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By DP30 david@thehotbuttonl.com

DP/30: The Skin I Live In, actors Antonio Banderas, Elena Anaya

SPOILER WARNING!!! We try not to talk about the surprises in the movie too much… but it’s impossible.

9 Responses to “DP/30: The Skin I Live In, actors Antonio Banderas, Elena Anaya”

  1. jennab says:

    An EXCELLENT DP/30! Banderas is astonishingly thoughtful and articulate, with some sort of multiple for that charming accent. Anaya equally so. Movie sounds creepy as hell, but this interview may have persuaded me to see it. Well done! Did I miss the Almodovar interview, or is it coming?

  2. Bob Giovanelli says:

    I haven’t watched too many of your DP/30s, but if they’re as good as this was, I’ll keep watching. After seeing the film at the NY Film Festival press/industry screening this week, I was curious to see Antonio talk this afternoon at the Apple Store on the upper west side. Glad I watched this on a day I need to take a break from all things film festivals (combining a Hamptons Film Festival visit too this week with working NYFF)…as your interview with he and Elena was probably more entertaining than the crowded Apple Store will no doubt be in a half hour from now.

  3. Driver says:

    Broadway Bob?! Flip the block…

  4. Peter says:

    I don’t understand many critics consider The Skin I Live In as a lesser Pedro movie. If anything, it’s more entertaining and fun than most. It’s completely ludicrous, but so much fun to watch. No one can do melodrama better than Pedro.

  5. David Poland says:

    It’s a great movie. And the people who don’t enjoy it’s pleasures need the stick removed from their collective buttocks.

  6. Breedlove says:

    Almodovar is easily one of the ten best filmmakers in the world. I have a hard time picturing him making a bad movie, or even a mediocre one at this point.

  7. Krillian says:

    Kinda angry that the third act is what it is, because I read about a year ago what I thought was the basic plot; now I see it’s the Big Surprise of 2011.

  8. The Pope says:

    Sorry I’m not cheering from the gallery. I’m a big, big fan of Pedro and agree with Breedlove that he is one the ten best on the planet… but… I wasn’t involved in this one. Then again, he has been on such a searing run for the last 10 years, maybe I’ve become a little spoiled.

    My god, Elena Anaya is stunning, achingly beautiful.

    Great interview David, thanks.

  9. movieman says:

    Does anyone else think that “Skin” is getting the short end of the stick this awards season?
    Almodovar is so dependably great, and so wildly prolific, that people (critics and audiences alike) have begun taking him for granted.
    Call it the “Woody Allen Curse.”

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DP/30

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“Almodóvar–the first name is almost unnecessary–is a genius, is a flower, is a guiding light: the last, best son of Buñuel and so much more than that. His screenplays, which he directs with passion and fine care, have taught us about the exteriors of his native land and the interiors of our own hearts. From the early, manic experimental Super-8 work to the breakthrough Women on the Verge of a Nervous Breakdown, his titles are as evocative as most people’s screenplays. Yet for all their antic energy, Almodóvar’s films are deeply spiritual: watching his disturbing, mysterious, heart-rending Talk to Her is to understand, perhaps for the first time, the full meaning of grace. An Almodóvar screenplay is a running leap off a Gaudi balcony, it flips, soars, ascends, careens, tumbles, falls – always landing, astonishingly and astonished, on its feet.”
~ Howard A. Rodman, Announcing Almodóvar’s Jean Renoir Award

“I got a feeling I am going to win in the long run, but I want to be part of the zeitgeist, too. I want to support young girls who are in their 20s now and tell them: You’re not just imagining things. It’s tough. Everything that a guy says once, you have to say five times. Girls now are also faced with different problems. I’ve been guilty of one thing: After being the only girl in bands for 10 years, I learned—the hard way—that if I was going to get my ideas through, I was going to have to pretend that they—men—had the ideas. I became really good at this and I don’t even notice it myself. I don’t really have an ego. I’m not that bothered. I just want the whole thing to be good. And I’m not saying one bad thing about the guys who were with me in the bands, because they’re all amazing and creative, and they’re doing incredible things now. But I come from a generation where that was the only way to get things done. So I have to play stupid and just do everything with five times the amount of energy, and then it will come through.”
~ Björk to Jessica Hopper at Pitchfork