Night Moves
MCN Blogs

By DP30 david@thehotbuttonl.com

DP/30: Hanna, actor Saoirse Ronan

7 Responses to “DP/30: Hanna, actor Saoirse Ronan”

  1. sanj says:

    Saoirse Ronan – Lunch With David Interview

    http://www.youtube.com/watch?v=3R_jYJf79VM

    Unscripted: Saoirse Ronan, Rachel Weisz and Susan Sarandon

    http://www.youtube.com/watch?v=PR53zEp6ng8&feature=related

  2. Tuck Pendelton says:

    SWOOON… damn i’m in love with this one.

  3. LexG says:

    I’d ask Tuck if he’s aware she’s under 18, but that’s a fact apparently lost on Ebert in his riotous review of Weir’s “The Way Back,” wherein he asks why the middle-aged cast didn’t try to hook up with the “cute girl,” meaning SR… who was like 15 when she shot that movie.

    Classic Ebert gaffe.

  4. anghus says:

    atonement is still want one of those movies i go back to because it’s so wonderfully bleak. One of the saddest movies i’ve ever seen. Such great, haunting performances by all involved.

  5. sanj says:

    right at 16 minutes…things got real and she talked about
    comedies . thats where you could have pulled out an ipad / notebook and just showed her the trailer for Sandler pictures + some older movies from Will Farrell …
    20 minutes surfing the net finding cool movie stuff to talk about and at the end you could have sung a Lady Gaga song together. that would have been awesome .

  6. Vin says:

    Dude,
    you’re a great interviewer, I’m amazed by how you make them feel at ease. They are always on defense, it’s hard to reach in but you always manage to do it.
    Congrats!
    Vin B.

  7. Olli says:

    You folks at DP/30:

    you are f….g great inverviewers. The best interviews you can get – you actually really listen to the interviewees and ask actually interesting and
    profound questions. Perfect. Go on with that.

Leave a Reply

DP/30

Quote Unquotesee all »

DEADLINE: How does a visualist feel about people watching your films on a phone or VOD?
REFN: It depends on what kind of movie you make. We had great success with Only God Forgives on multiple platforms in the U.S. Young people will decide how they see it, when they want to see it. Don’t try to fight it. Embrace it. That’s a wonderful opportunity. We’re at the most exciting time since the invention of the wheel, in terms of creativity because distribution and accessibility have changed everything. A camera is still a camera whether it’s digital or not; there’s still sound; an actor is an actor. Ninety-nine percent of what you do is going to be seen on a smart phone – I know this is the greatest thing ever made because it allows people to choose, watching what you do on this format or go into a theater and see it on a screen. That means more people than ever will see what I do, which is personally satisfying in terms of vanity. But you have to be able to adapt, to accept things in different order and length than we’re used to. We are in a very, very exciting time.
~ Nic Refn to Jen Yamato

DEADLINE: You mention Tarantino, who with Christopher Nolan and a few other giants, saved film stock from extinction. To him, showing a digital film in a theater is the equivalent of watching TV in public. Make an argument for why digital is a good film making canvas.
REFN: Costwise, it’s a very effective way for young people to start making movies. You can make your movie on an iPhone. It’s wonderful seeing how my own children use technology to enhance creativity. For me it’s a wonderful canvas. Sure, I love grain in film. I love celluloid. But I also like creativity. I like crayons, I like pencils, I like paint. It’s all relative. Technology is more inclusive. A hundred years ago when film was invented, it was an elitist club. Very few people got to make it, very few people controlled it and very few people owned it. A hundred years later, storytelling through images is everyone’s domain. It’s ultimate capitalism. There are no rules, and no barriers and no Hays Code. Where does this go in another hundred years? I don’t know but I would love to see it.
~ Nic Refn To Jen Yamato