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By DP30 david@thehotbuttonl.com

DP/30: Hanna, actor Saoirse Ronan

7 Responses to “DP/30: Hanna, actor Saoirse Ronan”

  1. sanj says:

    Saoirse Ronan – Lunch With David Interview

    http://www.youtube.com/watch?v=3R_jYJf79VM

    Unscripted: Saoirse Ronan, Rachel Weisz and Susan Sarandon

    http://www.youtube.com/watch?v=PR53zEp6ng8&feature=related

  2. Tuck Pendelton says:

    SWOOON… damn i’m in love with this one.

  3. LexG says:

    I’d ask Tuck if he’s aware she’s under 18, but that’s a fact apparently lost on Ebert in his riotous review of Weir’s “The Way Back,” wherein he asks why the middle-aged cast didn’t try to hook up with the “cute girl,” meaning SR… who was like 15 when she shot that movie.

    Classic Ebert gaffe.

  4. anghus says:

    atonement is still want one of those movies i go back to because it’s so wonderfully bleak. One of the saddest movies i’ve ever seen. Such great, haunting performances by all involved.

  5. sanj says:

    right at 16 minutes…things got real and she talked about
    comedies . thats where you could have pulled out an ipad / notebook and just showed her the trailer for Sandler pictures + some older movies from Will Farrell …
    20 minutes surfing the net finding cool movie stuff to talk about and at the end you could have sung a Lady Gaga song together. that would have been awesome .

  6. Vin says:

    Dude,
    you’re a great interviewer, I’m amazed by how you make them feel at ease. They are always on defense, it’s hard to reach in but you always manage to do it.
    Congrats!
    Vin B.

  7. Olli says:

    You folks at DP/30:

    you are f….g great inverviewers. The best interviews you can get – you actually really listen to the interviewees and ask actually interesting and
    profound questions. Perfect. Go on with that.

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DP/30

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“There are critics who see their job as to be on the side of the artist, or in a state of imaginative sympathy or alliance with the artist. I think it’s important for a critic to be populist in the sense that we’re on the side of the public. I think one of the reasons is, frankly, capitalism. Whether you’re talking about restaurants or you’re talking about movies, you’re talking about large-scale commercial enterprises that are trying to sell themselves and market themselves and publicize themselves. A critic is, in a way, offering consumer advice. I think it’s very, very important in a time where everything is commercialized, commodified, and branded, where advertising is constantly bleeding into other forms of discourse, for there to be an independent voice kind of speaking to—and to some extent on behalf of—the public.”
~ A. O. Scott On One Role Of The Critic

“Every night, we’d sit and talk for a long, long time and talk about the process and I knew he was very, very intrigued about what could be happening. Then of course, one of the fascinating things he told me about was how he had readers who were reading for him that never knew it was Stanley Kubrick. So if he heard of a novel, he would send it out to people. I think he did it through newspaper ads at the time. And he would send it out to people and ask for a kind of synopsis or a critique of the novel. And he would read those. And it was done anonymously. But he said there were housewives and there were barristers and all sorts of people doing that. And I thought, yeah, that’s a really good way to open up the possibilities. Because otherwise, you’re randomly looking, walking through a bookstore or an airport. I said, “How many people are doing this?” It was about 30 people.”
~ George Miller’s Conversations With Kubrick