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Kim Voynar

By Kim Voynar Voynar@moviecitynews.com

Review: !Women Art Revolution

Quick! Can you name three women artists?

I’m taking a brief break from my immersion in SIFF films to talk to you about !Women Art Revolution, a compelling documentary that opens today in NYC, which explores the dawning of the feminist art movement through archival footage and spontaneous interviews gathered by director Lynn Hersham Leeson over 40 or so years. And even if you think you know everything there is to know about feminism and art, I can pretty much guarantee you will learn something you didn’t know watching this film.

This film is timely and relevant, not only to women in art and film, but in the way those issues cross-pollinate to other areas of women’s lives; in fact, I would argue that there are very few areas in which gender relations do not impact your life, and yours, and yes, even yours. Even if you’re a feminist studies professor, even if you’re a female artist or film director or writer. Even if — perhaps especially if — you are a conservative fundamentalist Christian wife and mother and “helpmeet” living out a traditional, patriarchal gender role in the heart of the Republican Midwest.

The feminist art movement — and the women at the center of it — challenged assumptions about gender roles and the place of women in the world of art, which was (and still is to a large extent) controlled and determined by men. Leeson captures the rise of the feminist art movement in the United States, which was birthed, not coincidentally, with the civil rights movement, the Black Panthers, Berkeley, Kent State, Vietnam War protests, free love, Roe Vs. Wade, and a rising divorce rate. Because, as many of the women interviewed herein attest, as they became more enlightened into the role gender plays in determining societal place, it often became necessary for them to end their marriages in order to reinvent themselves as feminist women.

With conservative politicians, preachers and pundits deriding the feminist movement as a significant cause of the rise in divorce rate and subsequent “decline of the American family,” it’s absolutely imperative that positive messages about female empowerment and gender disparity are seen and heard.

Gender issues affect everything from how much women are paid in comparison to men for doing the same work; to whether a woman with children will get passed over for a job in favor of a male colleague; to whether your daughter will receive the same attention and subtle messages of disempowerment from the teachers who will have charge over her for a significant percentage of her waking hours throughout her childhood; to bullying in schools and on playgrounds; to human sex trafficking; to the harrowing statistics for rape both her in the US, where (according to the Department of Justice) a woman is raped every TWO MINUTES; to rape as a weapon of war throughout the world.

Gender equality and the feminist movement of the 1960s and 1970s are the cornerstone out of which the feminist art movement grew; unfortunately, the issues raised through the history traced in !Women Art Revolution are as relevant in 2011 as they were in 1970. We may have come a long way, baby … but we’ve not come nearly far enough.

!Women Art Revolution has the distinction of having played at Toronto, Sundance and Berlin and opens today at New York City, with screenings nationwide coming your way. Check it out — it’s even coming to Oklahoma City (no doubt thanks to my friend Brian Hearn, who curates at the OKC Museum of Art). If it’s coming to your town, go, go, GO and see it. Bring your teenage daughters and sons, or get together with a pack of smart, creative types and get inspired.

This doc is real gem — as relevant to the feminist art movement as Exit Through the Gift Shop was for street art, albeit less flashy in its composition. If you love art, or have any interest at all in film, art, and the place women have in those disciplines, you don’t want to miss this.

Upcoming screenings:

June 1-7 IFC Center New York, NY

June 10 The Screen at Studio 2 Santa Fe, NM

June 15-19 Museum of Fine Arts Boston, MA

June 17-23 Laemmle’s Music Hall 3 Los Angeles, CA

June 17-23 Northwest Film Forum Seattle, WA

June 23-26 Oklahoma City Museum of Art Oklahoma City, OK

June 24-30 Denver Film Society Denver, CO

June 24-27 Northwest Film Center Portland, OR

July 1 Real Art Ways Hartford, CT

October 5 International House of Philadelphia Philadelphia, PA

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 “Teaching how to make a film is like trying to teach someone how to fuck. You can’t. You have to fuck to learn how to fuck. It’s just how it is. The filmmaker has to protect the adventurous side of their self. I’m an explorer, I’m an inventor. Doc Brown is the character I relate to the most and he’s a madman. He’s a madman alone, locked up with his ideas but he does whatever he wants. He makes what he makes because he wants to make it. Yes, the DeLorean has to work in order for him to be a madman with a purpose—the DeLorean should work—but the point is I think everyone should try and find their own DeLorean. When Zemeckis was trying to get Back To The Future made, which he was for seven years, he was trying to get a film made where basically a teenager gets in a time machine, goes back to 1954 and almost —-s his mother. That pitch is extremely subversive and twisted in a way. My point is, he had a fascinating idea that no one had done before, but was clearly special to him and he stuck to it and made it what it was. When you do that you can create culture, but I think a lot of movies are just echoing culture and there’s a difference.”
~ A Girl Walks Home Alone At Night Filmmaker Ana Lily Amirpour

Six rules for filmmaking from Mike Nichols
1. The careful application of terror is an important form of communication.
2. Anything worth fighting for is worth fighting dirty for.
3. There’s absolutely no substitute for genuine lack of preparation.
4. If you think there’s good in everybody, you haven’t met everybody.
5. Friends may come and go but enemies will certainly become studio heads.
6. No one ever lost anything by asking for more money.
~ Via Larry Karaszewski and Howard A. Rodman On Facebook