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Kim Voynar

By Kim Voynar Voynar@moviecitynews.com

Dear Internet: You are Depressing.

Dear Internet,

I think it’s time we had a little talk. Your negative attitude is seriously bringing me down.`Just this week, we had:

The London Riots, footage of which is beyond depressing. But even more depressing than the riots themselves: the overt racism and classism permeating many of the conversations happening in the comments sections of stories and opinion pieces on the riots. Oy.

Texas governor Rick Perry, He-Whose-Fabulous-Hair-Shall-Not-Be-Named, is apparently the anointed Presidential candidate of God, according to these people, who think they are modern-day prophets. Among other things, the various pastors who are involved with this group think that natural disasters are God’s judgement on the ungodly, that the emperor of Japan had sex with a sun goddess, and that the Democratic Party is run by Jezebel and a couple of lesser demons. And I’m not even making that up.

Casey Anthony is the most hated person in the US, beating out OJ Simpson and Paris Hilton. Quite an accomplishment.

Our House of Representatives appears to have been taken hostage by a pack of incompetent boobs. Oh wait, we elected those guys, didn’t we? On the plus side, Wall Street seems to be bouncing back a bit.

Sesame Street insists that, in spite of all appearances, Bert and Ernie are not now, and never have been, gay. They’re just BFFs who’ve been living together. For FOUR decades. Okay, whatever.

The US Postal service wants to lay off 120,000 people and cut benefits. No word of if they plan to reboot the Pony Express as a cost-saving measure.

In movie news, The Help is either Oscar-worthy, or it’s a racist film, and/or another example of Hollywood white-washing history. Guess I’ll have to go see it for myself and see what I think about that.

Fortunately, TIFF is coming up soon, so we’ll be able to bury our heads in films for a week and ignore the world. At least temporarily. Until then, Internet, if you could maybe lay off the bad news for a while, that would be great. Thanks.

One Response to “Dear Internet: You are Depressing.”

  1. Rob says:

    “But even more depressing than the riots themselves: the overt racism and classism permeating many of the conversations happening in the comments sections of stories and opinion pieces on the riots.”

    Lemme just head it off at the pass:

    “Harrumph blather thugs blah blah you Americans shouldn’t say anything about anything harrumph thugs thugs sneer we hate the darkies.”

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“Any time a movie causes a country to threaten nuclear retaliation, the higher-ups wanna get in a room with you… In terms of getting the word out about the movie, it’s not bad. If they actually make good on it, it would be bad for the world—but luckily that doesn’t seem like their style… We’ll make a movie that maybe for two seconds will make some 18-year-old think about North Korea in a way he never would have otherwise. Or who knows? We were told one of the reasons they’re so against the movie is that they’re afraid it’ll actually get into North Korea. They do have bootlegs and stuff. Maybe the tapes will make their way to North Korea and cause a fucking revolution. At best, it will cause a country to be free, and at worst, it will cause a nuclear war. Big margin with this movie.”
~ Seth Rogen In Rolling Stone 1224

“Yes, good movies sprout up, inevitably, in the cracks and seams between the tectonic plates on which all of these franchises stay balanced, and we are reassured of their hardiness. But we don’t see what we don’t see; we don’t see the effort, or the cost of the effort, or the movies of which we’re deprived because of the cost of the effort. Paul Thomas Anderson’s Inherent Vice may have come from a studio, but it still required a substantial chunk of outside financing, and at $35 million, it’s not even that expensive. No studio could find the $8.5 million it cost Dan Gilroy to make Nightcrawler. Birdman cost a mere $18 million and still had to scrape that together at the last minute. Imagine American movie culture for the last few years without Her or Foxcatcher or American Hustle or The Master or Zero Dark Thirty and it suddenly looks markedly more frail—and those movies exist only because of the fairy godmothership of independent producer Megan Ellison. The grace of billionaires is not a great business model on which to hang the hopes of an art form.”
~ Mark Harris On The State Of The Movies