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Relativity’s Untitled Snow White: This Week’s Image Gallery

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9 Responses to “Relativity’s Untitled Snow White: This Week’s Image Gallery”

  1. Krillian says:

    In case you forgot this is being directed by Tarsem…

  2. anghus says:

    I love Tarsem.

    But Immortals is going to tank hard, right?

  3. JoeLeydon'sPersonalPornStar says:

    Fashion lust, OMG! Fashionistas will TURN OUT HARD.

  4. JoeLeydon'sPersonalPornStar says:

    Judging just from these pics, this could have a Black Swan/Annie Hall/Mad Men-like effect on the world of fashion. I am salivating. No, I am WET.

  5. David Poland says:

    What surprises me is how G-rated it looks.

    But we haven’t see stepmom go wicked yet.

  6. Rob says:

    Armie Hammer is a giant strapping hunk of man, though, and his costume does him no favors.

  7. storymark says:

    Just on a visual level, this looks so much more interesting that Mopey Snow in Armor.

  8. LexG says:

    TEAM KRISTEN.

  9. Not David Bordwell says:

    Wow, Glenn Close looks fabulous!

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A statement from David Chase’s representative, Leslee Dart:

A journalist for Vox misconstrued what David Chase said in their interview. To simply quote David as saying,“ Tony Soprano is not dead,” is inaccurate. There is a much larger context for that statement and as such, it is not true. As David Chase has said numerous times on the record, “Whether Tony Soprano is alive or dead is not the point.” To continue to search for this answer is fruitless. The final scene of THE SOPRANOS raises a spiritual question that has no right or wrong answer.
~ David Chase Refutes Vox Writer

“By the time the sounds of the Von Trapp children warbling ‘Silent Night’ drift through The Giver, you may find yourself wondering what fresh movie hell this is. In truth, the enervating hash of dystopian dread, vague religiosity and commercial advertising-style uplift is nothing if not stale. Adapted from Lois Lowry’s book for young readers, the story involves an isolated society that, with its cubistic dwellings, mindless smiles, monochromatic environs and nebulous communitarianism, seem modeled on a Scandinavian country or an old Mentos commercial.”
~ Manohla Dargis’ Deadly Lede For Review Of The Giver