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David Poland

By David Poland poland@moviecitynews.com

DP/30: Bad Teacher, director Jake Kasdan

14 Responses to “DP/30: Bad Teacher, director Jake Kasdan”

  1. LexG says:

    Sounds EXACTLY like his awesome old man, and starting to look like him too; Saw this guy on the panel of at least one of those Apatow soirees they have at the Museum of TV constantly, seems like a great dude…

    Just, you know, as with Reitman Jr., kinda burns me up that I’d be Stanley Kubrick right now had I had an industry connection with even 1/10000th of their A-list entree into the biz.

  2. jesse says:

    I think Kasdan’s take on Zero Effect awareness is a little closer to reality than David’s, unfortunately. I vaguely remember that movie coming out, and wanting to see it, but it was gone within weeks. I caught up to it — still on VHS at that point — months later and LOVED it, and knew others did, too, but I feel like it was a pretty slow grower. I don’t get the sense that this was a groundswell starting in, like, February 1998, though.

    At the risk of sounding like some dude who always likes the first movie/album/etc. best, Zero Effect is still my favorite of his, and one of my favorite movies of the past 15/20 years or so. But his work on that and Freaks and Geeks and Walk Hard earns more or less lifetime interest from me.

    So even if it doesn’t do that well, Bad Teacher is going to be his highest grosser in a walk, right? His biggest hit so far is Orange County with its 50something gross. And maybe his weakest movie? Although I do have some affection for it; it’s gone of the better Wild Jack Black performances, and lots of good performances on the sidelines.

  3. storymark says:

    Really like Zero Effect. Should watch it again.

  4. General Butt Fucking Naked says:

    He mistakenly cites “Anchorman” as an R-rated comedy (it was PG-13).

  5. Mike says:

    Loved Zero Effect (also in my top 20 movies), but haven’t really liked much of his stuff since.

  6. Peter says:

    Watching Bad Teacher tonight. Hopefully it’s as funny as Bad Santa.

  7. actionman says:

    The TV Set is BRILLIANT

  8. Hopscotch says:

    Walk Hard is his weakest effort. Such great potential, but there’s about four funny moments and an hour of dead time and recycled jokes.

    The TV Set is just ok. Just re-emphasizes the same theme over and over. I was really hoping to like it, but I found it pretty blah.

  9. jesse says:

    Walk Hard is great. A few too many running gags, sure, but a spot-on spoof comedy, and one of the only spoofs you could say that about in the past 15 or 20 years. Any movie that feeds Tim Meadows awesome lines to nail is worthwhile. Silly stuff, yes, but often laugh-out-loud funny. Bought the DVD new, which I’ve done like ten times ever.

  10. Peter says:

    Saw the movie, it’s funny, not the same level as Bad Santa though, but then again that’s a high standard.

    I have issues with the last 5 minutes, otherwise it’s pretty fun. Not sure if this will do well in the boxoffice though.

  11. Mike says:

    Can I just say that Jake Kasdan should not be trying to pull off the bedhead-thing look. There’s a time, place, and certain kind of person who can pull it off, and Kasdan is not one of them.

    It’s like when I walk into a business meeting with a bunch of people in suits and the one guy in his 40s wearing jeans and the bedhead thing. I just want to go up to him and say, “Really?”

    But maybe that’s just a D.C. thing and not an L.A. thing.

  12. JKill says:

    Out of his feature work, my favorite is honestly ORANGE COUNTY. ZERO EFFECT is an awesome movie with a great screenplay and performances from Paulman and Stiller, and WALK HARD is killer funny, but I love how nice and affectionate OC is, especially how it marries an off-kilter tone with genuine drama. It’s the kind of Ashby-esq, shaggy 70s style comedy that we don’t get a lot of.

    Looking forward to BAD TEACHER.

  13. My wife doesn’t believe me that we saw ZERO EFFECT when it came out. It’s a constant source of semi-friction between us whenever it comes up. I liked it enough but have no desire to re-visit it just to prove to her that she’s seen it (especially ’cause she’ll probably still not remember it and still insist it was a previous girlfriend with whom I saw it).

  14. yancyskancy says:

    Kevin, does she hold that over you? –

    “Hey, Honey, let’s go see a movie this weekend.”
    “No, let’s not.”
    “Oh, come on. BAD TEACHER looks funny.”
    “No thanks.”
    “Pleeease?”
    “Why don’t you take your old ZERO EFFECT girlfriend? I bet she’d go with you.”

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DP/30

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Julian Schnabel: Years ago, I was down there with my cousin’s wife Corky. She was wild — she wore makeup on her legs, and she had a streak in her hair like Yvonne De Carlo in “The Munsters.” She liked to paint. I had overalls on with just a T-shirt and looked like whatever. We were trying to buy a bunch of supplies with my cousin Jesse’s credit card. They looked at the credit card, and then they looked at us and thought maybe we stole the card, so they called Jesse up. He was a doctor who became the head of trauma at St. Vincent’s. They said, “There’s somebody here with this credit card and we want to know if it belongs to you.”

He said, “Well, does the woman have dyed blonde hair and fake eyelashes and look like she stepped out of the backstage of some kind of silent movie, and is she with some guy who has wild hair and is kind of dressed like a bum?”

“Yeah, that’s them.”

“Yeah, that’s my cousin and my wife. It’s okay, they can charge it on my card.”
~ Julian Schnabel Remembers NYC’s Now-Shuttered Pearl Paint

MB Cool. I was really interested in the aerial photography from Enter the Void and how one could understand that conceptually as a POV, while in fact it’s more of an objective view of the city where the story takes place. So it’s an objective and subjective camera at the same time. I know that you’re interested in Kubrick. We’ve talked about that in the past because it’s something that you and I have in common—

GN You’re obsessed with Kubrick, too.

MB Does he still occupy your mind or was he more of an early influence?

GN He was more of an early influence. Kubrick has been my idol my whole life, my own “god.” I was six or seven years old when I saw 2001: A Space Odyssey, and I never felt such cinematic ecstasy. Maybe that’s what brought me to direct movies, to try to compete with that “wizard of Oz” behind the film. So then, years later, I tried to do something in that direction, like many other directors tried to do their own, you know, homage or remake or parody or whatever of 2001. I don’t know if you ever had that movie in mind for your own projects. But in my case, I don’t think about 2001 anymore now. That film was my first “trip” ever. And then I tried my best to reproduce on screen what some drug trips are like. But it’s very hard. For sure, moving images are a better medium than words, but it’s still very far from the real experience. I read that Kubrick said about Lynch’s Eraserhead, that he wished he had made that movie because it was the film he had seen that came closest to the language of nightmares.

Matthew Barney and Gaspar Noé