By mcneditor editor@moviecitynews.com

Sundance Institute and Indian Paintbrush Announce New Fellowship Program for Independent Filmmakers


For Immediate Release

October 7, 2011

First Indian Paintbrush Fellows Announced

Los Angeles, CA — Sundance Institute today announced a new fellowship program with Indian Paintbrush that will provide grants to filmmakers supported by the Institute’s Feature Film Program. In each of two years, five or more filmmakers who have been selected for the Feature Film Program’s Directors, Screenwriters or Producers Labs will receive a grant to support the development, pre-production, post-production, distribution and/or marketing of their work. The first Indian Paintbrush Fellows were also announced today.

“The filmmakers and projects selected as the first Indian Paintbrush Fellows are distinguished by their independent vision, originality, and authentic voice,” said Michelle Satter, Director of the Sundance Institute Feature Film Program. “The accompanying grants will provide much-needed financial support at a critical moment as these filmmakers bring their stories and vision to life.”

In addition, a Producer’s Award and accompanying $10,000 grant will be given to one producer whose film will premiere at the annual Sundance Film Festival. The first Indian Paintbrush Producer’s Award will be presented at the Producers Lunch at the 2012 Sundance Film Festival.

“In recognition of the significance of producers as creative forces within the independent film industry, we continue to deepen our commitment to these artists and their projects,” said Keri Putnam, Executive Director of Sundance Institute. “The Indian Paintbrush Producer’s Award further allows us to do so by providing practical resources that help them develop and complete their work and bring it to audiences.”

The first Indian Paintbrush Fellows and their projects are:

Adelaide (USA)

Writer/Director: Liliana Greenfield-Sanders

In this dark comedy, an eccentric teenage girl with Munchausen syndrome pushes her medical theatrics to extremes in order to win the heart of a handsome paramedic.

Born and raised in the East Village of New York City, Liliana Greenfield-Sanders’ first film Ghosts of Grey Gardens premiered at the 2005 Tribeca Film Festival, screened at the Museum of Modern Art and made its television debut on PBS. Her short films have since won the Lifetime Student Filmmaker Prize, Best Short & Audience Awards at 10 major festivals including Woodstock, Austin and Gen Art, and screened at over 50 more. Greenfield-Sanders is a Masters Candidate at NYU’s Tisch Graduate Film program and the Director of the Wassaic Project’s film program, and she attended the Sundance Institute Feature Film Program Labs. Adelaide will mark her feature directorial debut.

Little Accidents (USA)

Writer/Director: Sara Colangelo

A small American coal-mining town, rocked by the devastating effects of a mining accident a year ago, must now deal with the mysterious disappearance of a 14-year-old boy.

Sara Colangelo is a Student Academy Award-nominated director and recent graduate of NYU’s Graduate Film Division. Her first film, the short documentary Halal Vivero, was a National Finalist at the 2006 Student Academy Awards; her second short film, Un Attimo di Respiro, has screened at over 15 film festivals, including Tribeca and SXSW, and received a Wasserman Prize for Best Direction at NYU. Colangelo’s most recent short film, Little Accidents, premiered at the 2010 Sundance Film Festival. It has garnered numerous awards, including Grand Jury prizes at the Seattle International Film Festival, Arizona Film Festival, and San Francisco ShortsFest. Colangelo participated in the 2011 Sundance Institute Feature Film Program Labs.

Ad Inexplorata (USA)

Writer/Director: Mark Elijah Rosenberg

Ad Inexplorata is a multi-media fictional story about Captain William D. Stanaforth, a NASA pilot alone on a one-way mission toward the unknown.

Mark Elijah Rosenberg is the Founder and Artistic Director of Rooftop Films, a New York-based non-profit organization whose mission is to engage diverse communities through the medium of film. As a curator and filmmaker, he has programmed for festivals around the world and produced and directed numerous short films, and he was also a participant in the Sundance Institute June Screenwriters Lab. Rosenberg recently co-produced and co-directed Orbit(Film), an omnibus movie about our solar system.

Nobody Walks (USA)

Co-writer/Director: Ry Russo-Young

Co-writer: Lena Dunham

When a driven young artist invades the home and family of a Hollywood sound designer helping her finish her first film, their professional connection triggers a sexual and emotional entanglement that lays bare the needs, narcissism, and questionable morality of everyone involved. Nobody Walks participated in a Sundance Institute Feature Film Program Labs and is currently in post-production with a cast that includes John Krasinski, Olivia Thirlby and Rosemarie Dewitt.

