang rape, the Holocaust and dead puppies.”
Manohla Dargis on Ted 2

“You never expect a movie to hurt you. Disappoint? Dismay? Depress? Fine. But when a movie has a field day asserting the humanity of a fake toy bear at the expense of your own, it hurts. I was led to believe, in part by the posters, that I was getting a movie about a character who’d be masturbating or urinating with his back to us. They should’ve turned Ted around since the emissions are aimed at the audience… MacFarlane doesn’t appear to believe in anything. He just likes to mess around with things that still have value without seeming to get whether that value is greater than his jokes. It’s as if he doesn’t really know what he’s laughing at or care what race and sexuality and gender are. It’s as if he doesn’t know women or black people — just white comedy writers who love to make fun of them.”
~ Wesley Morris On Ted 2

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