By MCN Editor editor@moviecitynews.com

GOVERNOR QUINN PROCLAIMS AUGUST 19 “MARTIN SHEEN AND EMILIO ESTEVEZ DAY”

FOR IMMEDIATE RELEASE

CHICAGO – Martin Sheen will go home with more than just the Silver Hugo for Career Achievement when he visits Chicago this August for the Chicago International Film Festival’s Annual Summer Gala.  Governor Quinn has announced that he will honor the legendary actor and his son by proclaiming August 19th, “Martin Sheen and Emilio Estevez Day” in the state of Illinois.  The Governor will be on hand at the Gala to make the official proclamation, which will be followed by a special screening of Sheen’s latest film The Way, directed by son, Emilio Estevez.

Illinois’ outstanding creative community is just one of the many reasons the Chicago International Film Festival is a great success year after year,” Governor Quinn said. “In recognition of their many contributions to the arts and other charitable causes, I hereby proclaim Martin Sheen and Emilio Estevez Day in Illinois and welcome their continued support of our state’s film industry.”

The Summer Gala honoring Martin Sheen with special guest Emilio Estevez will be held at AMC River East (322 E. Illinois St.) with reception following at The Sheraton Chicago Hotel and Towers. The evening will feature the Chicago Premiere of The Way, and will be followed by an intimate discussion with the legendary father and son duo.

Vivian Teng, Managing Director of Cinema/Chicago highlights the importance of this fundraiser: “Proceeds from this event supports our year-round Educational Outreach program, a program that brings filmmakers and their films to thousands of inner-city students, including the deaf and hard of hearing, and fosters media literacy. It will also help make possible the 47th Chicago International Film Festival, October 6-20, 2011.”

Cinema/Chicago, the presenter of the Chicago International Film Festival, is a not-for-profit cultural and education organization dedicated to fostering better understanding between cultures and to making a positive contribution to the art form of the moving image.

The Summer Gala is presented by Cinema/Chicago and the Chicago International Film Festival, American Airlines, Lincoln, and Tribeca Flashpoint Media Arts Academy. Evening partners include: Park Hyatt Chicago, Grey Goose, CS, Today’s Chicago Woman, and TimeOut Chicago.

Tickets for the Summer Gala are on sale NOW! For event and ticket information visit:
www.chicagofilmfestival.com.

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Julian Schnabel: Years ago, I was down there with my cousin’s wife Corky. She was wild — she wore makeup on her legs, and she had a streak in her hair like Yvonne De Carlo in “The Munsters.” She liked to paint. I had overalls on with just a T-shirt and looked like whatever. We were trying to buy a bunch of supplies with my cousin Jesse’s credit card. They looked at the credit card, and then they looked at us and thought maybe we stole the card, so they called Jesse up. He was a doctor who became the head of trauma at St. Vincent’s. They said, “There’s somebody here with this credit card and we want to know if it belongs to you.”

He said, “Well, does the woman have dyed blonde hair and fake eyelashes and look like she stepped out of the backstage of some kind of silent movie, and is she with some guy who has wild hair and is kind of dressed like a bum?”

“Yeah, that’s them.”

“Yeah, that’s my cousin and my wife. It’s okay, they can charge it on my card.”
~ Julian Schnabel Remembers NYC’s Now-Shuttered Pearl Paint

MB Cool. I was really interested in the aerial photography from Enter the Void and how one could understand that conceptually as a POV, while in fact it’s more of an objective view of the city where the story takes place. So it’s an objective and subjective camera at the same time. I know that you’re interested in Kubrick. We’ve talked about that in the past because it’s something that you and I have in common—

GN You’re obsessed with Kubrick, too.

MB Does he still occupy your mind or was he more of an early influence?

GN He was more of an early influence. Kubrick has been my idol my whole life, my own “god.” I was six or seven years old when I saw 2001: A Space Odyssey, and I never felt such cinematic ecstasy. Maybe that’s what brought me to direct movies, to try to compete with that “wizard of Oz” behind the film. So then, years later, I tried to do something in that direction, like many other directors tried to do their own, you know, homage or remake or parody or whatever of 2001. I don’t know if you ever had that movie in mind for your own projects. But in my case, I don’t think about 2001 anymore now. That film was my first “trip” ever. And then I tried my best to reproduce on screen what some drug trips are like. But it’s very hard. For sure, moving images are a better medium than words, but it’s still very far from the real experience. I read that Kubrick said about Lynch’s Eraserhead, that he wished he had made that movie because it was the film he had seen that came closest to the language of nightmares.

Matthew Barney and Gaspar Noé