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Douglas Pratt

By Douglas Pratt Pratt@moviecitynews.com

DVD Geek: Source Code

An inspired variation of the Groundhog’s Day gimmick, Source Code, from Summit Entertainment, is about an Air Force pilot placed in the body of a teacher on a commuter train and charged with finding out who planted the bomb on the train before it explodes, and replaying the same ride again and again until he solves the puzzle.  There is a romantic component to the story, naturally, and more than one life affirming, love affirming conclusion, leaving a viewer feeling both happy and satisfied, several times, after a stimulating and exciting ride.  Jake Gyllenhaal stars, with Michelle Monaghan, Vera Farmiga, and Jeffrey Wright.  In that the film also evokes aspects of Quantum Leap, there is a cleverly chosen cameo appearance by Scott Bakula.

The picture is presented in letterboxed format only, with an aspect ratio of about 1.78:1 and an accommodation for enhanced 16:9 playback.  The opening montage of Chicago on a bright, sunny day, before the plot even gets started, is so beautifully executed it is well worth playing over several times itself.  The 5.1-channel Dolby Digital sound has some reasonably good separation effects and a decent amount of power.  There is an alternate Spanish audio track in 5.1 Dolby, optional English and Spanish subtitles, a generalized and sporadic trivia subtitle track, 35 minutes of passable interview featurettes with the cast and crew that effectively build in detail as they advance, and a decent 7-minute overview of the scientific and technological concepts being tweaked within the story.

There is also a fairly good commentary track featuring Gyllenhaal, director Duncan Jones and screenwriter Ben Ripley.  They do talk a lot about the story, but in an informative manner, discussing everything from its ‘train of thought’ development to its metaphysics.  They also speak about the performances, Jones’ challenge to make the repeated sequences not feel redundant, and the excellent production designs (Gyllenhaal:  “I love searching through things, I just have to say.  There is something as an actor.”  Jones:  “There were a lot of metal edges on this set.”  Gyllenhaal:  “That’s true.”  Jones:  “I think you cut your hands up so many…”  Gyllenhaal:  “That is so true.  Duncan agreed to do the movie and it was 4 months later that we were making the movie and so the train, occasionally, due to the speed at which we made the movie, and really how the movie moves, too, it sort of mimics itself.”  Jones:  “Jake’s hands looked like sliced bacon by the end of the shoot.”  Gyllenhaal:  “I do grab onto a lot of really sharp edges that don’t look sharp but are.  I had bloody hands.”  Jones:  “We had a very busy nurse on set.”  Gyllenhaal:  “And different hand inserts, because Duncan didn’t like the bloody hands.”).

One Response to “DVD Geek: Source Code”

  1. abuckley says:

    I didn’t mind the movie, I thought it had some good plot elements. If they’d thrown in a groundhog I would have been completely sold :)

    We recently started a weekly geek entertainment news, movie and comic book reviews podcast…Trilogy! http://www.planetkibi.com/trilogy-everything-comes-in-threes.html Please feel free to have a listen… :)

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“We’ve talked about this before in the past, my obsession with the Shakespearean histories having the ideal combination of the sweet and the sour. In ‘Henry IV, Part II’ which we’ve discussed before, in the end of that story it’s very complex and haunting because Prince Hal becomes Henry the King, and he has transcended his hoodlum days and at the ceremony is Falstaff, his good friend with whom he has really fucked around and been a loser with, and Falstaff comes up to him and says, ‘Now that you’re king we can really party,’ and the king famously says, ‘I know thee not, old man.’ It becomes Henry IV’s anointment and Falstaff’s catastrophe. That’s life. I have experienced very little unfettered triumph. There are moments, such as when my children are born, but even that comes with new fears and anxieties. In a sense the better you can communicate that life is both at once, the more powerful over time something becomes. One strives for something where the threads are there because it lasts in way that is very palpable. The idea of a tragedy is powerful in literature and theater, but in cinema it doesn’t work, certainly not commercially, and less so critically. Why is that? I think it has to do with how movies are so close to us.”
~ James Gray

 

“Hollywood executives can rattle off the rules for getting a movie approved by Chinese censors: no sex (too unseemly); no ghosts (too spiritual). Among 10 prohibited plot elements are “disrupts the social order” and “jeopardizes social morality.” Time travel is frowned upon because of its premise that individuals can change history. U.S. filmmakers sometimes anticipate Chinese censors and alter movies before their release. The Oscar-winning alien-invasion drama “Arrival” was edited to make a Chinese general appear less antagonistic before the film’s debut in China this year. For “Passengers,” the space adventure starring Chris Pratt and Jennifer Lawrence, a scene showing Mr. Pratt’s bare backside was removed, and a scene of Mr. Pratt chatting in Mandarin with a robot bartender was added.”
~ “Hollywood’s New Script”