Ry Russo-Young’s second feature film, You Won’t Miss Me, premiered at the Sundance Film Festival and went on to win a 2009 Gotham Award. Her debut feature, Orphans, received a Jury Prize at the 2007 SXSW Film Festival and is now available through Netflix and Amazon. Russo-Young’s films have screened at the Tribeca Film Festival, the Museum of Fine Arts Boston, MoMA and the Brooklyn Academy of Music, among others. She currently resides in New York.

Lena Dunham’s first feature, Creative Nonfiction, premiered at SXSW 2009; her latest, Tiny Furniture, premiered in competition at SXSW 2010 and won the Jury Prize for Best Narrative and the Chicken & Egg Award for Best Emerging Female Director. She has made two webseries, Tight Shots and Delusional Downtown Divas, and a short film, Dealing, which premiered at the Slamdance Film Festival. Lena also created and stars in the new HBO show “Girls”.

Natural Selection (USA)

Writer/Director: Robbie Pickering

When a dutiful, albeit barren, housewife discovers that her ailing husband has an illegitimate son, she sets out to find the young man and reunite him with her husband before he dies.

Born and raised in Jersey Village, Texas, Robbie Pickering graduated from NYU’s Tisch School of the Arts. He has written and directed several award-winning short films and commercials. Natural Selection marks his feature directorial debut and won the Grand Jury Prize, Best Screenplay, Best Editing and Best Score at SXSW 2011. The film is being distributed by The Cinema Guild.

Sundance Institute Feature Film Program

Since 1981, the Sundance Institute Feature Film Program (FFP) has supported more than 450 independent filmmakers whose distinctive, singular work has engaged audiences worldwide. The program’s approach to the discovery and development of independent artists has become a model for creative development programs internationally. Program staff fully embrace the unique vision of each filmmaker, encouraging a rigorous creative process with a focus on original and deeply personal storytelling. Each year, up to 30 emerging artists from the U.S. and around the world participate in a year-round continuum of support which can include the Screenwriters and Directors Labs, Creative Producing Fellowship and Lab, Composers Lab, Creative Producing Summit, ongoing creative and strategic advice, significant production and postproduction resources, a Rough-Cut Screening Initiative, a Screenplay Reading Series, and direct financial support through project-specific grants and artist fellowships. In many cases, the Institute has helped the Program’s fellows attach producers and talent, secure financing, and assemble other significant resources to move their projects toward production and presentation. In addition, the FFP is providing strategic resources to completed Lab films in distribution and marketing across all platforms to support and expand their connection to audiences worldwide.

Over its 30-year history, the Sundance Institute Feature Film Program has supported an extensive list of award-winning and groundbreaking independent films which include Sean Durkin’s Martha Marcy May Marlene, Dee Rees’ Pariah, Maryam Keshavarz’s Circumstance, Eric Mendelsohn’s 3 Backyards, Shirin Neshat’s Women Without Men, Cherien Dabis’ Amreeka, Cary Fukunaga’s Sin Nombre, Alex Rivera’s Sleep Dealer, Fernando Eimbcke’s Lake Tahoe, Ryan Fleck and Anna Boden’s Half Nelson, Andrea Arnold’s Red Road, Miranda July’s Me and You and Everyone We Know, Hany Abu-Assad’s Paradise Now, Debra Granik’s Down to the Bone, Ira Sachs’ Forty Shades of Blue, Josh Marston’s Maria Full of Grace, Lisa Cholodenko’s Laurel Canyon, Peter Sollett’s Raising Victor Vargas, John Cameron Mitchell’s Hedwig and the Angry Inch, Darren Aronofsky’s Requiem for a Dream, Kimberly Peirce’s Boys Don’t Cry, Tony Bui’s Three Seasons, Walter Salles’ Central Station, Chris Eyre and Sherman Alexie’s Smoke Signals, Allison Anders’ Mi Vida Loca, Paul Thomas Anderson’s Hard Eight, Tamara Jenkins’ Slums of Beverly Hills, and Quentin Tarantino’s Reservoir Dogs. www.sundance.org/featurefilm

Sundance Institute

Sundance Institute is a global nonprofit organization founded by Robert Redford in 1981. Through its artistic development programs for directors, screenwriters, producers, composers and playwrights, the Institute seeks to discover and support independent film and theatre artists from the United States and around the world, and to introduce audiences to their new work. The Institute promotes independent storytelling to inform, inspire, and unite diverse populations around the globe. Internationally recognized for its annual Sundance Film Festival, Sundance Institute has nurtured such projects as Born into Brothels, Trouble the Water, Son of Babylon, Amreeka, An Inconvenient Truth, Spring Awakening, I Am My Own Wife, Light in the Piazza and Angels in America. Join Sundance Institute on Facebook, Twitter and YouTube.

