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Trailer: The Wolf of Wall Street
Weekend Estimates by Man of Klady
DP/30: My Day In Video from Michael Cera to Costa-Gravas
Review: Man of Steel (spoilers)
“I don’t really think, Sean, that you need to know about my various sexual liaisons. Or that anyone else needs to. I did write about them. I filled a hundred pages of Moleskine notebooks with my one-night stands, my affairs. But I decided they didn’t belong in a professional memoir. First of all, these are real people we’re talking about. Many of them were enjoyable. Some were abject failures. My wife said to me when she read the pages, ‘Of what purpose is this in a memoir? Of what purpose is this other than to titillate?’ The point is, I never see them. It’s because I have nothing in common with them, frankly. And probably didn’t at the time. I could not provide a sensible reason why I married these women. The thing is, in the case of my marriages, it takes two people to fuck up a marriage. It wasn’t simply the fault of these women that I lost interest in them and realised they were insignificant relationships. Which is how I look at them right now–as being insignificant. I see them as blips.”
~ William Friedkin On Cutting Interviewers Off At The Sass
“I have to imagine from Mr. Spielberg’s point of view, the paradigm shift in the 1970s was just the new “normal,” a “halcyon era” from which we are straying in the 21st century–because theatrical exhibition is tenuous (as it has been since the 1940s), the home video market has dried up and people are watching pirated movies on their phone. Spielberg’s coming-of-age era was for him the halcyon period that the 21st century “implosion” will cause to go “crashing into the ground.” But he is wrong. The market for movies is actually diverse and highly segmented–although from the top-down movie industry vantage point and media punditry you would not think this to be true. Would we really mourn for Mr. Spielberg or ourselves if Lincoln would have been made for cable or had played on public television? Is it bad for humanity that cable television is creating wonderful, resonant stories in long-form series that people want to watch at home on TV (or streamed onto their computer)? I don’t think so, but it is a paradigm shift and it might affect people’s theatrical moviegoing habits. Televisions in people’s homes have had that effect for seven decades–it is not a new phenomenon. As Art House cinema impresarios we need to focus on what WE can do at our theaters and in our communities. It is not productive for us to fret over what pundits say or about what well-meaning filmmakers like the Stevens–Spielberg and Soderbergh–say. We should fret about what we can do in our communities. What we can do to support filmmakers.”
~ From A Response By Russ Collins, CEO, Michigan Theater – Ann Arbor And Director, Art House Convergence, To Mr. Spielberg

I don’t get why the MIGHTY Luc Besson is doing this of all things… Seems like a PURE medicine movie, won’t make much money, and it’s been proven time and again that Americans don’t care about these epic Eastern humanitarian movies (Kundun, Beyond Rangoon, Anna and the King, Red Corner)… Come to think of it, wasn’t Boorman’s Beyond Rangoon ALSO about the EXACT same story– ONG SONG SUCHEE or whatever her name was? Other than some dippy Westside Yogi, does anyone in America have interest in this material? Starring a 50-year-old Asian actress? Good luck.
I want the old Luc Besson back; I go to Luc Besson movies to see lanky, anorexic, slightly boyish supermodels in fetish wear shooting off oversized guns… I don’t care about ONG SONG SUCHEE.
Oddly enough, both posters look like Hatch Show Prints.
I know it’s subjective and they’re both wonderful, but is this the first time where you could argue that the actor is less attractive than the subject?
they should of had her played by jennifer morrison
You guys do realize that Yeoh is drop-dead gorgeous and that’s MAKEUP!!!!!!!
Luc Besson’s Pearl Harbor.
Luc Besson is making Oscar bait, right?
Lex, don’t worry – COLOMBIANA is on the way (even though Besson isn’t in the director’s chair).
I think it’s cool that Yeoh is getting an Oscar bait role; hope it’s good.
COLOMBIANA POWER MEGATON POWER SALDANA POWER VARTAN POWER MOLLA POWER.
If you’re not going to see COLOMBIANA SIXTEEN TIMES this weekend, you should be banned from movies.
Only thing is, why is it PG-13? Aw fuck it, getting kinda sick of that whole AICN thing where dorks get all HOSTILE if something isn’t HARD R. Who cares, what’s more awesome, hot chicks and guns, or a bunch of explicit squib shots?