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By DP30 david@thehotbuttonl.com

DP/30: Hanna, actor Saoirse Ronan

7 Responses to “DP/30: Hanna, actor Saoirse Ronan”

  1. sanj says:

    Saoirse Ronan – Lunch With David Interview

    http://www.youtube.com/watch?v=3R_jYJf79VM

    Unscripted: Saoirse Ronan, Rachel Weisz and Susan Sarandon

    http://www.youtube.com/watch?v=PR53zEp6ng8&feature=related

  2. Tuck Pendelton says:

    SWOOON… damn i’m in love with this one.

  3. LexG says:

    I’d ask Tuck if he’s aware she’s under 18, but that’s a fact apparently lost on Ebert in his riotous review of Weir’s “The Way Back,” wherein he asks why the middle-aged cast didn’t try to hook up with the “cute girl,” meaning SR… who was like 15 when she shot that movie.

    Classic Ebert gaffe.

  4. anghus says:

    atonement is still want one of those movies i go back to because it’s so wonderfully bleak. One of the saddest movies i’ve ever seen. Such great, haunting performances by all involved.

  5. sanj says:

    right at 16 minutes…things got real and she talked about
    comedies . thats where you could have pulled out an ipad / notebook and just showed her the trailer for Sandler pictures + some older movies from Will Farrell …
    20 minutes surfing the net finding cool movie stuff to talk about and at the end you could have sung a Lady Gaga song together. that would have been awesome .

  6. Vin says:

    Dude,
    you’re a great interviewer, I’m amazed by how you make them feel at ease. They are always on defense, it’s hard to reach in but you always manage to do it.
    Congrats!
    Vin B.

  7. Olli says:

    You folks at DP/30:

    you are f….g great inverviewers. The best interviews you can get – you actually really listen to the interviewees and ask actually interesting and
    profound questions. Perfect. Go on with that.

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DP/30

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“Cyberspace is a literary invention and does not really exist, however much time we spend on the computer every day. There is no such space radically different from the empirical, material room we are sitting in, nor do we leave our bodies behind when we enter it, something one rather tends to associate with drugs or the rapture. But it is a literary construction we tend to believe in; and, like the concept of immaterial labor, there are certainly historical reasons for its appearance at the dawn of postmodernity which greatly transcend the technological fact of computer development or the invention of the Internet.”
~ Fredric Jameson On William Gibson, Cyberspace and “Neuromancer”

“At one point in the comedy dead zone known as Seth MacFarlane’s Ted 2, the title character—a stuffed toy bear voiced by Mr. MacFarlane—and his dimwitted best friend, John (Mark Wahlberg), visit a comedy club to engage in a favorite pastime: throwing bleak improv ideas at the comics onstage. So, seated in the back of the auditorium while cloaked in darkness, the friends start shouting out suggestions like 9/11, Robin Williams and Charlie Hebdo to the unnerved comics. The topics don’t mean anything to Ted and John, who, like Mr. MacFarlane, take great pleasure in making others squirm. They could have just as easily yelled gang rape, the Holocaust and dead puppies.”
Manohla Dargis on Ted 2

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