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Kim Voynar

By Kim Voynar Voynar@moviecitynews.com

Dear Internet: You are Depressing.

Dear Internet,

I think it’s time we had a little talk. Your negative attitude is seriously bringing me down.`Just this week, we had:

The London Riots, footage of which is beyond depressing. But even more depressing than the riots themselves: the overt racism and classism permeating many of the conversations happening in the comments sections of stories and opinion pieces on the riots. Oy.

Texas governor Rick Perry, He-Whose-Fabulous-Hair-Shall-Not-Be-Named, is apparently the anointed Presidential candidate of God, according to these people, who think they are modern-day prophets. Among other things, the various pastors who are involved with this group think that natural disasters are God’s judgement on the ungodly, that the emperor of Japan had sex with a sun goddess, and that the Democratic Party is run by Jezebel and a couple of lesser demons. And I’m not even making that up.

Casey Anthony is the most hated person in the US, beating out OJ Simpson and Paris Hilton. Quite an accomplishment.

Our House of Representatives appears to have been taken hostage by a pack of incompetent boobs. Oh wait, we elected those guys, didn’t we? On the plus side, Wall Street seems to be bouncing back a bit.

Sesame Street insists that, in spite of all appearances, Bert and Ernie are not now, and never have been, gay. They’re just BFFs who’ve been living together. For FOUR decades. Okay, whatever.

The US Postal service wants to lay off 120,000 people and cut benefits. No word of if they plan to reboot the Pony Express as a cost-saving measure.

In movie news, The Help is either Oscar-worthy, or it’s a racist film, and/or another example of Hollywood white-washing history. Guess I’ll have to go see it for myself and see what I think about that.

Fortunately, TIFF is coming up soon, so we’ll be able to bury our heads in films for a week and ignore the world. At least temporarily. Until then, Internet, if you could maybe lay off the bad news for a while, that would be great. Thanks.

One Response to “Dear Internet: You are Depressing.”

  1. Rob says:

    “But even more depressing than the riots themselves: the overt racism and classism permeating many of the conversations happening in the comments sections of stories and opinion pieces on the riots.”

    Lemme just head it off at the pass:

    “Harrumph blather thugs blah blah you Americans shouldn’t say anything about anything harrumph thugs thugs sneer we hate the darkies.”

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“Let me try and be as direct as I possibly can with you on this. There was no relationship to repair. I didn’t intend for Harvey to buy and release The Immigrant – I thought it was a terrible idea. And I didn’t think he would want the film, and I didn’t think he would like the film. He bought the film without me knowing! He bought it from the equity people who raised the money for me in the States. And I told them it was a terrible idea, but I had no say over the matter. So they sold it to him without my say-so, and with me thinking it was a terrible idea. I was completely correct, but I couldn’t do anything about it. It was not my preference, it was not my choice, I did not want that to happen, I have no relationship with Harvey. So, it’s not like I repaired some relationship, then he screwed me again, and I’m an idiot for trusting him twice! Like I say, you try to distance yourself as much as possible from the immediate response to a movie. With The Immigrant I had final cut. So he knew he couldn’t make me change it. But he applied all the pressure he could, including shelving the film.”
James Gray

“I’m an unusual producer because I control the destiny of a lot of the films I’ve done. Most of them are in perfect states of restoration and preservation and distribution, and I aim to keep them in distribution. HanWay Films, which is my sales company, has a 500-film catalogue, which is looked after and tended like a garden. I’m still looking after my films in the catalogue and trying to get other people to look after their films, which we represent intellectually, to try to keep them alive. A film has to be run through a projector to be alive, unfortunately, and those electric shadows are few and far between now. It’s very hard to go and see films in a movie house. I was always involved with the sales and marketing of my films, right up from The Shout onwards. I’ve had good periods, but I also had a best period because the film business was in its best period then. You couldn’t make The Last Emperor today. You couldn’t make The Sheltering Sky today. You couldn’t make those films anymore as independent films. There are neither the resources nor the vision within the studios to go to them and say, “I want to make a film about China with no stars in it.”Then, twenty years ago, I thought, “OK, I’m going to sell my own films but I don’t want to make it my own sales company.” I wanted it to be for me but I wanted to make it open for every other producer, so they don’t feel that they make a film but I get the focus. So, it’s a company that is my business and I’m involved with running it in a certain way, but I’m not seen as a competitor with other people that use it. It’s used by lots of different producers apart from me. When I want to use it, however, it’s there for me and I suppose I’m planning to continue making all my films to be sold by HanWay. I don’t have to, but I do because it’s in my building and the marketing’s here, and I can do it like that. Often, it sounds like I’m being easy about things, but it’s much more difficult than it sounds. It’s just that I’ve been at it for a long time and there’s lots of fat and security around my business. I know how to make films, but it’s not easy—it’s become a very exacting life.”
~ Producer Jeremy Thomas