

ora on: DP/30: I AM, director Tom Shadyac
Niklas on: DP/30: Tinker Tailor Solider Spy, actor Gary Oldman
The Pope on: DP/30 @ SXSW: Short Term 12, actor Brie Larson
Don R. Lewis on: DP/30 @ SXSW: Short Term 12, actor Brie Larson
SamLowry on: DP/30 @ SXSW: Short Term 12, actor Brie Larson
Lex on: DP/30 @ SXSW: Short Term 12, actor Brie Larson
Rodney Sharpp on: DP/30: Skyfall, sound re-recording mixer (& 16-time Oscar nominee) Greg Russell
70srichard on: DP/30: Skyfall, sound re-recording mixer (& 16-time Oscar nominee) Greg Russell
Amber Colton Gardner on: DP/30 @ Sundance '13: Manhunt, documentarian Greg Barker and 3 CIA agent/subjects
dust on: Exit Through The Gift Shop, producer Jaimie D' Cruz, editor Chris King
DP/30 @ SXSW: Short Term 12, actor Brie Larson
DP/30 @ Sundance ’13: Prince Avalanche, writer/director David Gordon Green, actor Emile Hirsch
DP/30 @ Sundance ’13: Manhunt, documentarian Greg Barker and 3 CIA agent/subjects
DP/30 @ Sundance ’13: James Franco & directors, Kink.com/Interior. Leather Bar
DP/30: Skyfall, sound re-recording mixer (& 16-time Oscar nominee) Greg Russell
DP/30: Twenty Feet From Stardom, director Morgan Neville
DP/30: The Hypnotist, director Lasse Hallstrom
see all »
RT @Pinboard: Once Yahoo controls all four railroads and utilities, it will become unstoppable
RT @lenadunham: 3. Because it grosses me out.
RT @lenadunham: 2. Because a big reason I engage in (simulated) onscreen sex is to counteract a skewed idea of that act created by the prol…
DP: @Dealfatigue Can’t do research right now, but last I did, grossed were in line w/ history of most genres in US. Costs of prod/mktg exploded
DP: @Dealfatigue 1. What measurement? 2. Domestic or international?
“The true punk film of the festival.”
~ Romain Blondeau On Claire Denis’ Les Saluds in Les Inrocks
“It’s also defined commercially by the difference between a colorful, Hawaii-set comedy starring George Clooney and a black-and-white, prairie-based old-age odyssey featuring a straggly and unkempt Bruce Dern. All the same, Paramount Vantage should be able to ride accolades for this very fine Cannes competition entry to respectable specialized returns in fall release.”
~ McCarthy On Nebraska

Sounds EXACTLY like his awesome old man, and starting to look like him too; Saw this guy on the panel of at least one of those Apatow soirees they have at the Museum of TV constantly, seems like a great dude…
Just, you know, as with Reitman Jr., kinda burns me up that I’d be Stanley Kubrick right now had I had an industry connection with even 1/10000th of their A-list entree into the biz.
I think Kasdan’s take on Zero Effect awareness is a little closer to reality than David’s, unfortunately. I vaguely remember that movie coming out, and wanting to see it, but it was gone within weeks. I caught up to it — still on VHS at that point — months later and LOVED it, and knew others did, too, but I feel like it was a pretty slow grower. I don’t get the sense that this was a groundswell starting in, like, February 1998, though.
At the risk of sounding like some dude who always likes the first movie/album/etc. best, Zero Effect is still my favorite of his, and one of my favorite movies of the past 15/20 years or so. But his work on that and Freaks and Geeks and Walk Hard earns more or less lifetime interest from me.
So even if it doesn’t do that well, Bad Teacher is going to be his highest grosser in a walk, right? His biggest hit so far is Orange County with its 50something gross. And maybe his weakest movie? Although I do have some affection for it; it’s gone of the better Wild Jack Black performances, and lots of good performances on the sidelines.
Really like Zero Effect. Should watch it again.
He mistakenly cites “Anchorman” as an R-rated comedy (it was PG-13).
Loved Zero Effect (also in my top 20 movies), but haven’t really liked much of his stuff since.
Watching Bad Teacher tonight. Hopefully it’s as funny as Bad Santa.
The TV Set is BRILLIANT
Walk Hard is his weakest effort. Such great potential, but there’s about four funny moments and an hour of dead time and recycled jokes.
The TV Set is just ok. Just re-emphasizes the same theme over and over. I was really hoping to like it, but I found it pretty blah.
Walk Hard is great. A few too many running gags, sure, but a spot-on spoof comedy, and one of the only spoofs you could say that about in the past 15 or 20 years. Any movie that feeds Tim Meadows awesome lines to nail is worthwhile. Silly stuff, yes, but often laugh-out-loud funny. Bought the DVD new, which I’ve done like ten times ever.
Saw the movie, it’s funny, not the same level as Bad Santa though, but then again that’s a high standard.
I have issues with the last 5 minutes, otherwise it’s pretty fun. Not sure if this will do well in the boxoffice though.
Can I just say that Jake Kasdan should not be trying to pull off the bedhead-thing look. There’s a time, place, and certain kind of person who can pull it off, and Kasdan is not one of them.
It’s like when I walk into a business meeting with a bunch of people in suits and the one guy in his 40s wearing jeans and the bedhead thing. I just want to go up to him and say, “Really?”
But maybe that’s just a D.C. thing and not an L.A. thing.
Out of his feature work, my favorite is honestly ORANGE COUNTY. ZERO EFFECT is an awesome movie with a great screenplay and performances from Paulman and Stiller, and WALK HARD is killer funny, but I love how nice and affectionate OC is, especially how it marries an off-kilter tone with genuine drama. It’s the kind of Ashby-esq, shaggy 70s style comedy that we don’t get a lot of.
Looking forward to BAD TEACHER.
My wife doesn’t believe me that we saw ZERO EFFECT when it came out. It’s a constant source of semi-friction between us whenever it comes up. I liked it enough but have no desire to re-visit it just to prove to her that she’s seen it (especially ’cause she’ll probably still not remember it and still insist it was a previous girlfriend with whom I saw it).
Kevin, does she hold that over you? –
“Hey, Honey, let’s go see a movie this weekend.”
“No, let’s not.”
“Oh, come on. BAD TEACHER looks funny.”
“No thanks.”
“Pleeease?”
“Why don’t you take your old ZERO EFFECT girlfriend? I bet she’d go with you.”