Indian Paintbrush

Indian Paintbrush, a film development/production/finance company, is currently in post-production on The Untitled Drake Doremus Project starring Guy Pearce, Felicity Jones, and Amy Ryan. Indian Paintbrush and Paramount Pictures acquired Doremus’ Like Crazy at the 2011 Sundance Film Festival where it won the Grand Jury Prize as well as a Special Grand Jury Prize for Felicity Jones. Paramount Vantage will release the film on October 28, 2011. Indian Paintbrush is also in post-production on: Lorene Scafaria’s Seeking a Friend for the End of the World, starring Steve Carell and Keira Knightley to be released by Focus Features; Wes Anderson’s Moonrise Kingdom, starring Bruce Willis, Ed Norton, Bill Murray, Frances McDormand and Tilda Swinton, also distributed by Focus Features; David Chase’s The Untitled David Chase Project with James Gandolfini, Brad Garrett, Bella Heathcote, Christopher McDonald, Molly Price and Lisa Lampanelli to be distributed by Paramount Vantage; and Jeff, Who Lives at Home, written/directed by Jay and Mark Duplass, starring Jason Segel, Susan Sarandon, Ed Helms and Judy Greer, which will also be released by Paramount Vantage. Previously, Indian Paintbrush co-financed and executive produced Wes Anderson’s Fantastic Mr. Fox and The Darjeeling Limited.

# # #

Leave a Reply

Z

Quote Unquotesee all »

“I’m in Locarno, my movie is premiering for 1,000 people, which is nuts. A huge-ass screening, second day of the festival, 7:30pm in the sidebar competition. It’s comparable to Un Certain Regard or Director’s Fortnight. Every movie I saw in that section was fun, brilliant movies from around the world. The main competition was like Aza Jacobs and Mia Hansen-Løve, people who have been around. And I was like, “This is crazy. What am I doing inside the bloodstream of this establishment? I’m 27. I don’t belong here.” Every person I talked to there couldn’t believe what the movie cost, and then couldn’t believe when I told them what other American movies cost. We were the cheapest movie there by 65%. The next cheapest movie cost I think three times as much as we did. And they were just like, “You can’t make movies for what you’re telling us your movie cost.” And I told them, “Well, I can, I’m here, I’m in the same section as you are, so you are wrong. People think I’m lying when I tell them my budget. And also everyone likes it. I’m having a great time and people are being very responsive. Maurice Pialat’s widow was like, “I heard your movie’s good, I want a copy of it.” I’m like, “Well this is f**kin’ crazy.” Pedro Costa saw it there and really liked it and I’m like, What am I doing? I had gone in two months from screening at BAM for a lot of friends to Pedro Costa? This is the exact sentence: “Pedro Costa saw your movie. He’s a huge Jerry Lewis fan. He wants to talk to you about your movie and also Jerry Lewis.” And I thought, “I’m out of my element. I cannot have that conversation because that’s ridiculous.” Because his retrospective was happening at Anthology when I worked at Kim’s, and his Criterion box set came out when I was working at Kim’s. He can’t want to talk to me. That’s not possible. That’s not allowed. There is no world where that makes any sense!”  Or like when you wrote me to say that David Gordon Green wrote you to say, “I’m watching The Color Wheel and then I’m going to see Tree of Life.” There is no world where this is allowed! Again, somebody whose DVDs I was putting on the shelf, as, like, a hero. And it’s just like, “Oh, I’ll watch this movie.” There’s just a very fuzzy area in the middle there and it happened very quickly and I don’t understand why.  I still have a voice-mail from Sean [Price Williams, cinematographer]. I wish he was here to talk about it, but the voice-mail is a long pause and he’s just like, “I don’t want to tell you this, because it’s gonna make you so insufferable. I hate having to tell you this, but Leos Carax watched your movie and he really loves it, and he wants to meet you when he comes to New York.” I can’t live in a world where Leos Carax knows who I am, watches my movie, likes it, and thinks, “I wanna meet that guy.”
~ It’s Alex Ross Perry’s World

“I don’t know. It’s been a lot harder than I thought it was going to be to make the films I really dream of making. I was in Italy a few years ago scouting for this very beautiful film I wanted to make with Richard Linklater. We worked really hard on the script for a couple of years and couldn’t get the money together. It was an expensive idea. It’s heartbreaking when that happens over and over again and then the movies that do get made are ones that have lots of women being beaten up or zombies being killed. It’s all fine, it’s all okay, but it’s hard. I remember when River Phoenix died, he was ahead of me on this curve. He kind of realized how hard it was to make serious movies. People like Sidney Lumet figured out how to walk that line, but it’s hard. And it requires patience. It’s a life’s work and I wonder if I’m up to the task.”
~ Weary, Wary Ethan Hawke

Z Z