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Ray Pride

By Ray Pride Pride@moviecitynews.com

Go-go Gagosian: “SASHA GREY – A Richard Phillips Film”

For my film portrait of Sasha Grey, I wanted to focus on her expressive and psychological transformation into a cinematic actor, separate from the cues that have associated Sasha with her previous career as a performance artist working within the adult film world.” – Richard Phillips

“Shot on location at the John Lautner Chemosphere House off Mulholland Drive, the film showcases Sasha as a perpetually evolving figure. Costume designer Ellen Mirojnick (“Basic Instinct,” “Fatal Attraction,” “Wall Street,” “Wall Street: Money Never Sleeps”) dressed Sasha for the part in an array of lingerie and military inspired garments to highlight the dual nature of her masculine / feminine persona. Looking over the roadside from the vantage point of one the most legendary residences in modern and cinematic history, Sasha reflects on her relationship to the San Fernando Valley landscape—the location of some of her most noted adult performances. Back inside the circular vortex of the Chemosphere, Sasha’s inner dialogue projects an equally diaristic and imaginary self-portrait that pushes beyond the extremes of her past filmography and into her new future. “Sasha Grey,” along with Phillip’s first short film, “Lindsay Lohan,” will be included in “Commercial Break,” presented by the Garage Center for Contemporary Culture, Venice, Italy, June 1 – 5, 2011, concurrent with the 54th international exhibition of the Venice Biennale.”

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“As a celebrity/star I am not an individual—I am a spectacular representation of a living human being, the opposite of an individual. The enemy of the individual, in myself as well as in others. The celebrity/star is the object of identification, with the shallow seeming life that has to compensate for the fragmented productive specializations which are actually lived. The requirements to being a star/celebrity are namely, you must become an enslaved body. Just flesh—a commodity, and renounce all autonomous qualities in order to identify with the general law of obedience to the course of things. The star is a byproduct of the machine age, a relic of modernist ideals. It’s outmoded.”
~ Shia LaBeouf

“I have been to the other side of the mountain. I gotta say, it’s been dark. It’s been weird. It’s been horrible. About a month and a half ago, I said goodbye to my kids, and I’ve been living in Burbank next to the studio. I feel every day like, I didn’t do enough, I didn’t do enough, I didn’t do enough. I wasn’t ready. Here’s failure. Here’s failure. Here’s compromise. Here’s compromise. I’m now coming out the other side, realizing that once again, for all its many varied and soon to be heralded flaws, it’s my movie. It’s the movie I set out to make. And I have the honor of saying, it’s fucking bonkers. So there’s that.”
~ Joss Whedon On Making Avengers: Age Of Ultron

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