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By Ray Pride Pride@moviecitynews.com

Go-go Gagosian: “SASHA GREY – A Richard Phillips Film”

For my film portrait of Sasha Grey, I wanted to focus on her expressive and psychological transformation into a cinematic actor, separate from the cues that have associated Sasha with her previous career as a performance artist working within the adult film world.” – Richard Phillips

“Shot on location at the John Lautner Chemosphere House off Mulholland Drive, the film showcases Sasha as a perpetually evolving figure. Costume designer Ellen Mirojnick (“Basic Instinct,” “Fatal Attraction,” “Wall Street,” “Wall Street: Money Never Sleeps”) dressed Sasha for the part in an array of lingerie and military inspired garments to highlight the dual nature of her masculine / feminine persona. Looking over the roadside from the vantage point of one the most legendary residences in modern and cinematic history, Sasha reflects on her relationship to the San Fernando Valley landscape—the location of some of her most noted adult performances. Back inside the circular vortex of the Chemosphere, Sasha’s inner dialogue projects an equally diaristic and imaginary self-portrait that pushes beyond the extremes of her past filmography and into her new future. “Sasha Grey,” along with Phillip’s first short film, “Lindsay Lohan,” will be included in “Commercial Break,” presented by the Garage Center for Contemporary Culture, Venice, Italy, June 1 – 5, 2011, concurrent with the 54th international exhibition of the Venice Biennale.”

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“I wondered how different it would be to write a novel and it’s totally different. It’s very internal. The weird thing about it is that I found that novel-writing was much more like directing than it is like screenwriting. You’re casting it, you’re lighting it, you’re doing the costumes, you’re doing the locations, you’re doing it all yourself as a director would. In screenwriting, you don’t do that stuff. You don’t describe the face of the actor or the character when you’re writing a screenplay because Tom Cruise is going to do it and he doesn’t look like that, whereas in the novel to describe what he is is what he is. The actual act of writing, just like shooting on a set, is a slow slog. It’s going to work every day.”
~ David Cronenberg On Screenplay vs. Novel

“I was fortunate to be in the two big film epics of the last part of the 20th century: Godfather and “Lonesome Dove” on television, which was my favorite part. That’s my “Hamlet.” The English have Shakespeare; the French, Molière. In Argentina, they have Borges, but the western is ours. I like that.”
~ Robert Duvall