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Ray Pride

By Ray Pride Pride@moviecitynews.com

That 9-Minute GIRL WITH THE DRAGON TATTOO Trailer


Glistening, gorgeous: the crystalline light in the nine-minute trailer for David Fincher‘s Girl With The Dragon Tattoo was the consistent aspect that kept me gawping after Wednesday night’s Chicago all-media of Straw Dogs. And Lisbeth Salander’s “FUCK YOU FUCKING FUCK” t-shirt, sported as soiled sleepwear is as immediately iconic as the stray cardboard carton with an IKEA logo. Whatever combination of digital formats Fincher and cinematographer Jeff Cronenweth are wielding, hurrah. Swedish eggshell-to-matte-gray light allows color and dimension to pop in almost every image in the product reel. (There’s a gray-black-orange-pale red sunset over a vista of Stockholm’s Soldermalm neighborhood like part of a slow dusk that would take hours to fall.) While it’s intended to introduce audiences who know neither Stieg Larsson‘s three books or the Swedish trilogy to the teeming dramatis personae, it’s comforting in a different way if you know the material: ah, this. Ah, that. (Unembarrassed grin in half-darkness.) A detail-fixated film director takes on a surly Aspergian protagonist with ample, similar skills? Ah, that. Here’s a streaming 7’26″ of Trent Reznor and Atticus Ross‘ score. Twitter account @mouthtapedshut solicited those with a free Thursday evening in seventeen cities to retweet for the chance to be invited to…most  likely a sneak of Straw Dogs brandishing the same nine minutes. [Images via the film's "viral" Tumblr MTS.]

2 Responses to “That 9-Minute GIRL WITH THE DRAGON TATTOO Trailer”

  1. M. A. Neofitou says:

    Is a nine minute trailer engaging or simply sloppy editing?

  2. Ray Pride says:

    It introduces the characters and gives a sense of the chilly style. Call it a “featurette,” like Hitchcock’s long promo for Psycho.

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~ Robert Horton 

 “Teaching how to make a film is like trying to teach someone how to fuck. You can’t. You have to fuck to learn how to fuck. It’s just how it is. The filmmaker has to protect the adventurous side of their self. I’m an explorer, I’m an inventor. Doc Brown is the character I relate to the most and he’s a madman. He’s a madman alone, locked up with his ideas but he does whatever he wants. He makes what he makes because he wants to make it. Yes, the DeLorean has to work in order for him to be a madman with a purpose—the DeLorean should work—but the point is I think everyone should try and find their own DeLorean. When Zemeckis was trying to get Back To The Future made, which he was for seven years, he was trying to get a film made where basically a teenager gets in a time machine, goes back to 1954 and almost —-s his mother. That pitch is extremely subversive and twisted in a way. My point is, he had a fascinating idea that no one had done before, but was clearly special to him and he stuck to it and made it what it was. When you do that you can create culture, but I think a lot of movies are just echoing culture and there’s a difference.”
~ A Girl Walks Home Alone At Night Filmmaker Ana Lily Amirpour