MCN Blogs

By DP30 david@thehotbuttonl.com

DP/30: The Skin I Live In, actors Antonio Banderas, Elena Anaya

SPOILER WARNING!!! We try not to talk about the surprises in the movie too much… but it’s impossible.

9 Responses to “DP/30: The Skin I Live In, actors Antonio Banderas, Elena Anaya”

  1. jennab says:

    An EXCELLENT DP/30! Banderas is astonishingly thoughtful and articulate, with some sort of multiple for that charming accent. Anaya equally so. Movie sounds creepy as hell, but this interview may have persuaded me to see it. Well done! Did I miss the Almodovar interview, or is it coming?

  2. Bob Giovanelli says:

    I haven’t watched too many of your DP/30s, but if they’re as good as this was, I’ll keep watching. After seeing the film at the NY Film Festival press/industry screening this week, I was curious to see Antonio talk this afternoon at the Apple Store on the upper west side. Glad I watched this on a day I need to take a break from all things film festivals (combining a Hamptons Film Festival visit too this week with working NYFF)…as your interview with he and Elena was probably more entertaining than the crowded Apple Store will no doubt be in a half hour from now.

  3. Driver says:

    Broadway Bob?! Flip the block…

  4. Peter says:

    I don’t understand many critics consider The Skin I Live In as a lesser Pedro movie. If anything, it’s more entertaining and fun than most. It’s completely ludicrous, but so much fun to watch. No one can do melodrama better than Pedro.

  5. David Poland says:

    It’s a great movie. And the people who don’t enjoy it’s pleasures need the stick removed from their collective buttocks.

  6. Breedlove says:

    Almodovar is easily one of the ten best filmmakers in the world. I have a hard time picturing him making a bad movie, or even a mediocre one at this point.

  7. Krillian says:

    Kinda angry that the third act is what it is, because I read about a year ago what I thought was the basic plot; now I see it’s the Big Surprise of 2011.

  8. The Pope says:

    Sorry I’m not cheering from the gallery. I’m a big, big fan of Pedro and agree with Breedlove that he is one the ten best on the planet… but… I wasn’t involved in this one. Then again, he has been on such a searing run for the last 10 years, maybe I’ve become a little spoiled.

    My god, Elena Anaya is stunning, achingly beautiful.

    Great interview David, thanks.

  9. movieman says:

    Does anyone else think that “Skin” is getting the short end of the stick this awards season?
    Almodovar is so dependably great, and so wildly prolific, that people (critics and audiences alike) have begun taking him for granted.
    Call it the “Woody Allen Curse.”

Leave a Reply

DP/30

Quote Unquotesee all »

“All of the security, all of the waiters, all of the musicians … that’s 3,000 people!” The shopping required fifty tractor trailers. The are thirty gallons of cocktail sauce; 350 pounds of smoked salmon; 200 pounds of brussels sprouts, 250 pounds parmesan cheese; 3,600 eggs; 6,000 mini-brioche buns; five gallons of hot fudge; 20 pounds pickled ginger; 30 pounds edible gold dust; 7,000 miniature chocolate Oscars. There are 1,400 bottles of Piper-Heidsieck champagne and 2,200 bottles from Francis Ford Coppola’s winery. This will be served in and upon 13,000 glasses, 4,500 bamboo skewers, 4,800 ramekins and 6,000 cocktail forks.”
~ Wolfgang Puck Goes Oscar Dinner Shopping

“While these images seem to reveal all, they disclose nothing beneath the surface. All that we know is what we see onscreen and that Seberg’s face is delicate and lightly creased. She’s rarely shown smiling, although there are instances when she laughs emphatically, moments that feel uncomfortable and artificial, as if she were trying out an emotion she had forgotten. We know the texture of her skin; the patterns on the walls; the depth of field; the quality of the light; the contrast of the black-and-white film; the level of grain; the dowdiness of her clothes. She’s partial to granny dresses, or maybe they’re nightgowns, and when she stands in front of a window, the sunlight glows softly, creating a kind of ravishing halo effect: Saint Jean.”
~ Manohla Dargis On Philippe Garrel’s Les Hautes Solitudes