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By DP30 david@thehotbuttonl.com

DP/30: Happy Feet 2, director/co-writer/producer George Miller

3 Responses to “DP/30: Happy Feet 2, director/co-writer/producer George Miller”

  1. EthanG says:

    Thank goodness he’s going back to live-action film-making(ditto Bob Zemeckis). I loved “Babe” and “Happy Feet” was good…I just can’t imagine why those movies needed sequels, and why a talented director like Miller spent six years of his career making them. Maybe after the Mad Max reboot, he will finally get around to doing “The Odyssey…” and maybe SOMEDAY a Justice League movie.

  2. zachary says:

    will you be able to make a third happy feet? also if you do please keep mumble and gloria in it. if you can take the baby feathers off mumble or something please.

  3. zachary says:

    Also george it would meen a whole lot to me for you to make happy feet3 so please can you make it please.

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DP/30

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DENNIS COOPER

The next thing that really changed my world and thoroughly influenced my writing were the films of Robert Bresson. When I discovered them in the late seventies, I felt I had found the final ingredient I needed to write the fiction I wanted to write.

INTERVIEWER

What was the final ingredient?

DENNIS COOPER

Recognizing that the films were entirely about emotion and, to me, ­ profoundly moving while, at the same time, stylistically inexpressive and monotonic. On the surface, they were nothing but style, and the style was extremely rigorous to boot, but they seemed almost transparent and purely content driven. Bresson’s use of untrained nonactors influenced my concentration on characters who are amateurs or noncharacters or characters who are ill equipped to handle the job of manning a story line or holding the reader’s attention in a conventional way. Altogether, I think Bresson’s films had the greatest influence on my work of any art I’ve ever encountered. In fact, the first fiction of mine that was ever published was a chapbook called “Antoine Monnier,” which was a god-awful, incompetent attempt to rewrite Bresson’s film Le diable ­probablement as a pornographic novella. So I came to writing novels through a channel that included experimental fiction, poetry, and nonliterary influences pretty much exclusively. I never read normal novels with any real interest or close attention.
~ Dennis Cooper Discovers Bresson

The whole world within reach.
~ Filmmaker Peter Hutton

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