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Kim Voynar

By Kim Voynar Voynar@moviecitynews.com

Dear Internet: You are Depressing.

Dear Internet,

I think it’s time we had a little talk. Your negative attitude is seriously bringing me down.`Just this week, we had:

The London Riots, footage of which is beyond depressing. But even more depressing than the riots themselves: the overt racism and classism permeating many of the conversations happening in the comments sections of stories and opinion pieces on the riots. Oy.

Texas governor Rick Perry, He-Whose-Fabulous-Hair-Shall-Not-Be-Named, is apparently the anointed Presidential candidate of God, according to these people, who think they are modern-day prophets. Among other things, the various pastors who are involved with this group think that natural disasters are God’s judgement on the ungodly, that the emperor of Japan had sex with a sun goddess, and that the Democratic Party is run by Jezebel and a couple of lesser demons. And I’m not even making that up.

Casey Anthony is the most hated person in the US, beating out OJ Simpson and Paris Hilton. Quite an accomplishment.

Our House of Representatives appears to have been taken hostage by a pack of incompetent boobs. Oh wait, we elected those guys, didn’t we? On the plus side, Wall Street seems to be bouncing back a bit.

Sesame Street insists that, in spite of all appearances, Bert and Ernie are not now, and never have been, gay. They’re just BFFs who’ve been living together. For FOUR decades. Okay, whatever.

The US Postal service wants to lay off 120,000 people and cut benefits. No word of if they plan to reboot the Pony Express as a cost-saving measure.

In movie news, The Help is either Oscar-worthy, or it’s a racist film, and/or another example of Hollywood white-washing history. Guess I’ll have to go see it for myself and see what I think about that.

Fortunately, TIFF is coming up soon, so we’ll be able to bury our heads in films for a week and ignore the world. At least temporarily. Until then, Internet, if you could maybe lay off the bad news for a while, that would be great. Thanks.

One Response to “Dear Internet: You are Depressing.”

  1. Rob says:

    “But even more depressing than the riots themselves: the overt racism and classism permeating many of the conversations happening in the comments sections of stories and opinion pieces on the riots.”

    Lemme just head it off at the pass:

    “Harrumph blather thugs blah blah you Americans shouldn’t say anything about anything harrumph thugs thugs sneer we hate the darkies.”

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Julian Schnabel: Years ago, I was down there with my cousin’s wife Corky. She was wild — she wore makeup on her legs, and she had a streak in her hair like Yvonne De Carlo in “The Munsters.” She liked to paint. I had overalls on with just a T-shirt and looked like whatever. We were trying to buy a bunch of supplies with my cousin Jesse’s credit card. They looked at the credit card, and then they looked at us and thought maybe we stole the card, so they called Jesse up. He was a doctor who became the head of trauma at St. Vincent’s. They said, “There’s somebody here with this credit card and we want to know if it belongs to you.”

He said, “Well, does the woman have dyed blonde hair and fake eyelashes and look like she stepped out of the backstage of some kind of silent movie, and is she with some guy who has wild hair and is kind of dressed like a bum?”

“Yeah, that’s them.”

“Yeah, that’s my cousin and my wife. It’s okay, they can charge it on my card.”
~ Julian Schnabel Remembers NYC’s Now-Shuttered Pearl Paint

MB Cool. I was really interested in the aerial photography from Enter the Void and how one could understand that conceptually as a POV, while in fact it’s more of an objective view of the city where the story takes place. So it’s an objective and subjective camera at the same time. I know that you’re interested in Kubrick. We’ve talked about that in the past because it’s something that you and I have in common—

GN You’re obsessed with Kubrick, too.

MB Does he still occupy your mind or was he more of an early influence?

GN He was more of an early influence. Kubrick has been my idol my whole life, my own “god.” I was six or seven years old when I saw 2001: A Space Odyssey, and I never felt such cinematic ecstasy. Maybe that’s what brought me to direct movies, to try to compete with that “wizard of Oz” behind the film. So then, years later, I tried to do something in that direction, like many other directors tried to do their own, you know, homage or remake or parody or whatever of 2001. I don’t know if you ever had that movie in mind for your own projects. But in my case, I don’t think about 2001 anymore now. That film was my first “trip” ever. And then I tried my best to reproduce on screen what some drug trips are like. But it’s very hard. For sure, moving images are a better medium than words, but it’s still very far from the real experience. I read that Kubrick said about Lynch’s Eraserhead, that he wished he had made that movie because it was the film he had seen that came closest to the language of nightmares.

Matthew Barney and Gaspar Noé