By MCN Editor editor@moviecitynews.com

STATEMENT BY MPAA CHAIRMAN AND CEO SENATOR CHRIS DODD ON STEVE JOBS’ PASSING

FOR IMMEDIATE RELEASE
October 5, 2011
WASHINGTON, DC – Senator Chris Dodd, CEO and Chairman of the Motion Picture
Association of America, Inc. (MPAA) joined the millions worldwide who are mourning the loss of Steve Jobs, co-founder and former CEO of Apple. The following is a statement by Senator Dodd:
“The genius of Steve Jobs, a man I’ve known for 40 years, not only brought to life the visual magic and brilliant storytelling of Pixar, but brought the world one of the most innovative and successful platforms to make movies and TV available online at the click of a mouse. He was a pioneer, and helped all of us better understand how technologists and creators can work together to enrich and enliven our shared world. If anyone ever wonders whether one person can make a difference, the answer is Steve Jobs.  He will be deeply, deeply missed.”
About the MPAA
The Motion Picture Association of America, Inc. (MPAA) serves as the voice and advocate of the American motion picture, home video and television industries from its offices in Los Angeles and Washington, D.C. Its members include: Walt Disney Studios Motion Pictures; Paramount Pictures Corporation; Sony Pictures Entertainment Inc.; Twentieth Century Fox Film Corporation; Universal City Studios LLC; and Warner Bros. Entertainment Inc.
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4 Responses to “STATEMENT BY MPAA CHAIRMAN AND CEO SENATOR CHRIS DODD ON STEVE JOBS’ PASSING”

  1. Leo Keil says:

    I find it hard to believe that former senator Dodd knew Steve Jobs for 40 years. 40 years ago, Jobs was a high school student in California, who was still years away from starting Apple Computer.

  2. Ray Pride says:

    Wow. Someone should’ve fact-checked that bromide.

  3. Matt S says:

    That number came from the same team of MPAA analysts who determine how much money their industry loses to piracy each year.

  4. JER MYNOR says:

    ANYONE WHO BELIEVES ANY WORD FROM THE MOUTH OF CHRIS DODD IS A TOTAL MORON….!!!

Quote Unquotesee all »

“Most of these women were in their early twenties. Most of them refused to go any further with him, but a few went to dinner, or to some sort of casting situation, or to someplace private… if the stories were just about some crazed sex addict who approaches thousands of women on the street trying to get laid, I wouldn’t be posting this now. I don’t want to be attacking every Hollywood douchebag who hits on countless women. That type of behavior isn’t cool, but I think it’s important to separate douchebaggery from any kind of sexual coercion. But the women I talked to who DID go someplace private with Toback, told stories that were worse than the women only accosted on the street… So I did what I could do in my impotent state – for over twenty years now, I’ve been bringing up James Toback every chance I could in groups of people. I couldn’t stop him, but I could warn people about him… I’ve been hoping the Weinstein/O’Reilly stuff would bring this vampire into the light (him and a couple others, frankly). So I was happy today to wake up to this story in the L. A. Times.”
~ James Gunn

“BATTLE OF THE SEXES: Politics and queerness as spectacle/spectacle as politics and queerness. Pretty delightful, lovely, erotic. A-

“Not since EASY A and CABARET have I seen Emma Stone give a real sense of her range. Here, she has pathos and interiority and desire. I love the cinematography and the ways in which the images of the tennis icons are refracted and manipulated via various surfaces/mediators. Also, wild how a haircut is one of the most erotic scenes in cinema this year. Spine tinglingly tactile that feels refreshing. Proof that *cough* you don’t need to be ~graphic/explicit~ to be erotic *cough*. Also, it made me want to get into tennis. Watching it, at least.

“There are interesting touches and intimations as to the cinematic nature of sports, & unpacking the formal approach of broadcasting sports.Also, I was here for Sarah Silverman smoking. And also, hi Mickey Sumner!! It’s a really interesting film about the ways in which public spectacle is never apolitical, and how spectacle is prone to assignation.

“There’s this one other scene from BATTLE OF THE SEXES that I love, and it’s the one in the bar. You see Billie looking after Marilyn as she dances. Through a crowd. There’s a paradoxical closeness and distance between them. In the purple light, and the kitschy decor, everything is distorted. But Billie catches a glance and you can feel the nervous swell inside.”
~ Kyle Turner