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By MCN Editor editor@moviecitynews.com

“Digital movie delivery is a deceit,” says Facets Multimedia

Membership in Facets Multi-Media’s DVD rental service has soared by nearly 40% in the past year. Membership affords free rentals from Facets’ library of over 65,000 titles, including art house, classic, foreign, documentary and silent films on DVD, and – for those with the technology to support it – VHS.

“At this moment, the digital delivery of movies is a deceit,” said Milos Stehlik director of Facets. “It’s like 1,000 channels of television, with nothing to watch. For anyone who loves movies, DVD is today still the best option.”

Facets continues to focus on expanding its video library with many import releases and independently produced films on DVD.  These are all available to rent by mail – a service Facets pioneered with VHS in 1983. “The DVD is a fragile and temporal medium, and DVDs go out of print very quickly. Many of the films in the Facets DVD library are rare and now out-of-print,” said Stehlik. Facets also keeps – and continues to collect – films in VHS which never made the transition from VHS to DVD.

“For us, the overriding principle is to make all the great films available and accessible to our members,” said Stehlik. “Our commitment is to preserve the art of film. For now, the DVD format is still the best platform. This may change in the future, but the future isn’t here yet.”

While Facets is committed to collecting and lending films in DVD and VHS formats for as long as the disks or tapes hold out, they are also hard at work on a new and innovative means of online movie delivery. Even then, Facets would continue to preserve those films which are not available for online streaming or download in DVD or VHS – “as long as there are players to play them back.”

The Facets DVD collection includes not only releases from mainstream studios, but from thousands of independent DVD publishers and Facets’ own DVD publishing label. The Facets collection is astonishing and unique for its breadth and depth, with films from the birth of the silent film era to the work of cutting-edge film directors fresh from some of the world’s great film festivals.

Memberships at Facets (which include free shipping of DVDs, no late fees, online rental queue, and recommendations by a knowledgeable staff of film experts) start at $8.99 and range to $23.99 per month. The Chicago-based non-profit organization was founded by Stehlik in 1975.

For further information about Facets movie rental plans and online catalog, visit www.facetsmovies.com or call 1-800-532-2387.

Facets Video | 1517 W. Fullerton Ave. | Chicago, IL 60614 | Facets Multi-Media, founded in 1975, is a non-profit, 501(C)3 organization, and a leading national media arts organization.

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“Chad Harbach spent ten years writing his novel. It was his avocation, for which he was paid nothing, with no guarantee he’d ever be paid anything, while he supported himself doing freelance work, for which I don’t think he ever made $30,000 a year. I sold his book for an advance that equated to $65,000 a year—before taxes and commission—for each of the years of work he’d put in. The law schools in this country churn out first-year associates at white-shoe firms that pay them $250,000 a year, when they’re twenty-five years of age, to sit at a desk doing meaningless bullshit to grease the wheels of the corporatocracy, and people get upset about an excellent author getting $65,000 a year? Give me a fucking break.”
~ Book Agent Chris Parris-Lamb On The State Of The Publishing Industry

INTERVIEWER
Do you think this anxiety of yours has something to do with being a woman? Do you have to work harder than a male writer, just to create work that isn’t dismissed as being “for women”? Is there a difference between male and female writing?

FERRANTE
I’ll answer with my own story. As a girl—twelve, thirteen years old—I was absolutely certain that a good book had to have a man as its hero, and that depressed me. That phase ended after a couple of years. At fifteen I began to write stories about brave girls who were in serious trouble. But the idea remained—indeed, it grew stronger—that the greatest narrators were men and that one had to learn to narrate like them. I devoured books at that age, and there’s no getting around it, my models were masculine. So even when I wrote stories about girls, I wanted to give the heroine a wealth of experiences, a freedom, a determination that I tried to imitate from the great novels written by men. I didn’t want to write like Madame de La Fayette or Jane Austen or the Brontës—at the time I knew very little about contemporary literature—but like Defoe or Fielding or Flaubert or Tolstoy or Dostoyevsky or even Hugo. While the models offered by women novelists were few and seemed to me for the most part thin, those of male novelists were numerous and almost always dazzling. That phase lasted a long time, until I was in my early twenties, and it left profound effects.
~ Elena Ferrante, Paris Review Art Of Fiction No. 228

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