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Ray Pride

By Ray Pride Pride@moviecitynews.com

Go-go Gagosian: “SASHA GREY – A Richard Phillips Film”

For my film portrait of Sasha Grey, I wanted to focus on her expressive and psychological transformation into a cinematic actor, separate from the cues that have associated Sasha with her previous career as a performance artist working within the adult film world.” – Richard Phillips

“Shot on location at the John Lautner Chemosphere House off Mulholland Drive, the film showcases Sasha as a perpetually evolving figure. Costume designer Ellen Mirojnick (“Basic Instinct,” “Fatal Attraction,” “Wall Street,” “Wall Street: Money Never Sleeps”) dressed Sasha for the part in an array of lingerie and military inspired garments to highlight the dual nature of her masculine / feminine persona. Looking over the roadside from the vantage point of one the most legendary residences in modern and cinematic history, Sasha reflects on her relationship to the San Fernando Valley landscape—the location of some of her most noted adult performances. Back inside the circular vortex of the Chemosphere, Sasha’s inner dialogue projects an equally diaristic and imaginary self-portrait that pushes beyond the extremes of her past filmography and into her new future. “Sasha Grey,” along with Phillip’s first short film, “Lindsay Lohan,” will be included in “Commercial Break,” presented by the Garage Center for Contemporary Culture, Venice, Italy, June 1 – 5, 2011, concurrent with the 54th international exhibition of the Venice Biennale.”

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“I never accepted the term contrarian. I think that’s offensive, frankly. And my response to that is: if I’m a contrarian, what are other reviewers? What I strive to do is be a good critic, not somebody who simply accepts the product put in front of me. I guess it scares people to think that they don’t have any originality; that they don’t have the capacity to think for themselves.

“There’s a line a lot of reviewers use that I don’t like at all. They say ‘accept the film on its own terms.’ What that really means is, ‘accept the film as it is advertised.’ That’s got nothing to do with criticism. Nothing to do with having a response as a film watcher. A thinking person has to analyze what’s on screen, not simply rubber-stamp it or kowtow to marketing.”m

“To me, everything does have a political component and I think it’s an interesting way to look at art. It’s one way that makes film reviewing, I think, a politically relevant form of journalism. We do live in a political world, and we bring our political sense to the movies with us – unless you’re the kind of person who goes to the movies and shuts off the outside world. I’m not that kind of person.”
~ Armond White to Luke Buckmaster

“One of comedy’s defining pathologies, alongside literal pathologies like narcissism and self-loathing, is its swaggering certainty that it is part of the political vanguard, while upholding one of the most rigidly patriarchal hierarchies of any art form.”
~ Lindy West