By MCN Editor editor@moviecitynews.com

MovieTickets.com Stats On HARRY POTTER AND THE DEATHLY HALLOWS: PART 2

MovieTickets.com, the leading global provider of remote movie ticketing, has seen incredible trends in advance ticketing for the upcoming release of Harry Potter and the Deathly Hallows: Part 2.  The increase in sales is not only apparent when compared with past films in the Harry Potter franchise but also when compared to large releases this year.  Stats for US ticket sales showing this success follow below:

When compared with other releases this year including the recent release of Pirates of the Caribbean: On Stranger Tides:

o    Pre-sales for Harry Potter and the Deathly Hallows: Part 2 are already greater than ALL ticket sales for Pirates of the Caribbean: On Stranger Tides (5/20/2011) to date.

o    MovieTickets.com has already sold more tickets for Harry Potter and the Deathly Hallows: Part 2 than any other movie released in 2011.

o    Pre-sales for Harry Potter and the Deathly Hallows: Part 2 are 648% higher than for Pirates of the Caribbean: On Stranger Tides (5/20/2011) on Tuesday prior to the Friday opening.

When compared with other films in the Harry Potter film franchise:

o    Pre-sales for Harry Potter and the Deathly Hallows: Part 2 are 38% higher than Harry Potter and the Deathly Hallows: Part 1 (11/19/2010) three days prior to opening.

o    Pre-sales for Harry Potter and the Deathly Hallows: Part 2 are 261% higher than Harry Potter and the Half-Blood Prince (7/15/09) three days prior to opening.

o    Pre-sales for Harry Potter and the Deathly Hallows: Part 2 are 474% higher than Harry Potter and the Order of the Phoenix (7/11/07) three days prior to opening.

o    Pre-sales for Harry Potter and the Deathly Hallows: Part 2 are 294% higher than Harry Potter and the Goblet of Fire (11/18/05) through the Tuesday prior to the opening

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The Hobbit: Battle of the Five Armies

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“Any time a movie causes a country to threaten nuclear retaliation, the higher-ups wanna get in a room with you… In terms of getting the word out about the movie, it’s not bad. If they actually make good on it, it would be bad for the world—but luckily that doesn’t seem like their style… We’ll make a movie that maybe for two seconds will make some 18-year-old think about North Korea in a way he never would have otherwise. Or who knows? We were told one of the reasons they’re so against the movie is that they’re afraid it’ll actually get into North Korea. They do have bootlegs and stuff. Maybe the tapes will make their way to North Korea and cause a fucking revolution. At best, it will cause a country to be free, and at worst, it will cause a nuclear war. Big margin with this movie.”
~ Seth Rogen In Rolling Stone 1224

“Yes, good movies sprout up, inevitably, in the cracks and seams between the tectonic plates on which all of these franchises stay balanced, and we are reassured of their hardiness. But we don’t see what we don’t see; we don’t see the effort, or the cost of the effort, or the movies of which we’re deprived because of the cost of the effort. Paul Thomas Anderson’s Inherent Vice may have come from a studio, but it still required a substantial chunk of outside financing, and at $35 million, it’s not even that expensive. No studio could find the $8.5 million it cost Dan Gilroy to make Nightcrawler. Birdman cost a mere $18 million and still had to scrape that together at the last minute. Imagine American movie culture for the last few years without Her or Foxcatcher or American Hustle or The Master or Zero Dark Thirty and it suddenly looks markedly more frail—and those movies exist only because of the fairy godmothership of independent producer Megan Ellison. The grace of billionaires is not a great business model on which to hang the hopes of an art form.”
~ Mark Harris On The State Of The Movies