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Ray Pride

By Ray Pride Pride@moviecitynews.com

That 9-Minute GIRL WITH THE DRAGON TATTOO Trailer


Glistening, gorgeous: the crystalline light in the nine-minute trailer for David Fincher‘s Girl With The Dragon Tattoo was the consistent aspect that kept me gawping after Wednesday night’s Chicago all-media of Straw Dogs. And Lisbeth Salander’s “FUCK YOU FUCKING FUCK” t-shirt, sported as soiled sleepwear is as immediately iconic as the stray cardboard carton with an IKEA logo. Whatever combination of digital formats Fincher and cinematographer Jeff Cronenweth are wielding, hurrah. Swedish eggshell-to-matte-gray light allows color and dimension to pop in almost every image in the product reel. (There’s a gray-black-orange-pale red sunset over a vista of Stockholm’s Soldermalm neighborhood like part of a slow dusk that would take hours to fall.) While it’s intended to introduce audiences who know neither Stieg Larsson‘s three books or the Swedish trilogy to the teeming dramatis personae, it’s comforting in a different way if you know the material: ah, this. Ah, that. (Unembarrassed grin in half-darkness.) A detail-fixated film director takes on a surly Aspergian protagonist with ample, similar skills? Ah, that. Here’s a streaming 7’26” of Trent Reznor and Atticus Ross‘ score. Twitter account @mouthtapedshut solicited those with a free Thursday evening in seventeen cities to retweet for the chance to be invited to…most  likely a sneak of Straw Dogs brandishing the same nine minutes. [Images via the film’s “viral” Tumblr MTS.]

2 Responses to “That 9-Minute GIRL WITH THE DRAGON TATTOO Trailer”

  1. M. A. Neofitou says:

    Is a nine minute trailer engaging or simply sloppy editing?

  2. Ray Pride says:

    It introduces the characters and gives a sense of the chilly style. Call it a “featurette,” like Hitchcock’s long promo for Psycho.

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“TIFF doesn’t make attendance numbers for its Lightbox screenings publicly available, so it’s difficult to gauge exactly how many filmgoers the Lightbox is attracting (or how much money it’s bringing in). But the King Street West venue hasn’t become a significant draw for film enthusiasts. The Lightbox’s attendance has plunged – 49,000 fewer visitors last year, a drop of 27 per cent, according to figures recently reported in the Toronto Star. Its gallery space – designed to showcase the visions of cinema’s most iconic filmmakers – saw most of its exhibitions staff quietly axed this past fall. And its marketing barely escapes the Lightbox’s walls. Unless you are a TIFF member or one of the city’s most avid filmgoers, you could walk by the Lightbox and remain blissfully unaware of a single thing that goes on inside. TIFF “still has a world-class brand,” said Barry Avrich, a filmmaker and former board member, “but it’s going to take some fresh vision from retail, consumer programming and marketing experts, given how the lines have become intensely blurred when it comes to how people watch film. They will have to experiment with programming to find the right blend of function and relevance.”
~ Globe & Mail Epic On State of Toronto Int’l (paywalled)

“I’m 87 years old… I only eat so I can smoke and stay alive… The only fear I have is how long consciousness is gonna hang on after my body goes. I just hope there’s nothing. Like there was before I was born. I’m not really into religion, they’re all macrocosms of the ego. When man began to think he was a separate person with a separate soul, it created a violent situation.

“The void, the concept of nothingness, is terrifying to most people on the planet. And I get anxiety attacks myself. I know the fear of that void. You have to learn to die before you die. You give up, surrender to the void, to nothingness.

“Anybody else you’ve interviewed bring these things up? Hang on, I gotta take this call… Hey, brother. That’s great, man. Yeah, I’m being interviewed… We’re talking about nothing. I’ve got him well-steeped in nothing right now. He’s stopped asking questions.”
~ Harry Dean Stanton