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By DP30 david@thehotbuttonl.com

DP/30: Higher Ground, director/actor Vera Farmiga, actor Joshua Leonard

2 Responses to “DP/30: Higher Ground, director/actor Vera Farmiga, actor Joshua Leonard”

  1. Gus says:

    Drove 45 minutes to see this movie a few days ago and found it remarkable. Extremely insightful, adult, complex, and ambiguous take on what it is like to live a life of faith. Even rarer to see a film like this done without a mocking tone.

    People say independent film is dead, but there are films every year that remind me that there are always going to be filmmakers making pictures that are not afraid to appeal to people willing to think about what they’re seeing.

    This is a movie worth wrestling with, even though it’s not overly self-serious or belabored. Performances are terrific and a number of the bit players really nail their scenes – I’m especially thinking of the ‘McMuffin’ scene. Great work.

  2. Rob says:

    She’s an incredible talent, can’t wait to see this when it opens here Friday.

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 “Teaching how to make a film is like trying to teach someone how to fuck. You can’t. You have to fuck to learn how to fuck. It’s just how it is. The filmmaker has to protect the adventurous side of their self. I’m an explorer, I’m an inventor. Doc Brown is the character I relate to the most and he’s a madman. He’s a madman alone, locked up with his ideas but he does whatever he wants. He makes what he makes because he wants to make it. Yes, the DeLorean has to work in order for him to be a madman with a purpose—the DeLorean should work—but the point is I think everyone should try and find their own DeLorean. When Zemeckis was trying to get Back To The Future made, which he was for seven years, he was trying to get a film made where basically a teenager gets in a time machine, goes back to 1954 and almost —-s his mother. That pitch is extremely subversive and twisted in a way. My point is, he had a fascinating idea that no one had done before, but was clearly special to him and he stuck to it and made it what it was. When you do that you can create culture, but I think a lot of movies are just echoing culture and there’s a difference.”
~ A Girl Walks Home Alone At Night Filmmaker Ana Lily Amirpour

Six rules for filmmaking from Mike Nichols
1. The careful application of terror is an important form of communication.
2. Anything worth fighting for is worth fighting dirty for.
3. There’s absolutely no substitute for genuine lack of preparation.
4. If you think there’s good in everybody, you haven’t met everybody.
5. Friends may come and go but enemies will certainly become studio heads.
6. No one ever lost anything by asking for more money.
~ Via Larry Karaszewski and Howard A. Rodman On Facebook