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Douglas Pratt

By Douglas Pratt Pratt@moviecitynews.com

DVD Geek: Source Code

An inspired variation of the Groundhog’s Day gimmick, Source Code, from Summit Entertainment, is about an Air Force pilot placed in the body of a teacher on a commuter train and charged with finding out who planted the bomb on the train before it explodes, and replaying the same ride again and again until he solves the puzzle.  There is a romantic component to the story, naturally, and more than one life affirming, love affirming conclusion, leaving a viewer feeling both happy and satisfied, several times, after a stimulating and exciting ride.  Jake Gyllenhaal stars, with Michelle Monaghan, Vera Farmiga, and Jeffrey Wright.  In that the film also evokes aspects of Quantum Leap, there is a cleverly chosen cameo appearance by Scott Bakula.

The picture is presented in letterboxed format only, with an aspect ratio of about 1.78:1 and an accommodation for enhanced 16:9 playback.  The opening montage of Chicago on a bright, sunny day, before the plot even gets started, is so beautifully executed it is well worth playing over several times itself.  The 5.1-channel Dolby Digital sound has some reasonably good separation effects and a decent amount of power.  There is an alternate Spanish audio track in 5.1 Dolby, optional English and Spanish subtitles, a generalized and sporadic trivia subtitle track, 35 minutes of passable interview featurettes with the cast and crew that effectively build in detail as they advance, and a decent 7-minute overview of the scientific and technological concepts being tweaked within the story.

There is also a fairly good commentary track featuring Gyllenhaal, director Duncan Jones and screenwriter Ben Ripley.  They do talk a lot about the story, but in an informative manner, discussing everything from its ‘train of thought’ development to its metaphysics.  They also speak about the performances, Jones’ challenge to make the repeated sequences not feel redundant, and the excellent production designs (Gyllenhaal:  “I love searching through things, I just have to say.  There is something as an actor.”  Jones:  “There were a lot of metal edges on this set.”  Gyllenhaal:  “That’s true.”  Jones:  “I think you cut your hands up so many…”  Gyllenhaal:  “That is so true.  Duncan agreed to do the movie and it was 4 months later that we were making the movie and so the train, occasionally, due to the speed at which we made the movie, and really how the movie moves, too, it sort of mimics itself.”  Jones:  “Jake’s hands looked like sliced bacon by the end of the shoot.”  Gyllenhaal:  “I do grab onto a lot of really sharp edges that don’t look sharp but are.  I had bloody hands.”  Jones:  “We had a very busy nurse on set.”  Gyllenhaal:  “And different hand inserts, because Duncan didn’t like the bloody hands.”).

One Response to “DVD Geek: Source Code”

  1. abuckley says:

    I didn’t mind the movie, I thought it had some good plot elements. If they’d thrown in a groundhog I would have been completely sold :)

    We recently started a weekly geek entertainment news, movie and comic book reviews podcast…Trilogy! http://www.planetkibi.com/trilogy-everything-comes-in-threes.html Please feel free to have a listen… :)

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“People used to love to call me a maverick, because I had a big mouth, and I’d say, ‘That bum!’ or something like that when I was young. Mainly, because I believed it, and I didn’t know there was anybody’s pain connected to the business. I was so young, I didn’t feel any pain. I just thought, ‘Why don’t they do some exciting, venturesome things? Why are they just sitting there, doing these dull pictures that have already been done many, many times, and calling them exciting? That’s a lie — they’re not exciting. Exciting is an experiment… That reputation keeps with you, through the years. Once the press calls you a maverick, it stays in their files. I’ll be dead five years, and they’ll still be saying, ‘That maverick son-of-a-bitch, he’s off in Colorado, making a movie.’ As if they really cared. You know, in this business, it’s all jealousy. I mean, this is the dumbest business I’ve ever seen in my life. If somebody gets married, they say, ‘It’ll never work.’ If somebody gets divorced, they say, ‘Good. I’ll give you my lawyer.’ If somebody loses a job, everyone will call him — to gloat. They’ll discuss it, they’ll be happy, they’ll have parties. I don’t understand how people that can see each other all the time, and be friends, can be so happy about each other’s demise.”
~ John Cassavetes


“There’s a culture of friendship in Latin American cinema, between people like Alfonso Cuarón, Alejandro González Iñárritu and Guillermo del Toro, which they in turn inherited from others. They’re a sensation of brotherhood, that people care abut you, look after you, which we’ve sought to maintain consciously. That ‘brotherhood’ is the best way to survive, to make better films, but it also a way of coming close to the biggest reason to make films. Filmmaking for me is like a fraternal act, like being with your family, and feeling that what we’re doing, when the film is over and makes some impact, is worth it. That intense encounter with all those people flowers, emanates for ever. You’re a kind of cousin, brother, lover, father, son of all those people with whom you worked. It’s a beautiful sensation.”
Gael García Bernal


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