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By MCN Editor editor@moviecitynews.com

New Jersey Filmmaker Offers Kevin Smith $10,000 to Review Film

Chatham, N.J. (October 19, 2011 — Jim Riffel, whose feature film “Black-Eyed Susan” won the Grand Prize at New Jersey’s “Garden State Film Festival,” is making a unique offer to New Jersey native and Hollywood filmmaker Kevin Smith: “If you review my feature film I’ll give you $10,000 to donate to the charity of your choice and I’ll also give you the worldwide rights to the film to sell to any company you want as long as you take the money from that sale and also donate that to the charity of your choice.”

“I think it’s a pretty good deal” said Riffel, “you get $10,000 right off the bat and then, if you sell the film, you’ll be able to get even more cash to a worthwhile charity.” The feature film Riffel is offering to Mr. Smith is a strange and entertaining “midnight movie” type flick called “Night of the Day of the Dawn of the Son of the Bride of the Return of the Revenge of the Terror of the Attack of the Evil, Mutant, Hellbound, Flesh-Eating, Crawling, Alien, Zombified, Subhumanoid, Living Dead – Part 5.” It’s the just finished sequel to the sequel to the sequel to the popular cult film, “Night of the Day of the Dawn…Part 2” and is a parody of the “golden age” of television. It takes a comedic look at what was considered appropriate and enjoyable TV family fare in the 1950s and 1960s and what’s considered appropriate and enjoyable television today. So why did Riffel choose Kevin Smith for this offer? “This film is a comedy and Kevin Smith’s made some great comedies so I’m hoping it might be a good match.”

And does Mr. Riffel think Kevin Smith will take him up on the offer? “You never know with something like this. I guess it’s a long shot, but it would be great if he seriously considered it. Maybe me being from New Jersey and the film being made in New Jersey help a little bit. And “Black-Eyed Susan,” the feature I made that won the Garden State Film Festival, was a low budget black and white film shot on 16mm, like “Clerks”, so, maybe all these things count. Who knows? I’ve seen him in dozens of interviews and he seems like a really down-to-Earth guy. The offer’s out there and I really hope he does it. We’ll see what happens.”

In addition to “Night Of The Day Of The Dawn…Part 5” Mr. Riffel is also donating the rights to four other feature films he directed and three non-fiction screenplays he wrote. You can find more information here.

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“The evening’s curious vanity and irrelevance stay with me, if only because those qualities characterize so many of Hollywood’s best intentions. Social problems present themselves to many of these people in terms of a scenario, in which, once certain key scenes are licked (the confrontation on the courthouse steps, the revelation that the opposition leader has an anti-Semitic past, the presentation of the bill of participants to the President, a Henry Fonda cameo), the plot will proceed inexorably to an upbeat fade. Marlon Brando does not, in a well-plotted motion picture, picket San Quentin in vain: what we are talking about here is faith in a dramatic convention. Things “happen” in motion pictures. There is always a resolution, always a strong cause-effect dramatic line, and to perceive the world in those terms is to assume an ending for every social scenario… If the poor people march on Washington and camp out, there to receive bundles of clothes gathered on the Fox lot by Barbra Streisand, then some good must come of it (the script here has a great many dramatic staples, not the least of them in a sentimental notion of Washington as an open forum, cf. Mr. Deeds Goes to Washington), and doubts have no place in the story.”
~ Joan Didion On Hw’d In 1970

CAMPION: We were driving around the countryside the other day, and we happened to chance upon a lone bull and cow going through some sex rituals. I was so surprised to see how lengthy the whole process was for this bull. He started licking the cow’s shin and worked his way quite laboriously up toward her ass. And every now and again, you thought, “Maybe she’s ready now—he’ll try a quick move.”
TAYLOR-JOHNSON: She wasn’t ready.
CAMPION: She made it clear that that wasn’t the case. We couldn’t even wait; it was like 15 minutes, but it was really adorable. Even when we came back, they were still at it. The foreplay was phenomenal.
TAYLOR-JOHNSON: You don’t think of animal love in that way.
~ Jane Campion And Sam Taylor-Johnson in Interview

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