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By DP30 david@thehotbuttonl.com

DP/30: Anonymous, director Roland Emmerich

5 Responses to “DP/30: Anonymous, director Roland Emmerich”

  1. Che sucks says:

    I don’t begrudge Emmerich doing a film with this angle, but his attitude like the case against Shakespeare is overwhelming is more laughable than the slaveless Mel Gibson character in THE PATRIOT.

  2. LexG says:

    LOOK AT HIM!

    It’s always weird when a GREAT ARTIST makes a movie about a lesser artist.

  3. sanj says:

    i have zero interest in this film but i like the last 10 minutes.

  4. General Buttfucking Naked says:

    Way to be talking about “A Knight’s Tale” (not his movie) when he was talking about Heath Ledger in “The Patriot.”

  5. David Poland says:

    They all look the same to me, General.

    Congrats on the IDA nod!

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DP/30

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“I don’t believe in the Nietzschean notion that what doesn’t destroy you makes you stronger. You see these soldiers come back with PTSD; they’ve been to war and seen death and experienced these existential crises one after the other. There are traumas in life that weaken us for the future. And that’s what’s happened to me. The various slings and arrows of life have not strengthened me. I think I’m weaker. I think there are things I couldn’t take now that I would have been able to take when I was younger.”
~ Woody Allen

“Hitchcock films the story with a wide-eyed, astonished, fascinated, and disturbed camera stare that seems to shudder and tremble every time Hedren is onscreen. Even the director’s cameo—in which he watches Hedren walking down a hotel corridor and then turns back to look at the camera, shamefacedly caught in his own leer—suggests his self-aware sense of visual carnality. The images offer an extraordinary swing between blasts of heat and an eerie chill, sometimes bringing the two together. Even the film’s exterior locations have a fluorescent buzz that captures an ambient sense of derangement.”
~ Richard Brody on Marnie

 

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