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By DP30 david@thehotbuttonl.com

DP/30: Anonymous, director Roland Emmerich

5 Responses to “DP/30: Anonymous, director Roland Emmerich”

  1. Che sucks says:

    I don’t begrudge Emmerich doing a film with this angle, but his attitude like the case against Shakespeare is overwhelming is more laughable than the slaveless Mel Gibson character in THE PATRIOT.

  2. LexG says:

    LOOK AT HIM!

    It’s always weird when a GREAT ARTIST makes a movie about a lesser artist.

  3. sanj says:

    i have zero interest in this film but i like the last 10 minutes.

  4. General Buttfucking Naked says:

    Way to be talking about “A Knight’s Tale” (not his movie) when he was talking about Heath Ledger in “The Patriot.”

  5. David Poland says:

    They all look the same to me, General.

    Congrats on the IDA nod!

DP/30

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“The word I have fallen in love with lately is ‘Hellenic.’ Greek in its mythology. So while everyone is skewing towards the YouTube generation, here we are making two-and-a-half-hour movies and trying to buck the system. It’s become clear to me that we are never going to be a perfect fit with Hollywood; we will always be the renegade Texans running around trying to stir the pot. Really it’s not provocation for the sake of being provocative, but trying to make something that people fall in love with and has staying power. I think people are going to remember Dragged Across Concrete and these other movies decades from now. I do not believe that they will remember some of the stuff that big Hollywood has put out in the last couple of years. You’ve got to look at the independent space to find the movies that have been really special recently. Even though I don’t share the same world-view as some of my colleagues, I certainly respect the hell out of their movies which are way more fascinating than the stuff coming out of the studio system.”
~ Dallas Sonnier

“My first objective relationship in life was with the camera. I didn’t understand anything but then I realized the camera is my friend. It doesn’t lie to me. It doesn’t manipulate me. It only reports what I’m doing. And therefore, for me to work with a camera and the camera to be directed by an artist, a craftsman, someone who knows what he or she wants, I couldn’t ask for anything more.”
~ Elliot Gould