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By Ray Pride Pride@moviecitynews.com

“I Work For Documentary”: Sean Farnel Leaves Hot Docs After 6 Years

Sean Farnel, John Grierson

Since its inception, Hot Docs has become the second largest documentary festival in the world, after IDFA in Amsterdam. (I consider it a privilege I’ve attended the past four instalments.) While now-former programming director Sean Farnel doesn’t offer a roadmap to what comes next, his blog entry about leaving Hot Docs offers much about what’s come before: “I’ve watched over 4000 documentaries over the past twelve years. I still have notes on most of them. That’s a lot of reality. Another reality is that there comes a time to change course.” I like what Cameron Bailey tweeted tonight: “Sean Farnel worked 6 years at TIFF, 6 years at Hot Docs. One of the best in the business: taste, grit & humility. A Canadian.” [More at the link.]

[Photo: Sheffield Doc/Fest, November 2008; cradling Margaret Brown's Youth Jury Grierson award for The Order Of Myths. © Ray Pride]

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Six rules for filmmaking from Mike Nichols
1. The careful application of terror is an important form of communication.
2. Anything worth fighting for is worth fighting dirty for.
3. There’s absolutely no substitute for genuine lack of preparation.
4. If you think there’s good in everybody, you haven’t met everybody.
5. Friends may come and go but enemies will certainly become studio heads.
6. No one ever lost anything by asking for more money.
~ Via Larry Karaszewski and Howard A. Rodman On Facebook

“I expected ‘Salesman’ to take the step backward every day that Chekhov and Beckett did — but no, it was there to help all the time. The circumstances are like a brick shithouse, they are so solid. You can’t really be satisfied, but I am pretty close to it because the cast took it and ran. They get better every day. I’ve never seen anything like that before, and I don’t know if I’ll ever see it again. Is my ambition sated? I don’t know. To get something right, it can’t be sated because you can’t ever get enough of it right—and even if it is right, it won’t stay right. That’s the thing about a play. But with ‘Salesman,’ it’s different. I don’t know how, but they just keep getting better each night. I really don’t think I’ll direct another play. This is as good a time as I’ve ever had, and I don’t want to fuck it up.”
~ Mike Nichols To Stephen Galloway At The Time Of “Death Of A Salesman”