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By DP30 david@thehotbuttonl.com

DP/30: The Skin I Live In, actors Antonio Banderas, Elena Anaya

SPOILER WARNING!!! We try not to talk about the surprises in the movie too much… but it’s impossible.

9 Responses to “DP/30: The Skin I Live In, actors Antonio Banderas, Elena Anaya”

  1. jennab says:

    An EXCELLENT DP/30! Banderas is astonishingly thoughtful and articulate, with some sort of multiple for that charming accent. Anaya equally so. Movie sounds creepy as hell, but this interview may have persuaded me to see it. Well done! Did I miss the Almodovar interview, or is it coming?

  2. Bob Giovanelli says:

    I haven’t watched too many of your DP/30s, but if they’re as good as this was, I’ll keep watching. After seeing the film at the NY Film Festival press/industry screening this week, I was curious to see Antonio talk this afternoon at the Apple Store on the upper west side. Glad I watched this on a day I need to take a break from all things film festivals (combining a Hamptons Film Festival visit too this week with working NYFF)…as your interview with he and Elena was probably more entertaining than the crowded Apple Store will no doubt be in a half hour from now.

  3. Driver says:

    Broadway Bob?! Flip the block…

  4. Peter says:

    I don’t understand many critics consider The Skin I Live In as a lesser Pedro movie. If anything, it’s more entertaining and fun than most. It’s completely ludicrous, but so much fun to watch. No one can do melodrama better than Pedro.

  5. David Poland says:

    It’s a great movie. And the people who don’t enjoy it’s pleasures need the stick removed from their collective buttocks.

  6. Breedlove says:

    Almodovar is easily one of the ten best filmmakers in the world. I have a hard time picturing him making a bad movie, or even a mediocre one at this point.

  7. Krillian says:

    Kinda angry that the third act is what it is, because I read about a year ago what I thought was the basic plot; now I see it’s the Big Surprise of 2011.

  8. The Pope says:

    Sorry I’m not cheering from the gallery. I’m a big, big fan of Pedro and agree with Breedlove that he is one the ten best on the planet… but… I wasn’t involved in this one. Then again, he has been on such a searing run for the last 10 years, maybe I’ve become a little spoiled.

    My god, Elena Anaya is stunning, achingly beautiful.

    Great interview David, thanks.

  9. movieman says:

    Does anyone else think that “Skin” is getting the short end of the stick this awards season?
    Almodovar is so dependably great, and so wildly prolific, that people (critics and audiences alike) have begun taking him for granted.
    Call it the “Woody Allen Curse.”

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DP/30

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“I was 15 when I first watched Sally Hardesty escape into the back of a pickup truck, covered in blood and cackling like a goddamn witch. All of her friends were dead. She had been kidnapped, tortured and even forced to feed her own blood to her cannibalistic captors’ impossibly shriveled patriarch. Being new to the horror genre, I was sure she was going to die. It had been a few months since I survived a violent sexual assault, where I subsequently ran from my assailant, tripped, fell and fought like hell. I crawled home with bloody knees, makeup-stained cheeks and a new void in both my mind and heart. My sense of safety, my ability to trust others, my willingness to form new relationships and my love of spending time with people I cared about were all taken from me. It wasn’t until I found the original The Texas Chain Saw Massacre that something clicked. It was Sally’s strength, and her resilience. It was watching her survive blows to the head from a hammer. It was watching her break free from her bonds and burst through a glass window. It was watching her get back up after she’d been stabbed. It was watching her crawl into the back of a truck, laughing as it drove away from Leatherface. She was the last one to confront the killer, and live. I remember sitting in front of the TV and thinking, There I am. That’s me.”
~ Lauren Milici On “The Final Girl”

“‘Thriller’ enforced its own reality principle; it was there, part of the every commute, a serenade to every errand, a referent to every purchase, a fact of every life. You didn’t have to like it, you only had to acknowledge it. By July 6, 1984, when the Jacksons played the first show of their ‘Victory’ tour, in Kansas City, Missouri, Jacksonism had produced a system of commodification so complete that whatever and whoever was admitted to it instantly became a new commodity. People were no longer comsuming commodities as such things are conventionally understood (records, videos, posters, books, magazines, key rings, earrings necklaces pins buttons wigs voice-altering devices Pepsis t-shirts underwear hats scarves gloves jackets – and why were there no jeans called Bille Jeans?); they were consuming their own gestures of consumption. That is, they were consuming not a Tayloristic Michael Jackson, or any licensed facsimile, but themselves. Riding a Mobius strip of pure capitalism, that was the transubstantiation.”
~ Greil Marcus On Michael Jackson