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By DP30 david@thehotbuttonl.com

DP/30: Martha Marcy May Marlene, actors Elizabeth Olsen, John Hawkes, Sarah Paulson, and writer/director Sean Durkin

And for those of you who’d like to see how time changes people over 10 months, the DP/30 from Sundance, with added guest star High Dancy

7 Responses to “DP/30: Martha Marcy May Marlene, actors Elizabeth Olsen, John Hawkes, Sarah Paulson, and writer/director Sean Durkin”

  1. LexG says:

    Would a LOOK AT HER be too predictable?

    Because, really…

    I cannot WAIT to see this movie.

  2. Gus says:

    Yeah I am beyond psyched. I got to get out to Pasadena to catch take shelter before this drops. I keel waiting for it to appear at the arc light and it never does.

    DP, was there ever a Lena Dunham DP30?

  3. berg says:

    M4 has one of the best endings of any film I’ve seen this year … before I saw the film I couldn’t correctly pronounce the title to save my life, now I can’t ever forget the title

  4. David Poland says:

    Gus… we were scheduled multiple times and it never quite worked out with her ever-changing schedule. I’m sure we’ll try again.

  5. Gus says:

    Thanks for the reply, I am interested in her arc since Tiny Furniture especially, though I know you don’t do many TV-centric DP/30s.

  6. SamLowry says:

    If I saw a trailer for this movie, the title alone would drive me screaming from the theater.

    Or am I the only one who thinks that sequence of words feels like a cheese grater on the brain?

  7. Ray Pride says:

    SamLowry, the words become a meaningful tattoo after you’ve seen the film. First saw at Sundance and thought same, but then saw it and… say no more.

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DP/30

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A statement from David Chase’s representative, Leslee Dart:

A journalist for Vox misconstrued what David Chase said in their interview. To simply quote David as saying,“ Tony Soprano is not dead,” is inaccurate. There is a much larger context for that statement and as such, it is not true. As David Chase has said numerous times on the record, “Whether Tony Soprano is alive or dead is not the point.” To continue to search for this answer is fruitless. The final scene of THE SOPRANOS raises a spiritual question that has no right or wrong answer.
~ David Chase Refutes Vox Writer

“By the time the sounds of the Von Trapp children warbling ‘Silent Night’ drift through The Giver, you may find yourself wondering what fresh movie hell this is. In truth, the enervating hash of dystopian dread, vague religiosity and commercial advertising-style uplift is nothing if not stale. Adapted from Lois Lowry’s book for young readers, the story involves an isolated society that, with its cubistic dwellings, mindless smiles, monochromatic environs and nebulous communitarianism, seem modeled on a Scandinavian country or an old Mentos commercial.”
~ Manohla Dargis’ Deadly Lede For Review Of The Giver