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By DP30 david@thehotbuttonl.com

DP/30: Bad Teacher, director Jake Kasdan

14 Responses to “DP/30: Bad Teacher, director Jake Kasdan”

  1. LexG says:

    Sounds EXACTLY like his awesome old man, and starting to look like him too; Saw this guy on the panel of at least one of those Apatow soirees they have at the Museum of TV constantly, seems like a great dude…

    Just, you know, as with Reitman Jr., kinda burns me up that I’d be Stanley Kubrick right now had I had an industry connection with even 1/10000th of their A-list entree into the biz.

  2. jesse says:

    I think Kasdan’s take on Zero Effect awareness is a little closer to reality than David’s, unfortunately. I vaguely remember that movie coming out, and wanting to see it, but it was gone within weeks. I caught up to it — still on VHS at that point — months later and LOVED it, and knew others did, too, but I feel like it was a pretty slow grower. I don’t get the sense that this was a groundswell starting in, like, February 1998, though.

    At the risk of sounding like some dude who always likes the first movie/album/etc. best, Zero Effect is still my favorite of his, and one of my favorite movies of the past 15/20 years or so. But his work on that and Freaks and Geeks and Walk Hard earns more or less lifetime interest from me.

    So even if it doesn’t do that well, Bad Teacher is going to be his highest grosser in a walk, right? His biggest hit so far is Orange County with its 50something gross. And maybe his weakest movie? Although I do have some affection for it; it’s gone of the better Wild Jack Black performances, and lots of good performances on the sidelines.

  3. storymark says:

    Really like Zero Effect. Should watch it again.

  4. General Butt Fucking Naked says:

    He mistakenly cites “Anchorman” as an R-rated comedy (it was PG-13).

  5. Mike says:

    Loved Zero Effect (also in my top 20 movies), but haven’t really liked much of his stuff since.

  6. Peter says:

    Watching Bad Teacher tonight. Hopefully it’s as funny as Bad Santa.

  7. actionman says:

    The TV Set is BRILLIANT

  8. Hopscotch says:

    Walk Hard is his weakest effort. Such great potential, but there’s about four funny moments and an hour of dead time and recycled jokes.

    The TV Set is just ok. Just re-emphasizes the same theme over and over. I was really hoping to like it, but I found it pretty blah.

  9. jesse says:

    Walk Hard is great. A few too many running gags, sure, but a spot-on spoof comedy, and one of the only spoofs you could say that about in the past 15 or 20 years. Any movie that feeds Tim Meadows awesome lines to nail is worthwhile. Silly stuff, yes, but often laugh-out-loud funny. Bought the DVD new, which I’ve done like ten times ever.

  10. Peter says:

    Saw the movie, it’s funny, not the same level as Bad Santa though, but then again that’s a high standard.

    I have issues with the last 5 minutes, otherwise it’s pretty fun. Not sure if this will do well in the boxoffice though.

  11. Mike says:

    Can I just say that Jake Kasdan should not be trying to pull off the bedhead-thing look. There’s a time, place, and certain kind of person who can pull it off, and Kasdan is not one of them.

    It’s like when I walk into a business meeting with a bunch of people in suits and the one guy in his 40s wearing jeans and the bedhead thing. I just want to go up to him and say, “Really?”

    But maybe that’s just a D.C. thing and not an L.A. thing.

  12. JKill says:

    Out of his feature work, my favorite is honestly ORANGE COUNTY. ZERO EFFECT is an awesome movie with a great screenplay and performances from Paulman and Stiller, and WALK HARD is killer funny, but I love how nice and affectionate OC is, especially how it marries an off-kilter tone with genuine drama. It’s the kind of Ashby-esq, shaggy 70s style comedy that we don’t get a lot of.

    Looking forward to BAD TEACHER.

  13. My wife doesn’t believe me that we saw ZERO EFFECT when it came out. It’s a constant source of semi-friction between us whenever it comes up. I liked it enough but have no desire to re-visit it just to prove to her that she’s seen it (especially ’cause she’ll probably still not remember it and still insist it was a previous girlfriend with whom I saw it).

  14. yancyskancy says:

    Kevin, does she hold that over you? –

    “Hey, Honey, let’s go see a movie this weekend.”
    “No, let’s not.”
    “Oh, come on. BAD TEACHER looks funny.”
    “No thanks.”
    “Pleeease?”
    “Why don’t you take your old ZERO EFFECT girlfriend? I bet she’d go with you.”

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DP/30

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“By the time the sounds of the Von Trapp children warbling ‘Silent Night’ drift through The Giver, you may find yourself wondering what fresh movie hell this is. In truth, the enervating hash of dystopian dread, vague religiosity and commercial advertising-style uplift is nothing if not stale. Adapted from Lois Lowry’s book for young readers, the story involves an isolated society that, with its cubistic dwellings, mindless smiles, monochromatic environs and nebulous communitarianism, seem modeled on a Scandinavian country or an old Mentos commercial.”
~ Manohla Dargis’ Deadly Lede For Review Of The Giver

“It’s possible that in the coming days or, God forbid, weeks, the president could have something more specific to say about the freighted decades-long history of political imbalance at work, in this case between a mostly black working-class town and its majority white government and police force. But this is a black man who must choose his words about race, governance, and law enforcement even more carefully than a white politician would. And this is the third summer in which, as president, he would have to do so…

“Until this point in the turmoil, the absence of the crucial second face in the incident seemed to heighten the distance between police and the people they serve. It grants them both an anonymity and autonomy that matches the bizarre transformation, in Ferguson and elsewhere, of police into troops. The riot gear turns 2014 into a dot on a Jim Crow–era timeline. Since the officer’s name wasn’t made public more immediately, it should have seemed urgent for the police to lose the riot attire and take steps to minimize distrust, to dispel the contagious assumption that silence equates racism…

“What is so affecting isn’t just that 18-year-old Michael Brown was killed when he was barely a man. It’s other things as well. One was how many reports of the incident that first day mentioned that he was about to start college. That’s a rite that’s universally emotional. But for a black male from a poor family, the first day of college is a freighted day that usually requires the sacrifice of more than one person. Black people know the odds of getting to and graduating from college, and that they’re low. That Brown seemed to be on the right path compounded the parental, local, and national outrage over his being wiped from it.”

~ Wesley Morris On Let’s Be Cops, The Shooting In Ferguson, Obama…