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By DP30 david@thehotbuttonl.com

DP/30: Anonymous, director Roland Emmerich

5 Responses to “DP/30: Anonymous, director Roland Emmerich”

  1. Che sucks says:

    I don’t begrudge Emmerich doing a film with this angle, but his attitude like the case against Shakespeare is overwhelming is more laughable than the slaveless Mel Gibson character in THE PATRIOT.

  2. LexG says:

    LOOK AT HIM!

    It’s always weird when a GREAT ARTIST makes a movie about a lesser artist.

  3. sanj says:

    i have zero interest in this film but i like the last 10 minutes.

  4. General Buttfucking Naked says:

    Way to be talking about “A Knight’s Tale” (not his movie) when he was talking about Heath Ledger in “The Patriot.”

  5. David Poland says:

    They all look the same to me, General.

    Congrats on the IDA nod!

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DP/30

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“I’m a governor in the Academy, so I cannot talk freely. We have meetings that are sometimes filled with disputes, but everything stays in the room. But I can tell you that this is a full industry issue. The Oscar nominations are for achievements at the top of someone’s career. It’s less an Academy issue than an employer issue. Employers have to hire with diversity for people to do content that can become choices for Academy members to nominate. I dispute the notion Academy members vote by race or gender. The choices presented to Academy voters are the choices presented by the industry, which elected which movies to make and which people to hire. The real change has to occur at the base. It’s a huge issue.”
~ Michael Mann On Diversity

“Jonas Mekas spoke a lot about ‘necessity’ last night at the Film Society. “Why do anything if it’s not needed,” he asked at one point. Mekas said that he created a publication, wrote for the Village Voice, founded an archive, because it was necessary.

“Somebody had to do it,” the 93 year old Mekas said, standing during the entire hourlong Q&A. He also spoke to the notion of curation: “If I see something I like, I don’t really enjoy it unless I can share it with others.”
~ Jonas Mekas, via Eugene Hernandez