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By DP30 david@thehotbuttonl.com

DP/30: Martha Marcy May Marlene, actors Elizabeth Olsen, John Hawkes, Sarah Paulson, and writer/director Sean Durkin

And for those of you who’d like to see how time changes people over 10 months, the DP/30 from Sundance, with added guest star High Dancy

7 Responses to “DP/30: Martha Marcy May Marlene, actors Elizabeth Olsen, John Hawkes, Sarah Paulson, and writer/director Sean Durkin”

  1. LexG says:

    Would a LOOK AT HER be too predictable?

    Because, really…

    I cannot WAIT to see this movie.

  2. Gus says:

    Yeah I am beyond psyched. I got to get out to Pasadena to catch take shelter before this drops. I keel waiting for it to appear at the arc light and it never does.

    DP, was there ever a Lena Dunham DP30?

  3. berg says:

    M4 has one of the best endings of any film I’ve seen this year … before I saw the film I couldn’t correctly pronounce the title to save my life, now I can’t ever forget the title

  4. David Poland says:

    Gus… we were scheduled multiple times and it never quite worked out with her ever-changing schedule. I’m sure we’ll try again.

  5. Gus says:

    Thanks for the reply, I am interested in her arc since Tiny Furniture especially, though I know you don’t do many TV-centric DP/30s.

  6. SamLowry says:

    If I saw a trailer for this movie, the title alone would drive me screaming from the theater.

    Or am I the only one who thinks that sequence of words feels like a cheese grater on the brain?

  7. Ray Pride says:

    SamLowry, the words become a meaningful tattoo after you’ve seen the film. First saw at Sundance and thought same, but then saw it and… say no more.

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DP/30

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“Any time a movie causes a country to threaten nuclear retaliation, the higher-ups wanna get in a room with you… In terms of getting the word out about the movie, it’s not bad. If they actually make good on it, it would be bad for the world—but luckily that doesn’t seem like their style… We’ll make a movie that maybe for two seconds will make some 18-year-old think about North Korea in a way he never would have otherwise. Or who knows? We were told one of the reasons they’re so against the movie is that they’re afraid it’ll actually get into North Korea. They do have bootlegs and stuff. Maybe the tapes will make their way to North Korea and cause a fucking revolution. At best, it will cause a country to be free, and at worst, it will cause a nuclear war. Big margin with this movie.”
~ Seth Rogen In Rolling Stone 1224

“Yes, good movies sprout up, inevitably, in the cracks and seams between the tectonic plates on which all of these franchises stay balanced, and we are reassured of their hardiness. But we don’t see what we don’t see; we don’t see the effort, or the cost of the effort, or the movies of which we’re deprived because of the cost of the effort. Paul Thomas Anderson’s Inherent Vice may have come from a studio, but it still required a substantial chunk of outside financing, and at $35 million, it’s not even that expensive. No studio could find the $8.5 million it cost Dan Gilroy to make Nightcrawler. Birdman cost a mere $18 million and still had to scrape that together at the last minute. Imagine American movie culture for the last few years without Her or Foxcatcher or American Hustle or The Master or Zero Dark Thirty and it suddenly looks markedly more frail—and those movies exist only because of the fairy godmothership of independent producer Megan Ellison. The grace of billionaires is not a great business model on which to hang the hopes of an art form.”
~ Mark Harris On The State Of The Movies